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Frozen Synapse 2's combat will keep pulling you back in, and the open world is a fun sandbox that looks and sounds fantastic. The turtling A.I. is still a pain, though.
A great detective game, it's not for the faint-hearted. Well-written and with multiple character paths to choose from, Lamplight City isn't for puzzle seekers but will satisfy those looking for a great mystery.
Two Point Hospital keeps the spirit of Theme Hospital and improves on the gameplay, but buggy pathfinding and missing quality-of-life features brings the whole experience down.
Playing more like a massive expansion to Rise of the Tomb Raider rather than a new entry in the series, Shadow of the Tomb Raider is still a solid, if derivative, game.
Forsaken is what Destiny 2 should've been at launch, featuring a new PvP mode, a serious story filled with intrigue, and fairly compelling characters. While this is the best that Destiny has ever been, improvements can still be made
With very little going for it, Far Cry 5: Dead Living Zombies closes out Far Cry 5's Season Pass with a third and final stinker.
Guacamelee 2 is a very safe sequel that does little to innovate or surprise, but it's still a solid action-platformer with satisfying combat, tight controls, and an undeniable charm.
While Blade Strangers is a perfectly competent fighting game it will struggle to find an audience. Too simple for fighting fans, too niche for kids and not enough story for fans of the source material, it simply fails to meet the mark.
Gene Rain is a combination of so many terrible elements that at times it's genuinely, completely, baffling. At one point a character says "Existence has long been considered the only value in humans." I'm not sure I agree with him, because the other value in humans is their ability to not play Gene Rain.
The Messenger succeeds in just about everything it does. It's a masterful retro throwback with challenging action-platforming and a charming story to tell. At the same time, its mastery of revealing itself over its ten-hour runtime and pushing the player forward is something that every modern game could learn from.
Donut County's initial ideas are fun, and the game is quite hilarious. I just wish it did more with its concepts.
Strange Brigade oozes personality and has a strong in-game aesthetic, capturing the charismatic essence of 1930s pulp adventure stories. Sadly, it suffers heavily from mediocre controls and repetitive gameplay, making it a hard sell for even the most intrepid explorer.
Death's Gambit shows moments of potential, but they're undercut by bad storytelling, flat combat, and a nagging sense that it's all been done better elsewhere.
World of Warcraft: Battle for Azeroth delivers the best storytelling and world design yet, but doesn't make any additional significant improvements to the World of Warcraft formula.
As a remake of a sequel, it's no surprise that Yakuza Kiwami 2 has a lot more on offer than the first title. However, the choice to stick with Yakuza 6's convoluted stats system is an unfortunate blip in what could have been an ideal remake.
The King's Bird captures a freewheeling spirit in its aerial platforming but doesn't do enough to leave a mark with anyone but the most hardcore.
WarioWare Gold brings together the best from three earlier entries in the franchise and combines it with just the right amount of new Wario weirdness.
Instead of pulling off a perfect heist, Thief of Thieves: Season One was tackled at the door by a 6ft tall cockroach wearing a security guard uniform. It may looks nice, but no single element of gameplay works properly.
What Beast of Winter lacks in content it makes up for in depth with an intriguing plunge into the history of Eora.
The Walking Dead: The Final Season's first episode, Done Running, shows that Telltale can still tell fantastic stories while adding in new gameplay elements.