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King’s Bounty II has all the ingredients of a great strategy game but is held back by a counterintuitive UI and generic story elements. While the overworld offers a beautiful open environment to explore, often there’s not enough there to hold your attention as a player, and you’ll find yourself wandering around aimlessly. Added to this is that your character’s travel is particularly slow, the game has a sleepy pace at times that holds the overall experience back. While its strategy battles feature some interesting ideal mechanics that might appeal to die-hard fans of the franchise, if you’re looking for a broad roleplaying strategy experience, King’s Bounty II might not be the best fit for you.
Aliens: Fireteam Elite is a valiant third-person shooter in the titular universe, yet still falls somewhat short. As a bite-sized, mindless action game on the surface, blasting away hordes upon hordes of xenomorphs with the M41A Pulse Rifle is excellent. Trying different classes, abilities, and unlockable weapons help keep gameplay refreshing during your first run. However, Fireteam Elite wants to be replayable and what’s on offer simply isn’t that fun to return to. Formulaic level design and often buggy AI make finishing missions a chore rather than a triumph. Series fans will enjoy the package, but Aliens: Fireteam Elite may struggle to survive against other co-op shooters. “Another glorious day in the Corps…” but not much longer than that.
Psychonauts 2 is absolutely fizzing with ideas in gameplay, story, and presentation. Its story is emotional, its characters are hilarious, its worlds are huge and imaginative, plus I had a fun time actually playing the dang thing. Apart from some minor issues with the optional dialogue, it’s clear Double Fine went all out developing this title. Nothing feels rushed, nothing feels unfinished, and nothing feels like padding. This is a fabulously well-made game, and a perfect game for lockdown. If you’re looking for some extra joy from your video games, you need to play Psychonauts 2. If you’re a fan of the original, I suspect you’ll like it even more.
Twelve Minutes is a game of dualities. It is very economic in how it presents itself. The focus is tight on three characters, in a small apartment that houses the few instruments of change at your disposal. This allows each little detail to have a nauseating amount of depth to it, including the fantastic performances of the characters and their backstories. The downside to this is that it can lead players astray, due to the limitless possibilities and comparatively limited guidance. Regardless, Twelve Minutes is a tidy and reasonably well-told pressure-cooker drama with few divots, provided you can follow the path.
Ghost of Tsushima Director’s Cut is a stunning upgrade to an already excellent title, and brings forth some fantastic updates to the PS5 version of the game that enhance, deepen, and expand the gameplay experience. Other than the very minor complaint of some dark visuals, there is a whole lot to love on offer here, and I was delighted to have another reason to join Jin on a new, exciting adventure in feudal Japan. Ghost of Tsushima was already a must-play title, and with the Director’s Cut here there really is no excuse to not experience one of the greatest new IPs PlayStation has to offer.
Humankind is immediately accessible to anybody familiar with the 4X genre, especially the Civilization series. It strays a little too close to Civilization at times, but its unique take on the advancement of culture and ideology prevents it from feeling like a copycat. The way your culture changes between eras means that no two games will ever be the same, no matter how much you try. It’s not quite as masterful as it could be and needs some fine-tuning in some areas, but it remains a solid addition to Amplitude’s library of strategy games.
Boyfriend Dungeon is a good dating sim held back to being something truly great by its curious choices and lite dungeon-crawler elements. While you may not get the deepest rogue-like experience in-game, you will be satisfied by some of the intense, hot (and maybe even cute) relationships on offer. Just tread careful ground if you’re sensitive to some of the themes that the game is exploring. Regardless, some good and disposable fun can be had smashing some monsters and pashing some cuties. Delve on.
Road 96 is an emotional character-driven game that is unfortunately marred by heavy-handed attempts to evoke real-world politics. It is still very much an enjoyable experience with fun mini-games, a beautiful visual style and soundtrack, along with the interesting mechanic of having to make the trip to the border multiple times. It’s upsetting that the game loses itself when it tries to tackle politics when it really should have focused more on the relationships between the characters and their journeys on the road. Despite this, it was still great fun to play the whole way through.
Come with the tribe and stay for the grind if that’s your thing though this isn’t for everyone. Much of the game is spent either gathering or fighting until your weapons break as you beg for more souls to make the necessary upgrades and repairs to the camp. While it does offer a battle pass that’s free I’d still proceed with caution. There is a real challenge here that requires strategy but it falls short with the settings available in Survival mode for those either looking for a more brutal challenge or an easy go instead. Tribes of Midgard is best played with friends but if you’re after a game that rewards persistence then maybe you’ll find the value in solo-play too. It’s got lofty ambitions, but it doesn’t quite manage to meet them – at least not yet.
Greak: Memories of Azur is a truly charming little title that fans of puzzle and action games will really enjoy. Its unique mechanics of controlling the three siblings at once paid off for the most part, even if it became more frustrating during boss fights. While the game’s restrictive inventory and lack of area maps wasn’t ideal, it didn’t prevent the gorgeous hand-drawn world and enchanting soundtrack from drawing me right into the experience. Greak: Memories of Azur is fun, very easy to like, and definitely worth checking out.
