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Gynoug hasn’t quite got that special extra spark that turns a great game into a spectacular one, but even so it’s still a unique and thoroughly enjoyable thirty-year-old shmup capable of standing proudly next to any other sold on the eShop, and yet another affordable retro re-release sitting in that perfect middle ground between modern convenience and hardcore authenticity.
Unpacking manages to do several things very well, all at the same time. It's a touching story told through interaction, it provides the creative play space of a great dollhouse game, and it deftly applies established game design ideas from completely different genres. Its only real shortcoming is the repetition that is a necessary byproduct of landing its message. Effort has gone into making the controls satisfying on Switch, and the visual and sound design are delightful throughout, making Unpacking, like any sane person's cutlery, absolutely top-drawer.
Blue Reflection: Second Light improves on almost every aspect of the original, with a mystery that feels more personal as the characters become closer. The relationship between the girls as they seek to discover why they were brought to this strange world is the star of the show; though the combat is fun, it is always a vehicle to get you more story rather than the driving force of the game. Second Light is a fantastic-looking anime adventure that you'll love, so long as you can accept that combat isn't the focus.
Voice of Cards: The Isle Dragon Roars is a game that certainly won't appeal to everyone; this is one that you have to come into with an open mind. It's pretty short compared to most RPGs and doesn't take many chances with its gameplay, yet the card aesthetic remains consistently interesting, it's supported by extremely strong presentation, and that gameplay ultimately proves to be quite satisfying. For thirty bucks, this card game is one of the best concise RPGs you can buy on the Switch, and if any of its art or concepts pique your interest, we strongly recommend you give it a shot.
Tunche looks and sounds good, plays neatly and consistently and is fun for couch co-op. However, it takes its punchy ideas and sneaks off into a dark, dirty alley where people just won’t want to go and find it. It is fun if you’re willing to get in there and get stuck in, but you’ll need to step over the broken glass of tiny screen text, try not to touch the wet-stained walls of repetitive, roguelite early encounters, and apologetically deny having any spare change to the drugged up yuppie of verbose exposition. In conclusion, if you are looking for a fight, mate, let us point you in the direction of Tunche.
Like a great album you put on at the end of the day to wind down, Toem is an incredibly relaxing experience that you'll wish you could experience all over again once it's finished. It almost makes us want to start capturing photographs of the world around us, but sadly, we don’t have a duck dressed as a lighthouse keeper to show them to. If only.
Circa infinity is a game where form follows function and function follows form. If the image of a bold circle on the screen was the chicken, then the mechanic of a wrap-around platformer was the egg. The constant trickery of its concentrated concentricity is confoundingly circular, but once you’ve bought into the premise, it makes perfect sense. Player-friendly level design and a well judged difficulty curve let the fluid intricacy and fiendish challenge shine, while its distinctive appearance will leave an indelible mark on your mind.
World War Z is an unremarkable zombie shooter that serves up a decent five-odd hours of action if you can find a few friends to play with. It's repetitive stuff; basic and unsurprising for the most part, but this Switch port is solid, managing to provide the full-fat experience without too much in the way of technical issues or other shortcomings. If you're in the mood for blazing through bland masses of zombies with a few friends in tow, this one's got you covered – just don't expect much more than that.
Just Dance 2022 is okay. It's more of the same with some cool new tracks, a slick and smooth experience overall that plays it safe and works just fine as a result. However, it also constantly pushes its subscription service and ends up feeling a little convoluted and tacky as it spends more time flogging tracks you don't own over letting you enjoy the ones included with the base game. Fans of the series - or anyone who's just danced to even a single track from the series - will know exactly what they're getting here, but newcomers should be aware that they'll need to fork out more cash after buying the game in order to enjoy the full experience.
Shin Megami Tensei V is a modern masterpiece. It successfully delivers on all the aspects that have made the series thus far so popular with fans-namely through its high difficulty, heavy narrative themes, and expansive team-building options-while polishing up and tightening the weaker aspects. Things like a more easily navigable map and more difficulty options to cater to players of all skill levels comfortably make this the most approachable entry in the series, and it feels like there's more things to do in the world than ever before. If you are at all a fan of RPGs or have been looking for a good entry point into this oft overlooked series, we would strongly encourage you to pick this up as soon as you can. Shin Megami Tensei V was worth the wait, Atlus has successfully stuck the landing with this one.
Demon Turf is a fantastic platformer that's held back from true greatness by sections of dull and repetitive combat. Push through this, however, and you've got a game that rewards daring and bravery, bolstered by wonderful platforming controls that let you string together incredible combos. The visuals are initially a bit jarring, but the character design really shines through and give it a timeless aesthetic. If you're a fan of 3D platformers from the 'golden' N64 era and beyond, this one is well worth a look.
