Double Dragon Gaiden: Rise of the Dragons is a side-scrolling beat'em up that basically restarts the franchise respecting its roots, valuing the classic style of the genre and updating specific concepts that guarantee the reference for old-school fans. At the same time, it proves to be a beautiful gateway for new fans of good old beat'em up in the best pixel art style.
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Even though it demands a lot from the player right from the start and it doesn't have the nicest interface, especially for console players, Nobunaga's Ambition: Awakening is a legitimate representative of the genre. The title appropriates everything that has done best in the past decades, rewarding the dedicated and studious with fascinating stories, complex management systems and great options for achieving glory.
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Oxenfree II: Lost Signals not only honors its predecessor, but it also justifies its existence with a very well-developed narrative maturity. If the simple mechanics aren't appealing or even demanding for action fans, surely the well-written branching story can convince non-believers.
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As much as a pretended nostalgia for the action movies of the 1990s can make us overlook many of Crime Boss: Rockay City's flaws, it is inevitable to conclude that this is a game that failed in all its objectives, even to make us laugh.
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Chronicles of 2 Heroes: Amaterasu's Wrath is challenging and knows how to rely on the aesthetics adopted and the metroidvania model of progress, but it is in the dynamics of changing characters in real time where its true differential lies.
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The Bookwalker: Thief of Tales is the typical game that could be underestimated at first glance and that, without warning, captures us in a gripping way and makes us want more. If it has its shortcomings in terms of battle and graphical composition, it makes up for it with precise design and a brave, bold and captivating story.
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In what it proposes, F1 23 is virtually perfect. Keeping the graphical fidelity and the refinement of mechanics that worked well in the previous game, it brought back a narrative mode that, along with an overhaul in the interface and quality of life, only improves what was already amazing.
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Diablo IV is, without a doubt, a great success that takes the best of its previous iterations, especially Diablo II, and takes advantage of the potential of an intense open world. With mechanics refined for today, hundreds of hours of gameplay, and the promise of an aggressive post-launch content, this game is the ultimate in the eternal battle between evil and… the other party.
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The Lord of the Rings: Gollum manages to appropriate the best features of one of the best and most complex characters created within an unquestioned mythology, but a limited aesthetic representation of the world surrounding it and sloppy movement systems prevent the the game from being as precious as it should be.
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Zool Redimensioned brings back a brand forgotten in time 30 years after its original release, standing out for its still sharp gameplay, an intense graphic style, and some adaptations to modernize the experience. However, some additions that interfere with the game's dynamics and the lack of other necessary adjustments put the game at a disadvantage, especially in comparison with its rivals of yesteryear and with more recent examples of the genre.
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There is no doubt that Stray Blade manages to appropriate well the mechanics that have become popular in recent years and it does so in a game that is concerned with its narrative and its fantasy look. But some flaws in the combat and exploration design end up undermining some of its best ideas, which doesn't take away its merits, but unfortunately overshadows the experience as a whole.
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Mia and the Dragon Princess is cheesy as it should be and brings what is expected from a good FMV, with relevant choices, cartoonish performances and many unexpected consequences. However, it fails to offer an interaction without any inventiveness, in addition to serious continuity problems and, mainly, a script full of potential that never actually comes true, regardless of the chosen ending.
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Nuclear Blaze bets on a simple concept to deliver an intense and surprising experience. It doesn't offer more than a few hours and ends when it seems to be reaching a point of maturity, it's true, but considering the initial proposal and its execution, as well the good looking visuals and soundtrack, it can found a space of affection for enthusiasts of a creative old school platform game.
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The Mageseeker: A League of Legends Story is a great production derived from the franchise full of good hits. As an action RPG, it's dynamic, fast and has a lot of style, even if it suffers from a not always inspired story and a certain aesthetic pollution. The combat diversity guarantee high fun from beginning to end of the campaign.
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Redemption Reapers is a good tactical RPG and borrows many of the genre's best and most solid mechanics, as well as taking us on a dark journey through an ancient world ravaged by doom and hopelessness. However, the narrative fails to truly engage us, the visuals betray themselves and only the soundtrack is saved from any disappointments. It still works well, but it offers little, for novices and veterans alike.
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Disney Speedstorm establishes a very interesting, fun and promising structural base. If it is not a revolution in the genre, it knows how to rely on the rich universe of Mickey's house IPs and does so in a pleasant, immersive and seductive way, leaving to be seen whether, in the near future, the business model adopted here will be adequate (or not) for the platform and audience to which it is dedicated.
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Meet Your Maker is an amazing post-apocalyptic game that mixes first-person action and scenario building. In addition to a simple and fine-tuned gameplay, the feedback between its parts makes it addictive and a lot of fun, especially when shared with someone else online.
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Without great artistic, narrative or innovative gameplay pretensions, Tiny Troopers: Global Ops is a typical twin-stick shooter that brings some dated slips, but manages to be fun and competent in what it proposes, improving substantially when shared with more people in light sessions.
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With minor technical adjustments to be made, Tchia is a true masterpiece in all its aspects, which together allow us a journey through the rich and still unknown culture of New Caledonia. With solid and light gameplay, captivating graphics, mesmerizing music, and a subtle and delicate narrative, it is a simply delightful game.
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Monster Energy Supercross – The Official Videogame 6 remains a great game in its segment, with solid mechanics, competent visuals and a good level of challenge. However, it innovates very little compared to its predecessors and maintains some of the franchise's chronic problems.
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