Every component of GORN, from the huge assortment of weaponry to the strange physics, comes together to deliver exactly what is promised: bloody, melee carnage. It’s a no-frills experience that doesn’t concern itself with anything extraneous, like moral questions or a narrative.
As it stands, Penn & Teller VR will please only fans of the titular duo.
Despite no attempts to evolve the series beyond its simple roots, Lovely Planet 2 is still just that; lovely. Jumping and shooting your way into the high scores is fun and challenging, and the art style has plenty of charm, accompanied by a wonderfully quirky set of tunes.
It’s almost unfair to assign a score to KIDS, because the experience is just so subjective. What you take away from it depends entirely on what expectations you have. Those looking for traditional gameplay elements or a cohesive story with a beginning, middle, and end will be sorely disappointed. But if you’re up to experience something wacky and stylistically unique, KIDS is well worth your time, even if you walk away confused about the meaning behind it all.
Witching Tower has an interesting setup, but sadly misses the opportunity to expand its story and magical world. The focus here is on action and puzzle-solving, but neither of work well enough to carry the entire experience. Clocking in at a length of two hours, even that felt too long, as it’s clear the game runs out of steam.
Space Junkies possesses a strong foundation. It’s frantic combat and responsive weapons no doubt appeal to those looking to spend quick bursts of game time in VR. Developed in-house by Ubisoft, it’s also one of the best VR experiences one can have in terms of comfort and ease. However, the admission fee alone for this arena shooter might turn away potential fans, and with an already low player population, it remains to be seen whether Space Junkies is here to stay.
Skyfront VR is a perfectly serviceable, run-of-the-mill shooter, bearing little difference to the ones you’ve played many times before. The developers miss an opportunity here to expand and innovate upon the idea of zero-g arena combat, lending to an overall feel of “been there, done that”.
Blind takes a novel VR concept and does nothing interesting with it. There is little here that you won't be able to find in better alternatives of the genre, even if we're only talking about other VR titles. If Blind was shorter and had less aggravating puzzles, it may be worth a try out of curiosity alone. But when a game is this testing of a player's patience, it's very hard to recommend.