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Capcom marks Resident Evil's 30th anniversary with a stellar return that's both a masterful bit of suffocating horror and a nostalgic, fan-thrilling victory lap for the legendary series.
Styx: Blades of Greed isn't quite as well cut out as a fine piece of quartz, but it's easily the best stealth game in years - and so utterly compelling you'll be desperate to get back to it when you have to do boring un-murdery things like, I dunno, going to the shops, or feeding the cat.
The sequel to Squanch Games' detestable FPS demonstrates significant improvement, though its biggest features remain its weakest - and technical issues hinder the progress made.
Tarsier returns to horror with a rich, meaningful evolution of its familiar Little Nightmares formula. And while it could perhaps be a little more radical, Reanimal remains utterly compelling; bleak, nasty, and full of menace.
Innovation is the ki to success for Team Ninja and Koei Tecmo, as Nioh 3 iterates on the formula once more to take an already great 'masocore' series to new heights.
Inkle mixes archive-surfing and audio drama to create a surprisingly powerful story of obsession and a machine.
2XKO is a tag fighter like no other, with a bold aesthetic and superbly crafted core gameplay experience. Beloved League of Legends characters are revitalised in a new light in a truly stunning free-to-play experience.
You can smash through Terminator 2D: No Fate's story mode in less that the runtime of the movie, but that doesn't stop this side-scrolling action platformer from being a perfectly presented tribute to 90s nostalgia.
Can't sleep? Moon too bright? Want to eat it? It's a simple goal for a demon in the underworld, as you'll find in this gorgeous, extraordinary narrative adventure that just so happens to require skateboarding.
Metroid Prime 4: Beyond is enjoyable enough, and has glimpses of vintage Metroid shining through, but this game could and should have been so much more.
Santa Ragione delivers a subversive, sometimes shocking, often funny first-person narrative horror that, while perhaps a little insubstantial, remains an engagingly unconventional exploration of some timely themes.
While racing is at its core, Kirby Air Riders channels the chaotic energy of Smash Bros. to deliver a deceptively deep one-button gameplay experience - and tops it with absolutely oodles of things to do, see, and unlock.
A shift away from single-player leaves Call of Duty with its most lopsided and homogenous entry in decades, though what it does offer is consistently good fun when accepted on its own terms.
From coconuts to black holes and watch parts, Lumines is back in fine voice.
Rich PvE combat and an unusually friendly community make Arc Raiders a more approachable extraction shooter than most, but Embark Studios' continued use of AI voice generation is a black mark against its reputation.
The Outer Worlds 2 is for better and worse still fluffy gaming comfort food, but it is significantly improved and better than its predecessor in almost every way.
PowerWash Simulator 2 opts for welcome refinements over big advancements, but it's as weirdly compelling and winningly daft as ever.
Psychonauts studio Double Fine returns with a surprising, shapeshifting adventure of captivating wonder and beauty.
The Chinese Room has managed to make something from a box of inherited parts, but this action RPG feels hollow and functional, and is only redeemed by some stellar performances from the characters and cast.
Kenny Sun's new game is a voguish spin on an Atari classic - and it rules.