IGN's Reviews
Night in the Woods captures the fears and anxieties of being a young adult with surprising clarity, but brings it into new and interesting territory thanks to its developers’ deep understanding of rural America’s economic hardships. Branching, well-written dialogue made me feel closer to Mae’s story as I helped build out her history and reignite friendships, encouraging a second playthrough to uncover the scenes (and even a few secrets) I know I missed.
Halo Wars 2 will scratch a real-time strategy itch and give you a dose of Halo-Universe flavor with a decent story, but it won't go much deeper than that. A run-of-the-mill campaign, controls that hamper micromanagement, conspicuous bugs, and multiplayer that relies on luck limit its long-term appeal, but its fast and flashy action makes it fun for a while.
Berserk and the Band of the Hawk is mindlessly repetitive, but its combat is still somehow addictive enough to be an enjoyable action game with a dark-fantasy story that stays true to its source, most suitable for fans of Berserk. It even left me craving to try out new characters in Endless Abyss Mode. But it desperately needs more challenge and variety to carry it through its campaign, especially considering you can't bring a friend with you.
Horizon Zero Dawn presents us with a beautiful world full of unforgettable challenges.
For Honor has some dents in its shiny armor, such as the mediocre campaign, the frugal economy, and the snowballing victories in team modes. But it's hard to be mad too long when I consider that the melee combat system is second to none and a joy to learn, take your licks, and then learn some more. I could feel myself becoming a better warrior with this deep, flexible, and complete fighting system. The more I play For Honor, the more I want to play For Honor. I hope Ubisoft doubles-down on support, because it's something truly special.
A lot of games tout the ability to “play how you want to play,” but Sniper Elite 4’s missions and mechanics actually are robust enough to back up that claim. Picking apart the Nazi war machine piece by piece, using whatever plan comes to mind, is a blast. The way it encourages you to stay mindful, experiment, and get better is a refreshing vote of confidence, even if it doesn’t always reward the extra effort you’re putting in.
Nioh could well take over 100 hours if you set out to master its many side missions on top of its tough campaign, but it’s a challenge well worth taking. The way it builds on its most obvious inspirations with a highly refined combat system and an unexpectedly charming, yet gritty style all its own allows it to boldly carve out its own identity, standing as a shining example of what action RPGs can be.
There's a decent science-fiction story holding all of Divide's pieces together, but it's not quite strong enough to outweigh the disappointments of excessive backtracking through repetitious metallic levels that barely look different from the last. A great musical score and a moderately interesting combat help keep it interesting, but bugs and repetitive encounters made the campaign feel much longer than it needed to be.
I am certainly not immune to the charms of 80s and 90s game design, but the NES version of Double Dragon wasn’t a great example for Double Dragon 4 to follow. It’s not just that this simplistic beat-em-up formula didn’t age well graphically or mechanically, it’s that it simply isn’t very fun or engaging to play in 2017.
Poochy & Yoshi’s Woolly World remains one of the cutest games around. Even though most of the tactile charm of the Wii U original has been lost to the 3DS’s technical limitations, there’s still plenty of fun to be uncovered in this colourful and often inventive platformer. Incidentally, it also brings some of the happiest, catchiest music ever to the 3DS.
Urban Empire's premise of focusing on the political tumult that's usually behind city planning is a good one, and the emphasis on four families allows for some lightweight roleplay in how you guide your city to greatness. Unfortunately, the personal approach tends to stumble as each game more or less plays out like the last, and the constant juggle of votes makes for an experience that's more exasperating than exciting.
Kingdom Hearts HD 2.8 Final Chapter Prologue is the most far-reaching package of content in the franchise, stretching from the series’ earliest moments all the way to its most recent, but an understanding of its scope requires some history with Kingdom Hearts lore. And because much of it touches on familiar territory, as a whole it lacks an essential feeling that the main numbered entries and spinoffs (like Birth By Sleep) evoke. A Fragmentary Passage is a truly exciting glimpse through the door to Kingdom Hearts’ future. That look ahead is a wonderful appetizer for what’s to come, but hopefully that tease, along with the rest of the tablet setting done here, doesn’t make the wait for the full course that is Kingdom Hearts 3 more difficult in the long run.
Resident Evil 7 grounds itself in elements that made the original great while still indulging in a risky new shift in style that both helps and hurts the beloved formula in equal measure. But it’s also the closest a numbered sequel has come to recapturing Resident Evil’s slow, but thrilling and atmospheric adventure game roots in a while — a welcome return that I truly hope to see more of in the future.
Tales of Berseria is a surprisingly strong showing for this long-running series. Its tragic story of broken people fighting on the wrong side of history makes it utterly compelling, and its well-tuned combat more than makes up for its lack of interesting environments. Simply put, this is a tale to heartbreaking to miss, or to forget.
Yakuza 0 is another sprawling entry in the open-world series, packed with an extraordinary amount of things to do and centred around a genuinely compelling crime story. Since it’s a prequel, it’s also unburdened by the series’ increasingly intricate backstory and thus far more approachable for newcomers than the last few Yakuza games. While its melee combat may lag slightly behind modern genre standards, Yakuza 0 still hits far more than it misses and is a big, bold and bruising tour through the Japanese underworld.
After a couple of story hiccups, Gravity Rush 2 righted itself and pulled me in with the personality of its world and wide variety of activities. The new gravity powers and styles make combat exciting, and well-written side quests and character relationships grant better insight into Kat’s universe. After 40 hours I found it hard to put the controller down, and I can’t wait to jump back in to finish every sidequest I can find.
Dragon Quest VIII was one of the finest JRPGs upon its initial release and it manages to retain that lofty status through this 3DS edition. Its adherence to the traditional rules of the genre is where it pulls its strength from, the familiarity of the template allowing the design team to worry about making sure each element is as good as it can possibly can be.
Small in size compared to the full map, Forza Horizon 3: Blizzard Mountain nonetheless packs in a huge pile of fresh races and challenges. It’s kept me busy for days already, and I’ve already played Forza Horizon 3 more than any other game this year. Boasting an absolutely gorgeous environment, terrific snow effects, and just about everything else that’s made Forza Horizon 3 the best racing game this generation, Blizzard Mountain should be a compulsory stopover for anyone looking to expand the Forza Horizon 3 experience, or seeking a good reason to dive back in. The weather outside is frightful, but this game is so delightful.
Space Hulk: Deathwing is that paradoxical game that's hard to dislike, but also hard to love. The glorious moments of fervent xeno-purging are too fleeting, and often left me standing in dark corridors, surrounded by my slain foes, looking for any kind of context or sense of lasting accomplishment. There is somewhere in it the embryo of the ultimate Space Marine game, but despite a lot of potential for simple, squad-based fun in multiplayer, it never moves beyond being a stripped-down and poorly running prototype for the kind of game I wish it had been. "So close, yet so far" will be the slogan etched into this terminator's hulking shoulder pads.
You could likely beat Shantae: Half-Genie Hero in a couple of sittings, but the platforming action is so varied, and the levels so explorable, it’s worth playing well beyond that. While it's neither innovative nor high-concept, its hand-drawn look and toe-tapping music successfully channel a joy and enthusiasm that has become far too rare in modern video games.