Unfortunately falling victim to the giants of rogue-likes it provided the shoulders for, Collapsed is an entertaining if poorly balanced rogue-like. Solid action and gunplay can only carry you so far when repetition slowly wears away your enthusiasm, and you know that other games in the genre offer so much more in comparison. Collapsed is despairingly trapped under the rubble of those who have surpassed it.
A cosy, relaxed afternoon kind of game, Time Loader is a short, unchallenging but easy going little game. The soundtrack is lush and the gameplay, graphics and story are all decent enough to keep you engaged. While not memorable or worth screwing up the space-time continuum for, Time Loader is a dependable little earth JCB.
Weird West sadly just isn’t as unique, strange or compelling as its setting and ideas suggest it should be. A decent twin-stick shooter with solid but repetitive combat, a limited sandbox and inconsequential decision making undermine the potential for an awesome gun slinging adventure. Sometimes, declaring yourself weird just ain’t enough, you’ve got to have the stones to commit to the best duels of the wild west.
By design, Postal: Brain Damaged is a relic of an era that passed about 20 years ago. It captures some of the best of the 2000s through lightning quick, buttery smooth and challenging gameplay, but also soils itself by relying on tired old tropes for comic relief and some rough edges with balancing. Postal Dude has a penchant for pissing himself and this Postal entry unfortunately can’t escape the dregs of his urine, but when did a little pee stop him causing havoc?
Back 4 Blood’s second expansion Children of the Worm delivers some urgently needed fresh content with a new campaign, character and weapons. It relies on the stale objective design and flawed gameplay of its base, but it also offers some fun missions and new enemy types to overcome. It’s a step in the right direction for Turtle Rock Studios and Back 4 Blood, most importantly leaving me optimistic for the planned third expansion, instead of with an intrepid fear of mediocrity that followed Tunnels of Terror.
A card-based choose your own adventure game that emulates your favourite board games, Foretales has a novel gameplay idea that sadly gets a little too repetitive to hold your attention for the multiple playthroughs its story options offer. It’ll make for a warm and comforting couple of sessions play and there’s a lot of scope for an expanded sequel, but what’s here may leave you wanting even after just one playthrough.
Unlike the French Revolution, you’re most probably going to fail at subduing this rebellious town a number of times. Deep and challenging gameplay systems are unfortunately undermined by an authoritarian difficulty curve, lack of variety in presentation and a bland story. For would-be dictators however, there’s a city worth pulling up kicking and screaming from the dirt.
Undetected is unapologetic in being a love-letter to the original Metal Gear Solid. It’s fan service in a fresh coat of paint and will bring up those fond memories from 24 years ago for those who enjoyed Kojima’s original PS1 vision. Simplistic gameplay and AI make this a lesser experience for those who aren’t fans, but for those who adore the series, it’ll remind you of just how good MGS1 truly was.
The Callisto Protocol is a good game that falls short in almost every department of being a great one. Predictable story, gratifying-yet clunky combat mechanics and a lack of variety hold back what is an otherwise visual and audible spectacle. Dead Space has cast a long shadow since its release in 2008 and The Callisto Protocol can’t emerge from the depth of its superb darkness.
Crossfire: Legion is an accessible RTS with a decent foundation to become a great game, but it’s held back by a lackluster campaign, poor pathfinding and shallow strategic systems. A stellar voice cast, excellent graphical performance and primitively fun gameplay can carry you quite a way, but not enough to reach the best of the genre. Hopefully, there’s more to come.
Broken Lines is a decent amalgamation of XCOM and Peaky Blinders: Mastermind. Despite its multitude of flaws and unappealing visuals, there’s a bit of fun to be had navigating this squad through this alternate WWII universe. While it’s trapped behind enemy lines, there’s hope the squad can mend the broken to ultimately survive.
Atomic Heart is a solid yet over-indulgent first entry from a developer that maybe had more ideas than it could manage at once. The individual atoms and particles have wonderful potential, but their quantum connection to each other feels wholly missing thanks to their competing directions. I have hope a sequel could deliver on the fantastic premise and stellar world-building, but just like nuclear fusion, it’s an optimistic dream rather than an exciting current reality.
Solitaire meets boxing with a cheap, cheerful and limited punch-up. Deck ‘Em is an hour of straightforward fun despite it’s lack of depth or content, but the low entry cost means it’s a decent way to spend the price of a high-street coffee for a bit.
Troublemaker is another Deadly Premonition, in that it’s a game that’s objectively flawed, broken and messy. Even so, the ridiculousness and sheer enjoyment it’ll bring to your face as you continue to play will make you love it for what it is – an immature, hilariously enjoyable beat-em-up with a non-sensical story and repetitive gameplay. One of the best worst games you’ll ever play.
Little Witch Academia: VR Broom Racing is a game I shouldn’t have liked nor should recommend, but it has a certain honest appeal that’s hard to knock it for. For wannabe broom racing witches, this game was made for you, and probably only you.
If you like big-breasted anime females then Neptunia x Senran Kagura: Ninja Wars has got you covered. With lacklustre story, shallow hack-and-slash mechanics and ancient graphical presentation, there’s little here worth your time. If you’re a fan of action or RPG games that are anything more deep than a puddle, Ninja Wars ain’t gonna be the one, basically, especially if you don’t fancy balancing barely-glad animated women on peaches.
Mr. Prepper doesn’t turn out to be the nuclear catastrophe it initially convinces you it will be. It survives the radioactive onslaught by the skin of it’s dank, burrowed out teeth. There’s something strange in this that can be recommended, but only to those who have a penchant for the suvivalist, resource-management genre. For everyone else, the threat of impending destruction on the surface is likely more preferable to the solitude and depression of the bunker.
Elex II is a prime example of great potential being suffocated by poor execution. A large world filled with quests, unique factions and interesting lore can only carry you so far when the combat is floaty, the progression is stifling, the graphics bland and its performance breaks so visibly, so often. Instead of slaying raptors with lasers, you’ll be waiting for the game to pop-in the fun while it chugs out another texture it missed.
World War I returns with the Italian theatre authentically recreated for some grounded, methodical FPS action. The real war was a grind and Isonzo maybe captures that feeling a little too well with a lack of variety in maps and modes, coupled with some major technical and visual issues. Even so, it’s an earnest effort that’ll draw in appreciators of history and those who like their FPS experiences to be more tactical and threatening than the Battlefield 2042s of the world.
I See Red promises high-octane and snappy action which, by and large, it delivers on, aside from some mechanical looseness. What slows this violent rampage down to a meek crawl however is the repetitive corridor traipsing, bullet-absorbing late-game enemies and blunted visual style. You’re better off replaying Ruiner to enact bloody vengeance.