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If this is the final Syberia game, perhaps it's for the best. Pure point-and-click adventure games are becoming rarer and rarer these days, and this entry does nothing to instill confidence in the genre. Between the glaring technical issues, over-the-top antagonists, and even lazy captioning, Syberia 3 is not recommended at its launch price of $39.99. If you absolutely need to complete Kate Walker's story, then perhaps wait until the price comes down, and play an adventure game that got things right, such as King's Quest.
Dragon Quest Heroes II attempts to build upon the original in some smart ways, but the execution ends up being rather messy. The connected world doesn't provide the player with a living, breathing world to explore, but rather it's reminiscent of a diorama. One that attempts to fool the player into not seeing how shallow and lifeless things are outside of its walls. It's a fun, but flawed, follow-up. One that ultimately feels like a tease, as it adds a few much-needed improvements, but not enough to push it over the edge.
The Sniper: Ghost Warrior series has definitely come a long way since the original was released over half a decade ago. In spite the criticisms the series has received in the past, it's been successful enough that CI Games was adequately confident to shift gears with Ghost Warrior 3 and take a huge risk. And while the developer was successful in improving some of the game's elements including its core gameplay and open world, many of its other aspects, including its visuals and technical performance, failed to hit the mark. At its core, Ghost Warrior 3 is easily enjoyable but its issues just as easily breaks the experience.
Outlast 2 is an intense adventure that will keep you up for many sleepless nights. Red Barrels knows how to keep players on their toes. The game's heavily-scripted scenarios can annoy if you don't get the mechanic at play immediately, and are thus forced to repeat a section multiple times, but generally the formula continues to work in Outlast 2. This is survival horror at its most base level, where you are a mostly defenseless layperson caught up in a horrifying ordeal, who would feel lucky just to escape with your life. The wait was indeed worth it, and Outlast 2 should be on the must-play list of horror fans everywhere.
It's not surprising that combining two of the best puzzles games would result in a fantastic game, but it's astounding how well the two games that make up Puyo Puyo Tetris gel together. The game's marquee Fusion mode manages to make two very familiar series feel fresh, and it's some of the most fun I've had in the genre. On top of that, Sega has packed in over a dozen modes, many of which allow players to play straight Tetris or Puyo Puyo. It's truly the best of both worlds, and it ends up creating an essential puzzle game.
But those fleeting moments of fun are still fun all the same, and I really don't believe Deformers is a bad game. Frustrated as I was during a few Form Ball matches, I was still invested and focused on them, and prancing through a few opponents to pop the ball into an empty goal is an incredibly satisfying feeling. So is smashing into another Form and sending their soon to be carcass miles into the air will never get old, but these moments are exceptions to the rule. Deformers has a broken and inconsistent core, and I can't fathom how any future patch or update can change that.
On the bright side, Tangled Up in Blue is a solid first salvo for Guardians of the Galaxy: The Telltale Series. Though some of the early storytelling does prove to be disappointing, it is nice to know that they have plenty of room for improvement in future chapters. Given the nature of the conflicts dealt with in this installment, I am still extremely curious to see where things go from here. The sky's the limit for this series. Let's hope that Telltale is shooting for the stars.
Late Shift is an excellent FMV game and a unique point in interactive cinema. It's a vastly interesting new way to allow the viewer to change the outcome of the movie they are watching, but has the very odd position of trying to sell itself as neither a movie or a game, but at the same time, both. What I am most interested to see is how Late Shift impacts the future of media. It might just be a flash in the pan, but if we end up one day having an Oscar nominated film that is also a Game of the Year contender, I can safely say that Late Shift will be seen as the original piece of interactive cinema that provided the catalyst for that potential combined media future.
I can certainly do without these bugs, but they're not enough of a deterrent to keep me from finishing this fun-filled action adventure. I'm just glad that I discovered the game at all because Shiness: The Lightning Kingdom has managed to fly its virtual airship under the radar until now.
As a remake of 1989's game of the year, Wonder Boy: The Dragon's Trap is a brilliant and beautiful recreation. The SEGA classic has been honored by developers who were clearly a fan of the original game and there's a lot of heart that shows through the hand-drawn visuals and classical instrument soundtrack. There are some inherent flaws that have been present for 28 years which don't explain some of the more vague complexities, and without the nostalgia factor to highlight the classic, it could seem like just another indie metroidvania — albeit an exceptionally exquisite one — but Wonder Boy: The Dragon's Trap is a great example of a game made with the kind of passion that sometimes gets lost in the massive productions of modern gaming.
