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Mixing together so many different influences and styles of gameplay together could have made Pyre an unwieldy, confusing experience. However, Supergiant apparently found just the right mixture of ingredients to make Pyre work almost perfectly, as its addicting Rites “combat” shows. Thanks to a compelling mix of gameplay and atmosphere bound by an incredible art style, Supergiant Games has crafted one of this year's most unique titles that's equally tense and thought-provoking throughout its journey. Coming from the studio that already has provided memorable titles like Bastion and Transistor, Pyre has me eagerly waiting for the next story that they have to tell.
Given that you're greeted by the squid DJ duo Marina and Pearl each time you hope into the game — who are instantly lovable the moment you meet them — it's easy to see why Splatoon made such a splash on the Wii U two years ago, and how Splatoon 2 might make a kid (or a squid) out of all of us on the Switch.
I know Antihero isn't going to suddenly become the most popular game and get Call of Duty numbers, but it definitely deserves your support if you like well made surprisingly deep strategy games that are easy to pick up and even easier to get hooked. Where else can you play a video game over days if not weeks with email notifications letting you know when your opponent has moved? I highly recommend everyone try that experience at least only once.
Unfortunately, it falls into some of the some old trappings of the genre that prevent it from joining the great 3D platformers that it is clearly inspired by. Samey worlds that are larger than needed are Unbox: Newbie's Adventure's biggest bane; the game may have benefited if it had smaller and more concise worlds. As it stands, if you are a fan of 3D platformers and are intrigued by this game's unique control scheme, it's worth giving a shot — just be aware that it can fall victim to some of the genre's more frustrating problems.
Accel World VS Sword Art Online had the potential to bring these two words together in a unique way, but that ended up stopping at the story. The similarities between this game and Sword Art Online: Lost Song are just too much to overlook. If you enjoyed the past Sword Art Online games then this is for you, but if you know nothing about either of these worlds and are just looking for a fun action RPG, I'd look elsewhere.
Arizona Sunshine has an intriguing premise and enough customizations with the control scheme to warrant a play through if you have a PS VR. Just be aware, this has not been optimized very well from the PC versions, being held back by the restrictions from the inferior tech of PS VR. That being said, I still had fun shooting zombies and there still is much to like with the vibrant visuals and added multiplayer content, even if calibration issues and inconsistent aiming take you out of the experience far too often.
Pixel Heroes: Byte & Magic has a lot going for it at first with clever humor and many intriguing RPG, rogue-like systems in place, but the archaic design and multitude of navigation problems mar the overall experience. The Bitfather definitely had their heart in the right place creating this title, and it can be seen in the retro call-backs to many fantasy stalwarts. However, no amount of nostalgia can cover up the glaring control issues and dull, dreary combat present in the final product.
Children of Zodiarcs is the game that story-driven SRPG fans have been waiting for. It's evident when playing through that the developers at Cardboard Utopia are passionate about delivering a product that could potentially fall in line with some of the genre's greats. However, by adding unique mechanics and a focus on character growth, Children of Zodiarcs stands out as simply a great SRPG.
While playing, you can tell the game is competently built and comes from a place of passion with the developers, but outside of some eerie imagery and unique uses of the player's robot companion and Designator tool, Black the Fall fails to be the next big standout entry in this ever growing sub-genre.
Final Fantasy XII is an epic, sprawling tale that many gamers — myself included — missed the first time around because of when it was released. Don't make that mistake again. Final Fantasy XII: The Zodiac Age is one of the best, if not the best, remaster of a Final Fantasy game in recently memory, and is objectively better now than it was a decade ago. For $49.99 on PlayStation 4, the game is a steal to fans new and old interested in an old(er)-school JRPG experience.
Kung Fury: Street Rage ends up being a decent distraction from other major retail releases in short bursts, but is severely hampered by the lack of modes and overall repetitiveness of it all. What can be said is how Hello There definitely put in the work to show adoration for the 80's with a authentically crafted look into what made that era great. Street Rage is fun in short gameplay sessions, but its a game no one really needs to own unless you're a big fan of the movie.
If you're a hardcore Zelda fan you may find enjoyment in Oceanhorn; the game's not bad, just very bland. It also might appeal to younger audiences who may have never played a Zelda game before. This game is a good stepping stone into that genre. Ultimately I wish Oceanhorn created more of an identity for itself but it ends up just playing it safe.
Toby: The Secret Mine's performance is pretty good as a whole with only a couple of instances that caused me some frustration. The most prevalent of these took place near the end of the game while platforming on a series of turning buckets. After I had fallen a number of times, I soon found that after regenerating at the checkpoint, I couldn't even land properly on the first bucket, a previously simple endeavor. I first assumed that I was at fault, making some sort of micro adjustment to force Toby to slide off the bucket. However, after testing this at length, I found that Toby just wouldn't stick to it. I eventually had to reload the level to an earlier checkpoint, which resolved the issue but not after significantly testing my patience. For all of the inspiration that similar titles have leant to Toby: The Secret Mine, the game fails to do the most important thing: to establish itself and become its own. The end result is a mechanically sound puzzle-platformer heavily reminiscent of other games from the genre, but in a far more watered-down form. Additionally, at only about three hours in length with few reasons to replay save for a second ending (you can just play the last level again to get it) and only a few missing collectibles, Toby: The Secret Mine is not something worth playing before getting to one of the games it was born from.
I love Tokyo Xanadu for what is: a solid action RPG with a dramatic premise and an awesome cast of characters. The game impressed me with the responsive battle controls and beautiful special attacks. Even though the story didn't amount to the standards Falcom has set in the past, Tokyo Xanadu truly shows what the PlayStation Vita is capable in terms of graphics and playability and I would happily play through the game again.
Yet, I can't lie: I hope that Sega will interpret the reception of this game as a signal that we want more Valkyria Chronicles, and that this kind of spin-off is better explored when the hunger for the main course has been sated, and not when we're all starving.
If you want an enthralling Final Fantasy story, with likable, beautifully depicted characters and interesting enemies, that will keep you hooked with a monumental crescendo driving like an unstoppable phantom train towards an explosive climax, Final Fantasy XIV: Stormblood will provide exactly that, and then some.
Although the game looks a bit dated and the story can be messy at times, God Wars: Future Past is a game that should be played by anyone who craves a great SRPG that tests your skills and knowledge of the genre. Kadokawa Games seemed to take the feedback of what they did wrong with Natural Doctrine and deliver a game that fits in well with other notable SPRG titles, while adding unique systems that allow it to stand out.
Ever Oasis proves that the six year old handheld still has the potential to pump out some great content, while also being one of Koishi Ishii's best works. Even if you haven't heard of the game befor3 this review, I urge you to check Ever Oasis out, especially if you are a fan of city builders or Zelda-style games.
Even though Bloody Days tries to walk the walk and talk the talk, ultimately it feels less like a creative homage to a cult film classic and more like a shallow imitation with a hint of Tarantino flair.
Though some of the series' weaker aspects are unlikely to go away any time soon like some of its technical and visual shortcomings, the deeper focus on characterization and the relationships that players will build between Star-Lord and the rest of the Guardians is one I deeply look forward to exploring in the coming episodes. Telltale nailed the look of Guardians of the Galaxy in the first two installments, and with Episode 2 they're finally getting a little closer to nailing the heart of it.