With split-screen co-op, and incredibly gentle expectations as far as the gameplay is concerned, LEGO Marvel Super Heroes is a fantastic, low-stakes game for parents and kids to play together, but also for adults who are looking for something that pleasantly whiles away the hours without beating you over the head with difficulty. Excelsior!
Dusk is one hell of an impressive piece of software and possibly the single best Unity port to Switch we've ever seen, sidestepping all the usual performance problems and delivering a brilliant experience of a brilliant game. We've tried to think of meaningful criticisms or negatives. Of course pad controls are never going to be as precise as mouse aim, but when the developers have tailored the analogue sticks to such a degree of precision, that would be churlish to ding them for. It's not as good a game as Quake, but almost nothing is. It's arguably a better port than Quake got, and that was itself excellent. There's a relatively limited arsenal of weapons - they're all great, but there's no iconic gun here, just your usual pistol, shotty, assault rifle, explosives, et al. Ultimately, Dusk is another absolute cracker in what's turned out to be a phenomenal month for Switch; a real horror show, and the highest of 9s.
Marvel's Guardians of the Galaxy is a great game, a fun and colourful adventure full of excellent writing, brilliant acting and plenty of wacky action and exploration to dig into. However, this Switch cloud version renders pretty much any praise we could lavish upon it entirely inconsequential as it serves up a truly messy, laggy and unreliable experience - even when played via our super solid, ultra fast internet connection. It is, in short, a disastrous and ridiculously expensive way to play through a game that deserves so much better. Pick this one up on another platform if you can and steer well clear of this mess.
Mario Party Superstars is a love letter to the parties you remember attending 20 years ago. A disappointingly slim selection of boards takes the shine off things somewhat, but it's hard to argue that this is the best Mario Party has been in over a decade. No new ideas absolutely feels like a missed opportunity, but by the same token we'd much prefer to have all these classic ideas intact rather than potentially tainting them with unwanted and unnecessary inclusions only added for the sake of being new. Grab a can of Tango and a fistful of 10p Freddos - you're going to party like it's 1999.
There's a lot to like about Maiden of Black Water; while we didn't find it overly scary, it is very good indeed at being eerie. You'll see ghosts out of the corner of your eye and when you check, they'll be gone. It's oddly cosy and non-stressful for a horror game, because your camera is such an efficient weapon and the combat it propogates is too action-packed to really let any dread sink in. That's not necessarily a bad thing, though we found the earlier PlayStation 2 instalments of the series were more interested in actively frightening the player. If you get absorbed in the storyline - which is easy to do as the episodic structure makes "just one more area" a compelling prospect - you'll find a good 15 or so hours of game here, and much more if you decide you need to get higher ranks as you improve your Camera Obscura with upgrades and other boons. Performance problems aside, this game's a real winner and worth snapping up if you're a horror fan who missed it on Wii U.
As a combat experience The Legend of Tianding is up there with the Guacamelee! series, showcasing excellent gameplay that allows you to string together multiple attacks and use your enemies' weapons against them. With distinct chapters introducing their own standalone missions, however, the game stubbornly forces you to endure a huge amount of set-up, with long conversations with NPCs and arduous treks across the hub world of Taipei. Trimming this fat would have benefited the overall pacing greatly, but push through this and you'll be rewarded with one of the most thrilling combat experiences we've encountered in a while.
Dungeon Encounters is a masterstroke of game design, character and narrative – it's storytelling in the way only games can be. It teaches how scale is felt in a game, and it teaches, through their absence, the roles of rich visuals and verbose storytelling. Next time we play an RPG with baroque graphics and forests of text, we will understand a little more deeply where a game's atmosphere really comes from.
Dying Light on Switch is quite a remarkable achievement, and we're happy to report that Techland has mostly stuck the landing with this one. Its ambitious open world full of zombies is unlike anything else in the Switch's library and, between the core campaign and six years of constant DLC updates, there's potentially hundreds of hours of enjoyment to be had here. Granted, all of this comes at the cost of performance that can be middling compared to other platforms, but this is neatly balanced out by the convenience of playing in handheld mode. We'd give Dying Light a strong recommendation, though with the caveat that Switch owners who rarely play in portable mode may want to pause and consider buying it elsewhere. Wherever you may fall, we'd strongly encourage you to consider this Switch port; it really is quite good.
If we were to name any complaint, it’s that the core gameplay in Evertried can feel a little stale after extended sessions. Skills and traps mix up the way you play somewhat, but you’re ultimately still confined to pressing one of four directions for the whole game, which gets a little samey given enough time. Still, we’d give this one a recommendation; there’s lots of replayability, the concept of its gameplay is something we haven’t seen before, and (most importantly) it’s fun.