The Silver Case is definitely not for everyone. While it's visuals and presentation may prove interesting to some, the issues with its gameplay and some of its storytelling could turn off others. Those unfamiliar with Suda's style may find the themes and pacing of the game remarkably slow. But fans of Suda's work will definitely enjoy The Silver Case as it showcases his unique style incredibly well. Regardless of its setbacks, the PS4 release of The Silver Case is a unique and complex experience that could easily draw in those who are open to playing something undeniably strange and different.
StarBlood Arena is VR’s Overwatch. Oozing with personality, it explodes with a style and grace that one might not expect to come from the scrappiest corners of the galaxy. The tight, frenetic combat takes some standard shooter ideas and literally turns them on their head, putting you in the pilot’s seat in a way only possible with virtual reality. If you haven’t taken the plunge, StarBlood Arena is a damn good reason to get PSVR. If you already own one, I’ll see you in the arena.
When it comes to love letters to an era of gaming long since passed, you would be hard pressed to find something more heartfelt than The Sexy Brutale. It offers up a modern take on an extremely dated design, all made palatable with the help of time-travel. While this affectionate note may have a few typos, mainly in the form of puzzles with obtuse leaps in logic, it’s hardly enough to detract from the deep-seeded sincerity sprinkled throughout the experience. This is one sexy experience, indeed.
LEGO CITY Undercover is and was a step in the right direction for LEGO games, seeming to offer a little bit more freedom and gameplay than the typical destroy-and-collect fare that LEGO has offered in the past. This step has come a bit too late though, as games around it have advanced to a point where even the distinctive open world styling feels outdated. Undercover is a fantastic LEGO game with all the right humor and obsession inducing collectibles, but hints that maybe it’s time to take a long hard look at what can be done to fundamentally change the LEGO franchise to build the new evolution they need brick by LEGO brick.
What could have been a genuinely interesting new chapter for Jaffe and company, ultimately ends up falling flat under the weight of its own potential. Though there is plenty to like in the art style and core level design, there are many other key elements like merely passable controls and unfulfilling combat that drive home its lack of polish and balance. On paper, enthusiastically diving into a sophomoric world of teenage angst seems like an fun concept. However, it doesn’t take long to realize that there’s a damn good reason why most people grow up. Maybe Drawn to Death should do the same. It needs to report to detention, immediately.
ArmaGallant: Decks of Destiny is an interesting concept that falls a bit short in execution and presentation. While it does do a few things well, such as its control scheme and card mechanics, it is incredibly lacking in content and misses several key things that would've made it great and worth getting through the relatively steep barrier to entry. The game definitely has the potential to become one of the better RTS experiences on the PS4 but it will definitely need a few large content and feature updates if it wants to get there.
Bulletstorm: Full Clip Edition is a fun trip down memory lane. A bloody, violent, slick memory lane. While the game is showing its age even (or perhaps especially) when upscaled to 4K resolution, the fun of the original shines through. The addition of more challenges will bring back vets of the original, and multiplayer might even be worth another trip. Fans of the original should consider picking this up, while those who skipped the original should give it a go as well.
Persona 5 is proof that few titles can compare to a truly great role-playing game. Over its 60 hour playtime I got to forge meaningful friendships with an eccentric cast of characters, discover the secrets of Tokyo, and even managed to find some nice restaurants to dine at. The time investment might seem like a lot, but rarely is time wasted when spent with friends. It doesn’t reinvent the genre, as it largely builds upon Persona 4‘s stellar base, but it adds a level of polish that is simply lacking from its contemporaries.
Yooka-Laylee is a breath of fresh air. Playtonic Games knows platforming, and knows it well. The incredibly precise reactions needed by players, coupled with the lack of some of the genre’s more modern conveniences may turn some newer/younger gamers off. But for those looking for a deceptively deep collect-a-thon that has an entertaining story and wonderfully-crafted world, look no further. With an asking price of $39.99, this is an easy recommendation for platforming fans.
PaRappa the Rapper Remastered is a great throwback aurally and visually, but the frustratingly tight timing required and delay of PaRappa’s audio samples make it a chore to play. It’s a shame that the menu wasn’t reworked to highlight the additional arrangements or to take advantage of how control schemes were updated over time, and I’d rather just listen to the songs than hear PaRappa freestyle his own messy groove over the tracks for the sake of a high score. Still, as frustrating as it can be visiting an old friend that never grew up, there’s something endearing about playing PaRappa the Rapper almost exactly as it played 20 years ago, with a fresh, vibrant coat of paint on its audio and visuals.