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Voyage is a videogame canape – a delicious morsel of an experience that looks incredible and puts a smile on your face while it lasts. With gorgeous hand-painted environments and sweet animations backed up by an impressive yet subtle score, I thoroughly enjoyed my few hours trekking through the alien lands. While the gameplay doesn’t amount to much more than steering left and right, and the puzzles a simple collection button pushing, Voyage punches well above its weight and offers an enjoyable narrative experience that only asks you to use a little interpretation along the way.
Meet me at NooN is a unique and stylish puzzler that will be very popular among fans of the genre, particularly those who enjoy games at the higher end of the difficulty spectrum. It’s a pretty little game that will keep you on your toes with some very cleverly thought out mechanics, but the difficulty spikes and lack of variety in all areas might turn off more casual fans. Meet me at NooN has a great premise and execution but is ultimately pegged back by a repetitiveness that saps some of the enjoyment as things progress.
A wonderful blend of top tier pixel art, retro-inspired music and seriously gritty combat makes Souldiers an enjoyable, though sometimes prickly, experience. It’s a title that boasts some engaging (if not lengthy) levels that are underpinned by some inspired metroidvania mechanics and filled with a myriad of well designed enemies. While perhaps overfilled with unnecessary items and burdened by a few mechanics that can’t help getting in their own way, Souldiers offers a fantastic challenge throughout, and the vibrant world of Terragaya is an absolute joy to discover.
Evil Dead: The Game manages to tick a hell of a lot of boxes when it has no business too. The hammy horror is surprisingly well put together and the balance between good versus evil feels fair during play. The cabin in the woods is lovingly recreated, Campbell’s snarky and witty remarks are out in force and terrorising players as the Kandarian Demon is something any fan can get on board with. Each of the survivor classes offers unique ways to play and while there are a few drawbacks such as the lack of a meaty single-player and camera issues, Evil Dead: The Game is an entertaining, fun game that can be summed up in one, all-encompassing word: Groovy.
I know I’m not the target audience for Kao the Kangaroo, it is clearly aimed at younger players, but there is a fun time to be had. It is a shame that Kao suffers from all of the technical drawbacks. The save states simply don’t work and the graphical slowdowns make the game unplayable. Putting the bugs aside, Kao is an easy-breezy platformer that is fun to play. It might not be the most inspiring platformer out there but it is fun.
Gaz and I have known each other for decades and have played a lot of puzzlers together over the years, but we both agreed that We Were Here Forever stood out as one of our most enjoyable experiences. The creepy fantasy theme is delivered in a great visual style and hammered home by some phenomenal voice acting, and each cut-scene dragged us deeper into the lore and kept us invested in what we were doing. The puzzles are well designed (for the most part) and require enough thought to be challenging without causing frustration that disconnects you from the game. Yes, some voice chat problems and a couple of broken puzzles did cause annoyance, but that wasn’t enough to turn us off from a fantastic experience – We Were Here Forever is an absolute must for puzzle and escape room fans alike.
As a technical showcase of what the PlayStation 5 can do Ratchet & Clank: Rift Apart sets the bar and sets it high and don’t get me wrong, all of the elements of a brilliant platformer are present and the gameplay is phenomenal while it lasts. Out of a 20 hour 100% run, only 5-7 hours of Rift Apart is spent playing the game, while the rest of the time was spent watching cutscene after cutscene full of explosive set pieces. So long as I didn’t deviate from the set path, those few hours where I had control were absolute perfection, but it felt like Insomniac Games was focused more on how pretty they can make a videogame look rather than producing a memorable game that fans have waited eight years for.
LEGO Star Wars: The Skywalker Saga is a playful and colourful depiction of a galaxy far, far away, and one that boasts about as much play time as you’d ever want to get out of a single game should you be willing to endure some significant repetition in order to wring every drop out of it. With hilarious retellings of all nine movies and some new gameplay elements, there’s a lot to like, but clunky camera angles and the head-scratching decision to leave out online multiplayer hurts the overall impression. This might just be the definitive LEGO Star Wars game that fans are looking for, but since only Sith deals in absolutes, I’ll leave that judgement to the will of the council.
Silt is a truly stunning game, with dark visuals that draw you in and impressive sound design that underpins a murky and sinister world. The simple puzzle solving acts more as a conduit for the artistic vision than to offer a legitimate challenge, but the experience is undoubtedly enjoyable despite the gameplay offering little in the way of difficulty. The story is a little vague and open to interpretation, but artistic-types will find it genuinely intriguing – the only real downside is that you’ll certainly be left wanting more, with the story reaching a haunting crescendo just when it feels like it could open the door to so much more. I would play another game set in the universe of Silt in a heartbeat.
