Panzer Paladin's uncomplicated gameplay won't be for everyone and there are some very minor niggles that hold it back from true greatness. Even so, it has heart, and that goes a long, long way. If you're into retro throwback games then you should really give this a try; Panzer Paladin is an unpretentious, exuberant action game from start to finish, and a must for genre fans.
Dex is a well-made game, packing all the features you'd expect from a cyberpunk adventure.
Some will find Monster Prom: XXL rubs them the wrong way – the outcome of the game often feels quite random – but it's about the journey and sharing its eccentricity with your friends. It doesn't rival the Jackbox series, but it captures a similar and very welcome vibe which could turn it into a monster hit.
Carrion is a special thing in many ways, but its actual meat and potatoes structure is as formulaic as the genre gets. Thankfully, its core gameplay of tearing room after room of people into wet chunks of corpse never, ever gets old, and sustains the experience throughout. It looks superb, sounds great and is plenty of fun to play, despite some minor issues which just hold Carrion back from the upper echelons of the Switch library.
A truly pleasant game, Spiritfarer balances undemanding platforming, gentle exploration and forgiving resource management with a beautifully-realised world with a cast full of charming, likeable, memorable characters.
Super Punch Patrol feels like a greatest hits package, but that's the thing about the greatest hits – they're great. And so is Super Punch Patrol, in the end. For the price you'll pay, it's nothing short of spectacularly generous; there are only five stages, but they're tough as old boots and it'll take time to master the challenge and see those credits roll. With costumes and characters to unlock there's reason to keep playing even after you surmount this beastly little brawler, and at £4.99 it's a bit of a no-brainer.
The Long Dark is an onerous experience, but a memorably and powerfully atmospheric one. Its Survival mode stands out as something of a singular achievement on the Switch – and one we'd urge you to try if you don't mind freezing to death more than a few times before you've got a grip on how to last a couple of nights. It's difficult to call it outright fun given its sheer hostility, but it's certainly absorbing and at times downright terrifying game. Just like real life, nature is the real enemy.
It's a clichéd summary, but Avicii: Invector is better than it has any right to be, and a fitting tribute to an artist who died tragically young. It's a huge boost if you already enjoy his music, but even haters will have to respect the work that's gone into this fast-paced, well-designed rhythm action title. It's just a shame that Tim Bergling never had a chance to see it come together so nicely. Still, until we get Pet Shop Boys: Invector, it's the best single-artist music game we've had the pleasure of playing.
A pacey, exciting game, MindSeize excels when it pits you one-on-one against one of its varied, aggressive bosses, but there are no elements of this little gem that aren't up to scratch. You're constantly moving forward and getting better at it, and the level design is good stuff. We don't feel like the Metroidvania backtracking really adds much to the experience, but it didn't spoil our fun. What we have here, ultimately, is a fantastic action game that's been forced into the shape of a markedly less brilliant Metroidvania, a format that doesn't play to the game's strengths. So, very good indeed, but could definitely have been a classic with a little more structure.
Well-produced and undeniably fun, Angry Video Game Nerd 1 & 2 Deluxe will definitely lose something for non-fans, but it's a world above the turgid likes of PoopDie. This re-release elevates the workmanlike original to the point that it almost outshines its formerly-leagues-better sequel, but both games are good stuff. It's comfortably the best "YouTuber game", and this edition polishes it up in all the right places. If you're a fan of the AVGN, it's a must-buy. If you're not, you'll probably still enjoy yourself – Freakzone has crafted a meaty, responsive and rewarding pair of platformers that genre enthusiasts will get a kick out of. If you've already played both games, the extra chapter isn't lengthy enough to demand a double-dip, but it is a nice inclusion regardless, and this version is undeniably the better option. (Whoops, we almost forgot the best news of all – the Nostalgia Critic has been entirely removed from ASSimilation. Let joy be unconfined!)
A stand-out party game, Cake Bash deserves a place on your Switch menu. As with all games of its type, it benefits from having your friends alongside you, but online play with matchmaking (here called "matchbaking") works well, and you can play with bots if you really feel like you need to. It's only the eventual repetition that brings down Cake Bash, and that's really in the pie of the beholder. Far more than a mere trifle, Cake Bash belongs in the upper crust. We suspect the publisher's profit(erole) turnover to rake in the bread. Donut miss this one! (Reviewer is roughly bundled into an unmarked van and shot.)
