I love Remedy's games and always have. From the first Max Payne all the way to Quantum Break there have been ups and downs, but Alan Wake still remains my favorite game from them. Control takes place in the same universe as Alan Wake and even explains what kind of happened down there, as you play as Director Jesse who has a crazy gun that can transform and you fight off weird enemies call The Hiss and your goal...well...I can't tell you what the end goal is as this is Remedy's most incohesive story yet with many plot holes and even after the credits rolled I still couldn't make sense of the story at all. Let's start with the exploration. Control takes place solely inside the Federal Bureau of Control and is a generic boring and ugly building that is basically a labyrinthine maze that requires a ton of backtracking and is a pain to navigate. There are several floors in this building and spread throughout are Control Points which you use to level up Jesse and fast travel. Even though fast travel is nice trying to find new areas from those points is a serious pain. Throughout the game, you can find files to read and solve simple puzzles that use your telekinetic powers. Jesse can throw objects as weapons and break off pieces of the buildings as well and hurl them. This is a key combat mechanic as you will swap between this and your weapon when either is recharging. Combat in Control is pretty boring and frustrating. In fact, I would have rather had no combat in this game and it would have been more enjoyable. Shooting enemies that float in the air, have shields, larger health bars, and some bosses are all fun, but not in Control. The game throws an insane amount of enemies at you at every turn and there are no cover systems so you must run around like a bafoon trying to avoid explosive enemies, bullets, and projectiles. You don't get to levitate until the last fourth of the game and I never even got the dodge move or shield as I completing side missions is an absolute chore and I didn't care enough to see the level up system all the way through. Many times I died because you can't heal unless an enemy has dropped health and if you picked it all up you're screwed. This is essentially a broken mechanic and I hated every minute of it. Not once did I enjoy the combat because instead of fun and unique bosses you get tossed into arenas and gauntlets and waves of enemies to chew through and it seriously hinders progression. Not to mention they respawn in certain areas when you're trying to cut through somewhere. The gun itself isn't fun to shoot as it requires recharging and there's no ammo or reloading. There are various forms such as a sniper pistol, machine pistol, grenade launcher, shotgun pistol, etc. but I only stuck with a couple of forms through the whole game. You can add perks to Jesse and each weapon that can increase health, decrease recharging, energy costs, etc. and these are vital to surviving. As you explore the game you will notice Remedy's signature trippiness as level twist and turn and transform and there's a supernatural aspect to the game of course, but it's all for naught. Nothing in the game is ever explained like why can I pull a string three times and get warped to the Oceanview Motel and have to solve the same stupid puzzles inside. Ring the front desk bell, go into a room remember the placement of objects, ring the bell again, and move the objects in the next room. It's stupid and makes no sense. Why is Jesse communicating with this Hadron entity and who is her brother anyways? What purpose does the Director have in all of this and why does a slide projector harness so much power? Yeah, makes about as much sense as it sounds and nothing is ever explained. It's hard to push through the boring and frustrating combat only to get another confusing cut scene that seems like a random piece from a storyline. Control looks pretty good, but Nvidia's DLSS anti-aliasing is awful here and the game is a blurry mess even with MSAA enabled. The engine is decently optimized as I got a steady 60FPS through most of the game with RTX on and it rarely dropped below 45FPS. However, the art style is dull and stale with concrete hallways and corridors. It doesn't have a unique identity and that's sad as Remedy is good at this. Overall, Control is a disappointing follow up to Remedy's legacy. With Quantum Break being as disappointing as it was, was Alan Wake their last great game? Control isn't the game we all wanted, and I honestly won't remember this game a week from now, and that's sad as there's lost potential here with Remedy's signature touches that just don't quite connect. The combat is boring and frustrating and very repetitive, lots of backtracking, and a confusing mess of a building to explore just doesn't strike me as fun. If the story was at least solid it would be worth it, but it makes no sense and when the credits roll you just shrug and wonder why you wasted your time.

