IGN Italy

Cyberpunk 2077 is like an addictive, huge, impressive braindance, where the feelings are real, while sometimes you see the puppet strings. It's an ambitious RPG, where narration, decisions and dialogue are far more important than combat, wrapped around a lot of fun, but usual and not always perfect, action mechanics. Engaging and marvellous to play, Night City on high-end PCs is stunning to see and super stylish. Cyberpunk 2077 is worth the wait, because the adventure of V and Johnny Silverhand is greater than the sum of its parts.

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A competent shooter in virtual reality. Somewhat oversimplified in the use of guns and vehicles but nonetheless more than worthy of your time, if you like shooting nazis.

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In a beautiful mix between 2D e 3D, a little girl and her shadow show us the fragility of the human mind, between fears and anxiety. Along many psychological sessions, the two characters try to cooperate to solve a large number of puzzles based on light, shadows and gravity. A little gem.

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Shadowlands is an appropriate expansion in many ways, but between merits and novelties stand out a masterful audio-visual system and a fun worthy of the golden days. It doesn't revolutionize anything, but it reshapes the progression system with intelligence to rejuvenate an evergreen like World of Warcraft.

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Call Of The Sea is a good debut, that uses puzzle and riddle-based gameplay to tell an atmospheric story. Its weakness lies in a conception of riddles that is not always very clear, source of some moments of frustration, and in a limited duration. It will probably not remain among the most notable examples of the genre, but we must give credit to the fact that it manages to offer an alternative vision of the Lovecraftian narrative universe, potentially capable of satisfying those who do not always want monsters or scares.

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While adding little or nothing to stand out from the competition, Taiko no Tatsujin: Rhythmic Adventure Pack is perfect for fans of the series and Rhythm games.

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Drawn to Life: Two Realms loses some of the series' most characteristic traits while attempting to gain new ones. The result is a mixed bag, combining interesting levels and an overall pleasant narrative department with many technical flaws, unjustified difficulty spikes and a game that often seems to aim at the wrong target audience.

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A gorgeous package with lots of game modes and contents. The new single player campaign is a good addition to an already excellent game, yet where Puyo Puyo Tetris 2 really shines is in its multiplayer department.

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Wet Dreams Dry Twice is a decent 2D point'n'click adventure, one that seems to be tailor made for old school fans. Unfortunately the juvenile humour and slogging pace don't do the game any favours in order to be appreciated by the general public.

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A decent tactical turn-based game with some rogue-like elements, made great by a superlative, and pervasive, lovecraftian atmosphere.

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Madness at the Darkmoon Faire works but doesn't convince at 100%. If Duels are fun and new archetypes are looming on the horizon, Corruption and the new Old Gods haven't had a big impact on the meta, not to mention the controversial renewal of the system of progression.

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Chicken Police: Paint it RED! offers a pleasant experience that keeps the player's attention throughout the story thanks expecially to a good balance of intrigue and humour. Every piece of the puzzle finds its place, both in plot and in gameplay, and the final product is really a fully satisfying one. A good game.

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A fun game that allows you to practice fitboxe at home, with a nice variety of contents and a great soundtrack.

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An already essential JRPG has been enriched in this latest version with a large number of unpublished content. Unmissable.

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The Pathless is not a big game and doesn't want to gamble too much, but knows which aspects to really bet on. The heart of the game experience is exploration and does a good job of making you fully enjoy the rides and flights over its small but fascinating world.

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Empire of Sin isn't a bad game, just a simple game, not deep enough to catch the attention of the genre's veterans. The organized crime theme is, as always, interesting, but it could have been developed better: as it is, Empire of Sin looks more like XCOM-lite with gangsters than a true mafia simulator.

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Chronos: Before the Ashes is a minimalist, imperfect title with a basic spartan aesthetic and a slow pace. Despite this, it is able to give back a vivid sense of discovery and each new ravine or weapon, or power gives us another reason not to detach ourselves from it. The same scenic installation, initially disappointing, fits perfectly with the world hovering between enchantment and technology. A longevity not exactly excellent for the genre and the budget nature that emerges in almost every context of the production, the wings of Gunfire Games, which makes flight worthy of note, but does not go too far.

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It is undeniable that Immortals: Fenyx Rising owes much to Zelda: Breath of the Wild, but it is equally undeniable that the Ubisoft game manages to find its way and to propose its own vision. Those who do not appreciate open-worlds very much, where the fulcrum is the collection of treasures and the completion of challenges, could perceive more than others a sense of repetitiveness, which never becomes boring and which takes advantage of a clean technical realization. I enjoyed every minute spent on the Golden Island and at the end I was sad to say goodbye.

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A delicious action/management hybrid, ideal for lovers of Japanese atmospheres and for those who appreciate the two genres that characterize it.

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Star Wars: Tales from the Galaxy's Edge doesn't offer a particularly long experience or a very rich gameplay, but as a VR shooter mixed with a bit of exploration, the outcome is quite good.

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