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Micro Machines' return sits in the shadow of its superior predecessor.
Just deserts.
A trashy, overwrought psychodrama with the odd inspired touch that alternates between simple forensic puzzles and gimmicky gunplay.
Housemarque has just made the game of its career.
Emily is Away Too is a surprisingly poignant trip down memory lane.
Arms does for fighting games what Mario Kart did for driving games, and the results are absolutely splendid.
Dirt 4 is an authentic and innovative off-road racer, though it lacks the focus and finesse of its exceptional predecessor.
The dearly departed Studio Liverpool's much-loved series is given a lush makeover in this generous compilation.
Fun fighting marred by an underwhelming package.
A thrilling and creative multiplayer horror, Friday the 13th's compelling emergent play is hindered by a half-baked launch.
Beautiful, strange and sometimes a bit fiddly, Tokyo 42 offers a dazzling toybox to explore.
Beautiful but bug-riddled, Impact Winter isn't the game it could be yet.
Pared-back and wonderfully focused, this is a welcome blast of Burnout magic.
Tequila Works conjures a powerful spell from seemingly familiar elements.
Street Fighter 2 on Switch is a disappointing release made worse by the rip-off price.
This ruminative travel game is beautiful, poised, and a little predictable.
A revival of a 1992 Famicom game that never made it out of Japan, there's more to Echoes than a mere history lesson.
A solid Soulslike that stops a few steps short of greatness.
NetherRealm's latest is content complete.
PlayStation VR gets some much-needed support from Sony, but unfortunately Farpoint is a hollow novelty.