While the controls might feel a little unwieldy for Switch players using Joy Cons, players using a pro controller (or playing on a console with more player-friendly peripherals!) will have a whale of a time blasting their way towards the tower to regain their memories. The risk-reward mechanics make every decision really count, and with a host of memorable bosses, awesome randomly generated encounters and boat loads of unlockables, it’s a title that you’ll be hooked on for hours on end despite some slight teething problems.
Superliminal is quite simply a masterpiece. Pillow Castle Games have taken an interesting premise and ridden it to a place that no developer has gone before, resulting in an impeccable game. The perspective-based mechanics are just incredible, and there’s a level of innovation in the puzzle design that deserves recognition alongside some of the greatest games of all time – truly, Superliminal is to visual trickery what Portal 2 is to physics. I cannot recommend this game enough.
Lumote: The Mastermote Chronicles is a charming and thoughtful puzzler. The protagonist is adorably loveable and while the premise is simple, it is well executed. Some of the puzzles did leave me questioning if I broke the game or was doing it correctly though. The quirks to the game’s design, such as being unable to backtrack, were annoying but not much of a distraction, and what really sells the game is the visuals and sound design. The plinky-plonk soundtrack coupled with the vibrant visuals pull you into a world I wanted to live in.
I cannot overstate how much I’m looking forward to playing the next three seasons to complete The Witch Queen Expansion. It started off with a bang and the story brings changes to Destiny 2 that were needed. There are a couple of negatives to The Witch Queen, particularly with the smaller map, which is severely limited compared to other areas. I’d have also liked to have seen the Hive Guardians utilised more often, as they only seem to be trotted out sporadically, but these are just minor points on a well-put-together expansion. If the remainder of the year continues in this vein, it’ll be hard for me to leave The Witch Queen alone long enough to play other games. Even as it stands, The Witch Queen Expansion is a thoroughly recommended addition to Destiny 2.
Overall, then, Arise remains an interesting platform experience. The gameplay is fun, the time manipulation is a well-used and well-developed mechanic, the visuals and sound are solid, yet the narrative goes to some strange, tone-deaf places and the overall message is, at best, mixed. Joyful at the beginning, borderline offensive in places in the middle, and thoroughly bleak by the ending.
Skabma - Snowfall tells a beautiful story of the Sami people. While the story weaves through realistic situations of survival, it’s coupled with magical and mystical folklore that has not been told in such a way before. The visuals are brilliantly represented and having the game told in the Sami language was refreshing. There are some issues with the camera and the lack of clarity on some missions did leave me scratching my head, but the message that Red Stage set out to tell works brilliantly and is an experience I’d want to play again, despite the pitfalls.
A charming experience from start to finish, Onde is an odyssey through the abstract mysteries of the world that’s described with evocative imagery and thought-provoking music. The score and visuals beautifully align to tell a story without a single word being uttered, and it’s a credit to the developers at how immersive the experience is. The artistic nature of the game and its limited gameplay mechanics will not appeal to everyone, but that’s okay. I may not know art, but I know what I like, and I certainly liked Onde.
The snappy and fluid controls of Destiny 2 are the standout features and work like a dream. It elevates the game to a point where the action is never overwhelming enough to make you want to throw your controller down the nearest black hole. Even if you prefer playing solo, there are hours upon hours of content for you to enjoy. The game treads a line that keeps the game challenging yet accessible, so players of any skill can join in, and while Destiny 2 can feel like a Halo knock off at times, Bungie certainly delivers a AAA experience at a price that’s hard to complain about.
What Lies in the Multiverse is a playful and meandering adventure through time and space that manages to offer a real sense of drama alongside its simple puzzle-platformer mechanics. Shifting between universes to plot your route through each level is fun (if not a little easy), but there’s plenty of interesting tweaks to the gameplay to keep you interested throughout. The enjoyable story, while a little scattershot in tone, is carried by a quirky cast of characters that help make What Lies in the Multiverse an entertaining way to wile away an afternoon or two.
It’s been a long time since I played an RPG that I enjoyed as much as The Cruel King and the Great Hero. The mix of charming storybook visuals, memorable characters and sweet plotline is simply wonderful. In combination with a rapid-fire combat system and some quirky (if never groundbreaking) mechanics, and a host of interesting enemies, this was an experience that pulled me along from start to finish and I had me smiling all the way - I’d recommend it in a heartbeat.
Egglia: Rebirth is a fun, if repetitive, turn-based JRPG that wears it’s mobile origins with pride. With some pretty graphics, catchy soundtrack and simple mechanics, it’s easy to lose an enjoyable hour or so here and there between more substantial games. Had the dungeons had less of a cookie cutter feel and shown some gameplay (rather than just aesthetic) differences, it could have been a great little game, but the repetition turns things stale long before you’re finished. That said, I’d still recommend this to players who are fans of a mobile RPG and looking to transition to console with something familiar, or to younger fans who are dipping their toes into RPGs for the first time.