Telling Lies Reviews
Telling Lies is like the best parts of an adventure game, a mystery novel, and an art nouveau movie all rolled up into one.
Telling Lies feels like it's about four times as big as Sam Barlow's previous game Her Story, and it shows. You feel it not just in the four characters you're sifting through footage of, but in the variety of its videos too: from FaceTime calls to hidden cameras capturing secretive meetings. In Her Story, it was famously easy to go down a rabbit hole of sorts on your own intuition; in Telling Lies, that tendency is mechanized in smart, intuitive ways. When it comes to good interactive mysteries, Telling Lies is among the best you can get.
It's crucial to slow down, take a breath, and watch everything, even when I want to rush through to find another clue. On the other hand, Telling Lies provides subtle reminders of the dangerous reality of rifling through stolen, encrypted files, and the level of secrecy required by that act. That tension helps the game crackle with life and urgency.
Telling Lies expands on the core ideas of Her Story with more expansive, nuance voyeurism, but it runs out of energy before the end.
Excellent acting from actors like Angela Sarafyan (Westworld) and Logan Marshall-Green (The Invitation) brings depth and realism to the characters and their stories
Telling Lies is a paragon for storytelling, for character arcs that surprise you and linger on long after the credits – and videos – have ended.
An atmospheric, brilliantly written and acted detective thriller that tells a compelling story in a unique way.
Sharp writing, believable acting and a twisting plot make Telling Lies an essential detective game.
Telling Lies, by contrast, is but a second baby step into uncharted territory: a little wobbly, a little naive. But definitely courageous and exciting.