TJ Denzer's Reviews
Animal Well is one of the strangest metroidvanias I’ve played in a lot of very good ways. It’s pretty, funny, and scary in its atmospheric visuals and audio. Its platforming is also very satisfying and makes you feel good when you figure out how to use your tools properly to solve a puzzle. There are also secrets a plenty and a post-game to explore, as well. It's also just interesting to me that you don't directly fight with enemies and instead use your tools to work around them. The main double-edged sword here is the complete lack of context and hand-holding, which makes Animal Well charming and mysterious, but can make it difficult to keep track of what you were doing or where you should be going next. Nonetheless, if you want a solid and quirky adventure that will put your reflexes and puzzle-solving to the test, Animal Well is an absolutely fascinating journey.
Children of the Sun excels where it counts. It’s a cerebral puzzle in which you weave a bullet between targets, and solving the puzzle is dangerously satisfying.
How far it feels like the concept of Sniper Elite VR has come. I won’t say this game is perfect, but I will say it’s one of the most visceral and satisfying stealth-action shooters I’ve played in VR. The weapons handle nicely, the missions and locations are hugely varied, and the comfort options are abundant and easily understandable. I wish it catered better to left-handed shooting and that some weapons had better interactivity, and I’m just not crazy about head-on combat here. It’s also not exactly a looker. That said, what a step-up from what I know about Sniper Elite VR. When the dust settles, I’ll have a hard time thinking of a game that made it more satisfying to look down a scope and deliver distant absolution to virtual fascists.
What impressed me the most about Cocoon throughout much of the adventure was the sheer intuitive nature of its puzzle-solving. You might think that with no dialogue or hints, jumping into worlds within worlds and carrying them around would be hard to wrap your head around, but this game does an incredible job in its presentation, making you aware of what you can do and what you want to accomplish. Just as well, it’s a beautiful and ambient game that drew me into its mystery and made me want to unravel more through the sheer joy of cracking each layer and digging into another. The team at Geometric Interactive made something truly compelling, mind-bending, and immersive in Cocoon, and though it can prove difficult to handle all its tools, solving its mysteries is an absolute delight.
Lies of P was an interesting adventure. I really liked the blend of the classic tales of Pinocchio twisted into this strange and interesting world of puppets, rebellion, classism, and secrets. Being able to mix and match weapons and Legion Arms were delightful twists on my expectations of soulsborne combat mechanics. It's a shame the smaller enemies don't have more personality, and I also wish Pinocchio had more character to make playing him more enjoyable. That said, Lies of P is more than just a wooden facsimile of a soulsborne game. It gets the foundational stuff right and tweaks it just enough in combat and exploration to make things more interesting. For that much, it’s a tale worth exploring all the way to the end, wherever your lies may take you.
I really like this niche that Mimimi has taken on in their games, and they seem to do it better with each go. Shadow Gambit: The Cursed Crew takes the character-driven stealth tactics I loved in Desperados and applies a ghost pirate theme to it in ways that are nearly always fun to play and beautiful to look at. It’s tough as nails and I wish I could experiment more before big choices, but I also think the concept allowed Mimimi to do some silly and spectacular things with its gameplay. Shadow Gambit sets a new standard for this studio, and I’ll be playing it until we get to see how they top themselves next.
This new version of Ghost Trick: Phantom Detective was a surprising delight to see out of Capcom. We’ve seen plenty of the Phoenix Wright games make a return, but Ghost Trick is quite the interesting spinoff. It offers a compelling narrative, a rather fun mystery-unraveling and time-twisting gameplay loop, and solid original and arranged soundtracks to accompany the journey. It doesn’t add much in the way of new content to visually and aurally upgraded package, but if you’re looking for another romp, or your first, through Ghost Trick: Phantom Detective, then this is an fantastic way to go about it.
I had my doubts about two Riot Forge games coming out in such proximity to one another, but Riot Games is proving to be good at picking great developers to give new and interesting life to its League of Legends universe. Double Stallion didn’t just flesh out another corner of League of Legends lore with Convergence. It also built a metroidvania that I feel would be considered innovative and enjoyable whether it had the League of Legends name on it or not. I wish the enemies had more variety to them, and the time-shifting effects on voiced dialogue are sometimes very silly, but I would dare to say that whether you enjoy LoL or not, you’re in for a treat if you choose to spend time with this game.
Nightdive’s System Shock remake keeps much of its successful elements intact while doing away with a lot of its archaic issues that would drag down a modern game.
Firmament was an extremely meditative puzzle solving experience. I applaud Cyan Worlds for continuing to design these games without flashy ruckus, time limits, or deaths to speak of. It’s a peaceful journey through vast and mysterious lands full of wild and interesting machinery built into beautiful natural surroundings.
