The Escapists: The Walking Dead is a visually charming game with a standout soundtrack, but its gameplay is shallow and repetitive. It follows the narrative of the original comic books, but uses them only superficially without any real depth or engagement with the license. It has its moments of fun, but more often than not is a frustrating time-sink made up of trial-and-error mechanics with little sense of reward.
Toki Tori 2+ is a cheery tune of delight which thumps to the rhythm of a chick's stomp. It's a beautiful, colourful, and clever environment to play in, and harks back to those feel-good games which used to be so prevalent but have unfortunately fallen from grace in recent years. This is a fine 2D platformer with original ideas tied to a tried-and-tested formula of platforming goodness. It can be frustrating at times, requiring thought and precision, and a little vague in its exposition, but it rewards you for your efforts with bundles of charm and eventual satisfaction.
McDroid is a game with plenty of charisma and sweet ideas. It takes a tired genre and throws it together with elements from elsewhere to create an engaging and charming hybrid. It's aesthetically excellent, with some provocative ideas, but technical problems in larger sections of the game hamper the overall experience. Difficulty spikes and repeated levels also let the game down and prevent if from being truly memorable, but underneath the issues lies an interesting game which provides quite a rush.
République is a smart, engrossing, and often frustrating game, but one which really captures the imagination once its hooks take hold. You really have to work for what you get, though, and even the bulk of the narrative is formed through optional side collections. A couple of gameplay hiccups and a slightly drooping fourth episode aside, this is a strong stealth game which requires a slow, steady, and methodical approach. Big Brother may be watching, but he's never interfered in proceedings quite like this.
KOI is a game that knows how to push your buttons. It draws you in with its beautiful soundscape and enchanting premise, but then takes you through an often shallow experience with some frustrating moments that discord with its otherwise serene exterior. It's a game which seems far more suited to mobile play than console, where longer play sessions highlight its lack of depth. It has moments of beauty, and comments on larger, prominent ecological issues – but ultimately feels like a missed opportunity.
It may be brief, but Oxenfree has elements of greatness and stands out as an excellent example of video game storytelling. It's also a beautiful and intriguing game that draws you in from the very start and makes you want to see just how deep the rabbit hole goes. Unfortunately, the situational narrative is let down slightly in the final third where it confuses even itself and fails to merge with the far stronger and more prominent social narrative.
Integrity and Faithlessness is a much faster game than previous Star Ocean entries, but it sacrifices narrative and contextual depth for it. There are a few interesting but unsuccessful design choices here which let the game down, but it mostly makes up for its shortcomings with a frenetic battle system, excellent character design, and a standout soundtrack. It's a little bit vague, and it's a little bit shallow, but there's still plenty of fun to be had in tri-Ace's latest, and for newcomers, it's by far the most approachable entry in the series.
There are some interesting and well-implemented ideas here that make Obliteracers stand-out, but it gets drowned out amid the rest of the game which more often than not fails to make use of its unique mechanics and relies on generic tropes that have been better implemented elsewhere. There's still some fun to be had in a spare 30 minute session alone, and it excels when played with friends – but on the whole it fails to provide enough depth and variation to keep the average player Obliteracing after the initial taster.
Chambara is a smart, stylish, and truly entertaining game to play locally with friends and family. There's a timeless class to games of this ilk which offer experiences that you simply cannot get elsewhere. As long as you can provide a steady stream of willing players to engage with, Chambara returns the favour with a limited but excellent selection of arenas to engage with them in.
F1 2016 is a Formula One nerd's dream come true, but not without a few small caveats in the presentation department. On the track, though, where it really matters, it's a joy to play with plenty of depth and complexity, and a career mode that's made all the more engrossing by making what happens outside of the race both relevant and meaningful to your career as a Formula One driver.