ABOUT || Jesse Faden finds herself in a massive building in New York City, called the Oldest House. A voice apparently led her there. Eventually, she finds a guy shot in the head with a weird looking gun beside him. Suddenly, a pyramid-shaped being appeared in her head, granting her the title of the bureau director – just like that. Apparently, an infestation has ravaged the facility and with her morphing gun, she goes to work. PROS: ● Fantastic and utterly distinguishable visual presentation, sprawling and utterly detailed and packing in map design, oozing in impeccable atmosphere ● Fascinating and captivating plot and world-building, the Bureau being dedicated to containing and examining all things weird and bat-**** crazy in this world ● Holy ****, the combat in this thing is utter third-person perfection, based on satisfying gunplay and hurling chairs and forklifts and ******* slabs of concrete on enemies’ faces ● Physics system that hands-down beats Just Cause in its own game on full display, with pretty much everything in the game destructible and throwable in the most satisfying way possible ● Map design and HUD promotes immersion, forgoing any navigation aid in favor of carefully examining the world for directions ● Sufficient enemy variety, all with nice designs and pretty smart and aggressive AI ● The ability of flight and dash turns every encounter in an incredibly enjoyable, dynamic fight for survival that you’ll never get enough of, when the screen turns into a mosaic of thousand particles, sparks and distortions ● Map design that seems to stretch to infinity, pleasing explorers and secret hunters alike ● Nice voice acting all around, supplemented by those well-animated lip-syncing (and quite exaggerated mouth animations) ● Side quests, though mostly still of the fetch kind, extend the playtime and fleshes out the world more, often ending to incredibly challenging boss fights (more so than any in the main campaign) and nice rewards ● Terrific sound design and ambient tracks ● Little to no instances of physics objects glitching out and **** ● Jesse is thankfully a responsive gal to control, perfect for the many frantic fights ahead of her, though she does get stuck quite a lot ● The many well-produced videos and audio collectibles to distract you from the task at hand, especially those puppet shows and that doctor’s instructional clips ● The Astray Maze sequence is mesmerizing and banger as **** CONS: ● The unlockable outfits suck ● The ending is definitely less satisfying than throwing a forklift into those poor ******** ● Bureau alerts are annoying and break the flow of the campaign should you fall for them ● The lack of a walk function is atrocious

Make no mistake, this is a superb piece of video game design, and keep the word design in mind. It's atmosphere is suitably mysterious and often creepy. The construction of The Old House is an amazing sandbox to fight your way around. The writing is great, the story isn't meant to be entirely coherent but it never feels ridiculous. The huge amount of collectibles really enhance the lore in the game and in the core campaign you learn more about Jessie and some of her past. It will never be completely explained in full, but you will learn enough for her presence in the Old House to make sense. Combat is fantastic and so much fun. It's very challenging, to the point where you will feel pleased with many of your victories. This game gives you a wealth of abilities and it expects you to learn how to use them effectively. When that muscle memory starts kicking in, it just adds to the enjoyment. If you really struggle there are assistance features you can turn on and ramp up on a scale to find a balance that suits you. It's a great set of options if you find the default settings that bit too punishing. The enemy variation is great and on the last mission, you get them all thrown at you. Prepare to not stay in a corner and if I can give you one tip, get used to using the personal shield ability as soon as you get it. I would give this game a nine out of ten... if it weren't for the horrendous technical issues on PC. I'm playing the base game that has been upgraded with both the DLCs and from this point it suffers horrendously. I sincerely hope that the Ultimate edition has had these issues ironed out because if not, look forward to crashes that are so bad you entire system will need a forced power off and if playing through the Epic launcher, you will lose your progress and have to go through a manual file movement to recover the last backed up save in the APPDATA folder. This will likely set you back a few hours. You'll also likely have to uninstall and reinstall the game from scratch if these crashes happen to you because it will never function properly once the crash happens. You should play this game, it's a stand out piece of design, but play it on console where the QA process will likely mean it's also a reasonable piece of development. For the PC version, Remedy should be ashamed.