Unfortunately for Foreclosed, the glitches, confusing systems, and undercooked game mechanics overwhelmed my experience with the game. On the surface, Antab Studio present an exciting and engaging future-noir thriller, but look much further and you will see a cyberpunk-by-the-numbers experience that falls flat. Even taking into consideration the well-realised cyberpunk world, and the clever use of comic book aesthetics to present the game’s narrative, Foreclosed fails to impress on most fronts. Gameplay is key, and unfortunately Foreclosed presents and feels like a middling shooter from decades past.
Black Book is a bewitching combo of deck-building RPG and D&D-esque storytelling, with a bucket load of ideas where some work better than others. With some refinement and editing, Black Book could have been a must-play release. Without it, it’s still an intriguing mix of gameplay systems that is bolstered by its striking visual style and incredible attention to detail with its Northern Slavic mythology and well-thought-out story-telling. It’s definitely like nothing else I’ve played this year, which is worth celebrating. Despite its shortcomings, I couldn’t help but be under Black Book’s unique spell.
Even though Button City is the feel-good game I absolutely needed right now, it’s not at the level of polish it should be. I love the atmosphere and the magic captured in the game’s writing and setting, but performance issues and weak minigames hold the title back. Despite some cute and cozy moments experienced in saving a closing arcade, a lot more refining is needed to make this wholesome adventure all the more worth it.
I had a great, albeit frustrating time with Eldest Souls and thoroughly enjoyed the short experience. It is a brutally difficult game, but the music, art style, and overall challenge had me coming back for “one last try” each and every time. I will say that if you are not a fan of boss-rush or challenging games, then this will not change that. But if you are after a title with an old-school appeal that does not hold you by the hand and presents a truly captivating time, then I think you will find a lot to enjoy here.
Overall, NEO: The World Ends with You is a fantastic followup to 2007’s The World Ends with You, and both expands the universe and introduces different gameplay styles to keep even the most veteren of JRPG fans engaged. The exceptional visual style and musical flair work together to create a vibrant and stylish game that I just couldn’t get enough of. The narrative is satisfying and fits firmly in the hyper-stylised world of JRPGs, and will delight fans of Kingdom Hearts, Ni No Kuni, and Persona. Despite some minor critiques, NEO: The World Ends with You is a surprise hit, and has the potential to pave the way for another successful Square Enix franchise.
GRIME dishes up an intriguing universe with even more intriguing enemies and bosses. While its story is on the shallow side, its original visuals and combat mechanics steal the show. However, be warned: in true souls-like fashion, GRIME’s combat is brutal and unforgiving, which might not make it a game for everyone. That said, if you’re not afraid of jumping straight into the action, the game will be just as rewarding as it is challenging.
Omno is an enjoyable and visually beautiful experience. While there are some elements of the gameplay that feel lacking and where you’ll feel like you’re taking a backseat, it accomplishes what it sets out to do with its relaxed approach to puzzles and exploration. It will give you an atmospheric adventure to immerse yourself in for a few hours, and maybe as a bonus, leave you with a nice warm fuzzy feeling. And sometimes, that’s just what you’re looking for.
I’m absolutely taken by Arcsmith. It may lose some players with its abstract puzzle solutions and fiddly nature, but that same challenge will also reel plenty more in. With an enthralling sci-fi world and heaps of atmosphere and personality, this VR title stands out amongst the crowd. Serving as an Oculus Quest exclusive, it’ll hardly be a blip on many a gamer’s radars. However, if you’re into VR and you’re looking for a new puzzle game, Arcsmith is your best bet.
As far as time loop games go, The Forgotten City has the Midas touch. It’s easy to see just how much care has gone into the story of the game so that it not only pulls the player in, but dares them to test the possible realities. The characters all feel real and they drive the player to find the truth before the Golden Rule is broken and the loop must reset. The developers have been careful to create a narrative that, while repetitive in practice, still keeps the player engaged in the wider narrative of the world through exploration and discovery. Combat in the game remains questionable, but the gold bow is its saving grace. If you’re after a game that will keep you guessing as you move closer to the truth, then The Forgotten City is fittingly worthy of your gold.
Orcs Must Die! 3 is definitely a case of “another verse, same as the first”, but fortunately the formula still holds up. The changes to gameplay balance mostly work, as does the implementation of the new Scramble game mode. However, the War mode shows that throwing more orcs into a stage doesn’t necessarily make it more fun, and the level design generally doesn’t feel quite as fresh as it once did. All that said, the visceral pleasure of slicing through a group of orcs with a buzzsaw launcher is as present as ever, and ultimately the experience is still a fun time. For tower defence fans, Orcs Must Die! 3 is worth checking out, particularly if you’re planning on playing co-op.