Assetto Corsa is a frustrating drive with a punishing learning curve that never truly pays you back for your time investment. It fails to provide an effective way to learn its complicated intricacies and lacks features that a game of its ilk requires. It's also simultaneously the best and worst presented racing game of the past few years, with superbly detailed cars and tracks hampered by awful long-distance scenery and ugly roadside textures. Ultimately, this is a disappointment that lacks the heart required to truly celebrate the cars it has so lovingly recreated.
If this is indeed Two Tribes' swansong, then it's a goodbye wave accompanying tears and smiles. This is a fine way to leave, and it's pertinent to think that its final legacy is accomplished through the use of aspects which are, sadly, already in the rear-view mirror. It takes a lot of commitment for a relatively small game, and it's sometimes a little too eager for you to suffer its wrath. However, the charm, style, and sophistication by which it mixes up so many different styles successfully is a testament both to RIVE's great design and also some of the most beloved games of years gone by.
Yesterday Origins has a strong cast of characters, an intriguing plot, and beautiful presentation. When you manage to work it all out, the game can be a real joy, but when things go wrong, it can be frustratingly slow and pedantic. Like its narrative, it jumps back in time to remind us of when games were far more frustrating and constrained. It brings back elements of gaming's past that we like, but it also brings back those that we don't. We've come a long way, but if all those troubles feel far away, well Yesterday Origins, to quote The Beetles, makes them look "as though they're here to stay".
Tales of Berseria takes a positive turn with a much darker theme, a great cast of characters, and perhaps the best storyline that the series has seen for quite some time. The fast and tactical battle system is also a definite step up, but the game is starting to look dated and needs to lose its last-gen shackles. For those disillusioned fans of recent Final Fantasy outings, however, Tales of Berseria might just be the game that they're looking for, with a more traditional Japanese RPG setup that sticks closely to what it knows, while offering a new and exciting narrative direction.
For a free side course of Final Fantasy XV goodness, you can't go wrong with A King's Tale. It's nothing special – either as a new entry to the narrative or as a 2D brawler – but it provides some depth to a character that lacked development which, in turn, further expands upon the personality of Noctis and his relationship with Regis. Despite some lazy moments of design and unnecessarily repetitive combat sequences, there's a couple of hours of fun to be had here with a surprisingly good combat system and a nice, nostalgia-inducing presentation.
It's especially important to remember that Star Ocean: Till the End of Time is a 13-year-old game, and you'll notice this from the off. It was a bit of a dungeon-slog in 2004, and the spotlight's even brighter now. Some awkward dialogue sections and rudimentary dungeon design aside, the fundamentals of this classic JRPG keep it more than relevant, with a progressive battle system, a series best soundtrack, and a thought-provoking narrative that concludes the Star Ocean timeline with aplomb.
Star Ocean: The Last Hope straddles the line between highs and lows – it's both exhilarating and bombastic in equal measure, even though its story never reaches the same euphoria as its predecessor. It makes up for this with a tactical and action-packed combat system, interesting crew management system, tons of content, and a marvellous remaster job that has the game running beautifully on both PS4 and PS4 Pro.
We had some fun with Mortal Blitz's brief 90 minute campaign, but it's hard to ignore the lack of imagination that's gone into its makeup. For every moment of glee, mostly afforded by the VR headset than any real design philosophy, there's an equal moment of disappointment. As a genre, it perfectly suits the VR medium, but the repetitive and uninspiring design leaves little to reflect on with too much positivity.
A less focused outing than its predecessor, Lost Sphear gets lost amid its various, undercooked systems, and it fails to successfully consolidate its many inspirations. It's a pleasant enough game with a nice aesthetic, but we doubt we'll be looking back on this one with too much sentimentality.
Even with what looks like decent ideas on paper, the implementation of just about everything in Out of Ammo is heinous. Looking for any semblance of positivity is like trying to find something new to watch on Netflix before your takeaway gets cold. No matter how good your day has been, Out of Ammo is willing and able to bring you down with a thump. You have been warned.