Taken at its intended pace, Wildfire is a thoroughly enjoyable and interesting game with a multitude of interlocking systems that caters to players who don't mind thinking on their feet if their best-laid plans go scorchingly awry. The slow pace and frustration of failure won't appeal to all (though checkpoints are generously placed) but for gamers who don't mind a bit of a slow burn (tee hee), Wildfire is an expansive and inexpensive title that's a healthy mix of tropes and ideas familiar enough to feel cosy, and unpredictable elemental action that rewards creative thinking. And the further through the game you play, the more interesting it becomes. An impressive debut.
A very pleasant and enjoyable surprise, Blue Fire is an auspicious debut from ROBI Studios. Only the performance issues, mildly sloppy combat and high difficulty are points of contention, and the latter will certainly depend on your point of view. Developed with passion and skill, this is a world you can lose yourself in that'll reward you the more you play and the better you get. It's uncompromising in its difficulty but doesn't resort to cheap tricks and "gotchas". The graphics are appealing and, crucially, clear as day. This is a fantastic experience overall, even if it isn't made up of the most original pieces. It's gameplay first and once you're traversing the infinite space of the Void stages, everything else basically just falls away.
A breezier, simpler game than its clear inspirations, what Curse of the Dead Gods lacks in narrative it makes up for in focused, crunchy gameplay. Combat is interesting, exploration is rewarding and the systems in play are sufficiently diverse to make this a winner. It won't consume you forever, but you'll feel far from short-changed by this game of meaningful, divergent dungeons.
What seemed unimpressive in 2004 now feels enjoyable and imaginative, and we're not sure what that means, exactly. It's simultaneously cheerful and challenging, and there's a lot of joy in the journey as well as the destinations. The cursed spectre of 'gameplay variety' (read: jack of all trades, master of none) looms over the material, but by making the diversions brief and ultimately simple it manages to keep the player guessing to an extent throughout its languid twelve or so hour runtime. Some backtracking and minor camera issues bring things down a touch, but overall Ty the Tasmanian Tiger 2: Bush Rescue is a surprisingly solid slice of character action, and one we fear may have been underserved at the time of its original release. This is not just a sequel that's content to rest on its laurels, and that's worthy of respect. Hooray! We made it through the whole review without any silly, lazy Aussie clichés. That's bonzer, mate!
One of those rare titles that takes inspiration from the classics but manages to forge its own identity, Smelter is a breath of fresh air that uses its influences very wisely, assisted to excellence by generally pretty terrific level design with only a handful of lesser segments bringing things down just a tad. The proceedings feel confident, original and polished, with gorgeous graphics and an outstanding soundtrack that calls to mind the likes of Mega Man X4 for its action stages and evokes Yuzo Koshiro's majestic ActRaiser score for its side-scrolling levels.
Risk System is an impressive game where it counts, and that's in its taut, thoughtful and challenging gameplay. The polish of the design reminded us of the excellent run n'gun Bleed, with its focus on dodging and retaliating in linear stages, but of course here applied to the shmup genre. Other than higher ranks, there's not much to rush back to in Risk System's six short stages, but they're sufficiently difficult enough to last genre non-veterans a good while. Absolute pro shmuppers may find it a little too breezy, but players of any skill level will be able to appreciate the exceptionally solid game on offer here. We say that there's no risk of buyer's remorse with this one.
No More Heroes III has the faults of both its mainline predecessors – it's a little more tedious than No More Heroes 2, and a little less meaningful than No More Heroes. It makes up for this, however, by being another inarguably impressive, balls-to-the-wall carnage-fest, a blood-spattered love letter to excess, and a Suda51 fan's wet dream splashed across the Switch. The story it tells is cool. The game it plays is cool. Neither of these crucial aspects reach the heights of the series' Nintendo Wii origins, but nobody who truly gets No More Heroes could reasonably be disappointed with this third incarnation. The joke's beginning to wear thin, but it's all in the telling. And Suda51 can still spin a very fine yarn.
Mayhem Brawler is way, way better than it has any right to be. It looks good, plays nicely and only really suffers by comparison to its bigger brothers such as Fight'N Rage and Double Dragon Neon. The animation is lacking compared to these titles, but it's still perfectly acceptable, and the slightly generic environments are too busy to really pay much attention to. With a world this interesting, we'd love to see another game take place in Mayhem Brawler's universe.
Metallic Child delivers a compelling, dialogue-packed and seemingly fully-voiced quasi-roguelite anime adventure with quite some aplomb, and is certainly an impressive achievement from apparent solo dev Studio HG. The price is right and it's only some issues with repetitive gameplay that bring the title down a little. There's plenty to see and do and a meaty adventure to get stuck into, with "achievements" to unlock and permanent incremental upgrades to purchase with dropped currency as you smash your enemies to pieces. An impressive debut that's very clearly made by someone who understands how important feedback is to a game like this; it's a slick, exciting robot-smashing fest for your Switch.