Horizon Call of the Mountain has value in the sheer fact that it puts you behind the eyes of a character in the Horizon universe that’s not Aloy. Taking in the beauty around me at all times was a treat in this game and I liked the interactivity Guerrilla and Firesprite implemented in this experience. I liked bonking drums and throwing pottery around as much as I liked assembling fire arrows and shooting them into a machine’s opticals. I wish the game didn’t rely so much on climbing, but even in that, it provides a pretty intense and immersive experience. The game isn’t without hiccups, and it won’t give you the same vast freedom the mainline games do, but Horizon Call of the Mountain is still a breathtaking VR adventure, a fun side chapter in Horizon lore, and a great kickoff to the PS VR2’s original lineup of games.
I love Monster Hunter, and Wild Hearts isn’t perfect, but it improves and diversifies on that formula in ways I don’t think any fan of this genre should overlook. I want to keep being in this world and I can’t wait to see how Koei Tecmo continues to expand upon it.
Pharaoh: A New Era’s visuals, music, and gameplay tweaks make for a very easy-to-grasp, complex-to-master setup, and there are loads of options to soften the challenge whenever you feel like it. More than that, when you get your cities bustling with farms, markets, industry, entertainment, religion, and monuments the whole thing is a busy spectacle of beauty. Some archaic bits can make things difficult, and this isn’t my favorite city builder I’ve played, but it’s still an excellent spin on a classic.
Vengeful Guardian: Moonrider is great in a lot of ways. Even if it stays almost too close to the Mega Man X formula, it still utilizes it well. The visuals and music are definite highlights that put this game apart, but it also just feels satisfying to play. The ride is over all-too-soon, but I’m happy to have taken it. It was another good challenge and we cut up tons of machines, fascists, and fascist machines along the way. More than that, I’d love to see some speedruns of this game because it looks ripe for excellent players to learn and master. If you want a decent action platformer to kick 2023 off with, you can’t go wrong with Vengeful Guardian: Moonrider.
Tactics Ogre: Reborn is a treasure of both classic tactical RPG design and modern sensibilities. I really like the quality-of-life features that make it so much easier to play and stay on the path of the story without much padding. I can also appreciate that this game also contains some tough-as-nails challenges that take an incredible amount of dedication to overcome. In between all that, it’s also just a great story and I really appreciate the Chariot Tarot system allowing you to see the paths untaken at any point you desire. If you want a great tactical RPG, this is not only the forerunner to many favorites, it’s also well-polished for a new generation.
Ultimately, Overwatch 2 feels less like a sequel and more like a refresh, which isn’t necessarily a bad thing. The new Heroes are neat, as are the refreshed looks of previous Heroes. The new Push mode and other new maps are fun as well. That said, the game pretty much plays the same. If you loved Overwatch, there’s really no reason why you won’t enjoy continuing this journey. If you weren’t a fan, this isn’t going to change your mind. That said, if the first batch of heroes, modes, and maps were any indication, it at least looks like Overwatch 2’s new free-to-play seasonal content rotation is going to keep things interesting for a long time to come.
Frozenheim is quite a test of strategic resource management and combat tactics as you raise your settlement, make it self-sufficient, and defend it from outside forces. I really enjoyed the ability to diversify through clan types and the maps are just plain beautiful at all ends. Some resources are far more unwieldy than others, and players will likely find frustration learning how to keep the things they constantly need in check. However, for everything on offer, Frozenheim is a solid arrangement of primitive economics and warfare and should scratch an itch for anyone looking to enjoy a solid strategy experience, either solo or with friendly opponents.
Eyes in the Dark doesn’t exactly reinvent roguelites or twin stick shooters so much as it simply takes good parts of those things and ties it up neatly in a darkly humored style, both charming and creepy. The black and white art style, quirky soundtrack, and unique light-vs-dark elements are quite enjoyable. RNG can and will cut your runs short, and I think its permanent upgrade system is a bit too stingy to keep things moving along, but it’s still quite an amusing roguelite romp that will keep you cutting through the darkness on your way to discovering the mysteries of the Bloom family.
Between the well-adapted cast of characters, stages, and music from Dungeon Fighter Online, this is both a love letter to DFO fans, as well as a quality and accessible fighting game to boot. It will be interesting to see how much longevity this game has in it, though. Where some characters have risen to the top in past fighting games with enough exploration and discovery, DNF Duel feels a little too easy to crack. It’s the most unbalanced of any Arc System Works fighter I’ve played in recent memory, and that makes me concerned for its community health. That said, it’s still a fun fighting game to play with good offline modes to boot. If you want a good-looking fighter that doesn’t take too much practice to access and feel good about, or if you just love Dungeon Fighter Online and want to play a game that adapts it well, DNF Duel might be the brawler you’re looking for.
I never thought we’d see love for Darkstalkers again outside of something like another Vs. Capcom game. Not only am I happy to have been wrong, but I’m glad it came in such generally high quality as Capcom has given us here in the Capcom Fighting Collection. More than that, having Red Earth, Cyberbots, and Super Puzzle Fighter alongside options like training modes, one-button specials, and other quality-of-life features is just excellent. I lament the lack of crossplay, and some might not be fond of the arcade-hard mentality of some of these games. Still, Capcom Fighting Collection is a delicious buffet of classic fighting goodness that plays quite well across the board.