KonsoliFIN

Death Stranding 2: On the Beach is, in my book, a near-perfect sequel. Many of the criticisms aimed at the first game have been addressed with smart changes that make it significantly more approachable. Visually and aurally, it’s even more stunning than its predecessor, and the new plot twists are truly gripping. Only the masochists who loved the utter bleakness of the first game might not appreciate the improvements that Kojima Productions has made.

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Deliver at all Costs is a light-hearted, isometric driving game that simulates the trials and tribulations of package delivery. Players step into the shoes of Winston, a driver for WeDeliver. The game's narrative is largely forgettable, with its strengths lying in its humorous take on delivery routes, car upgrades, and the comedic interactions with customers whose property you might accidentally demolish. While the jazzy soundtrack and destructible environments are enjoyable, the game offers little challenge, providing unlimited attempts and moving checkpoints, making it overly easy. Collecting in-game currency and blueprints for car parts, which offer minor humorous upgrades, is not particularly motivating due to the lack of difficulty. Despite its charming cartoonish graphics and overall pleasant aesthetic, the game's simple mechanics and repetitive nature make it best suited for short play sessions, appealing to those seeking a laid-back, humorous delivery simulation.

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The unique co-op approach captures the edgy feel of Control, but still offers only a sloppy experience.

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It's hard to avoid Skyrim-comparisons when talking about this game, but Awaken Realms still manages to craft their own distinctive dark fantasy world around the familiar bones.

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Nintendo Switch 2 Welcome Tour is an interactive introduction to the new console’s features - the concept is fun and very Nintendo, but the execution feels dull at times, making the experience feel like doing chores.

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Despite its minor flaws, Stratogun is a minimalist, enjoyable, and visually striking arcade shooter that pushes players to their limits but rewards effort generously. It’s not the easiest game difficulty-wise, but thanks to its well-designed gameplay loop, frustration never really got the chance to set in.

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The Alters is an excellent narrative survival adventure from 11 bit studios, combining base-building, resource management, and story-driven gameplay. Players control Jan Dolski, the sole survivor of a botched space mission, who uses clone "alters" with modified life paths to aid his survival. The game masterfully blends exploration (à la Satisfactory) with personal dilemmas, as Dolski navigates not only a dangerous planet but also the emotional complexities of his cloned companions. Balancing immediate survival with the psychological weight of these choices, The Alters delivers a gripping experience deserving top marks.

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F1 25 is once again an excellent driving game, but at the same time provides very modest evolution from previous installments. Braking Point storymode is fun but short lived appetite like always. My Team, Career Mode and F1 World can offer nearly endless hours worth of content for hardcore F1 enthustiasts, if their stomachs aren't already full from previous years.

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Kvark is an old-school shooter that pays homage to Half-Life, but doesn't bring anything new to the genre. While it successfully captures the aesthetics and design quirks of turn-of-millennium games, its low-resolution textures, clunky enemy models, and frustrating gameplay mechanics make it feel outdated rather than nostalgic. The story unfolds through diary entries, posters and videos with a touch of Slavic sarcasm, but ultimately, the repetitive action and rigid save system remind players why modern shooters have evolved past these limitations.

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The Horror at Highrook is a great pastime for fans of Lovecraft's stories and card & board games. The simple and fairly consistent gameplay loop from start to finish may not be the ultimate challenge for players who crave it. However, if you're looking for a relaxing card game in a horror-themed setting, The Horror at Highrook is a great choice for those sleepless summer nights.

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Yes, Your Grace: Snowfall is a strong sequel to the original indie hit, blending narrative adventure with light resource management. Continuing directly from the first game, players once again balance the demands of ruling a medieval kingdom—making decisions for subjects, managing limited supplies, and navigating a branching story influenced by past choices. New mechanics, like prestige conversion and kingdom upgrades, deepen the strategy without overwhelming. The structure remains approachable, with clear guidance and manageable consequences. While not radically innovative, Snowfall offers more of what made the original so beloved—engaging storytelling paired with meaningful, strategic decision-making.

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Out of Sight is a fairly traditional horror adventure, for better or worse. It's not terribly scary, and the puzzles are relatively straightforward, but it's still a fun game to play. The innovative camera angles add just enough novelty to the genre that you'll enjoy the short single-player story.

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There’s always room for small indie platformers in the crowded gaming market — just look at hits like INSIDE and Limbo. Bionic Bay, the result of a collaboration between Mureena Games and Psychoflow Studio, borrows heavily from those masterpieces and aims for a similar niche, though it doesn’t quite reach the same heights.

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Without a Dawn feels down-to-earth, even small-scale compared to Jesse Makkonen's previous games, but at the same time it's a truly heavy experience. The visual novel takes you straight into darkness, both literally and figuratively.

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The Elder Scrolls IV: Oblivion Remastered is a comprehensive package that includes nostalgia, the base game, add-ons, and all the old bugs.

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The Precinct is a peculiar case. Its roughly ten-hour campaign doesn’t offer many thrilling moments: mostly talking heads and crazy criminals. Yet, it's surprisingly enjoyable in small doses. One would have hoped Fallen Tree Games had focused more on the story and clear objectives, rather than just a day-by-day shift cycle.

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Sony's almost endless enthusiasm for remastering semi-new games for no real reason is probably known to everyone who follows the industry. One could say boringly that Days Gone Remastered is a pretty good update of a pretty good game.

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One of the world's most infamous mass-slayers returns to the battlefield once again to save the universe. Despite a few minor missteps, DOOM: The Dark Ages is an excellent shooter that stands firmly on its own, offering a unique package compared to its predecessors. I was genuinely surprised by how strongly it drew me in: its learning curve is well-designed, and the gameplay innovations worked extremely well for me. Adding to that, a well-made progression system with collectible treasures like the familiar satanic plushies, the experience is easy to recommend – both to longtime DOOM fans and those who may have skipped the previous entries. Demons, tremble!

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The Midnight Walk is a simple and morbidly cozy walking simulator that owes a lot to the works of Tim Burton and Henry Selick. It's cute, slight, and mostly a demo for a VR system few play anymore.

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Old Skies is a really solid game from Wadjet Eye Games. It's nothing earth-shattering, but for fans of the genre, this point-and-click adventure offers over ten hours of cleverly designed puzzles and an emotional story.

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