Much like its predecessors Silver Lining is over in an hour with a slight extension offered for sidequests, and three more suits. Then bam, there's a proper Stan Lee dedication, credits roll, and the wait begins. Hopefully Spider-Man 2 builds on top of everything we've seen so far, including the DLC trilogy.
Gungrave, like when it debuted over a decade ago, is an acquired taste. It's rigid and not particularly welcoming, two qualities that are exasperated in VR. Despite its problems, I'd welcome another go at Gungrave (or a revival of that Planet Gunsmoke Trigun game), and it looks like we're getting it. But you can skip this outing.
I've used phrases that evoke the monumental achievement that is Super Smash Bros. Ultimate a few times in this review and I can assure you it's not hyperbolic. Despite that a lot of the old content isn't as hard-hitting the second, third, fourth, or even fifth time around, the fact that it's all here, and in a manageable file size, is more than enough. After this (and Geno/Waluigi DLC) Sakurai can rest easy.
Persona 5: Dancing in Starlight knows its audience within its audience. It's one of the more engaging rhythm games I've played to date, even if I wish it was open from the start and had more to do. Like the Phantom Thieves, I have to follow my heart; and it sides with the music.
Most of my complaints are related to the RPG bits which are not the main focus of Darksiders III. It remains an action-fueled project and that's an angle it does well, reigning in some of the out-of-hand ideas from its predecessor. With all of the efforts to resurrect this once dead and buried series I hope there's a chance to wrap it all up with Strife: I want to see this story through until the end, blemishes and all.
Black Cat was a more formidable foil but Turf Wars continues to play to Spider-Man's strengths. Despite the one-note villain atmosphere the team at Insomniac managed to craft a compelling world around the conceit. With two thirds of the season pass in the bag I can honestly say that I'm invested.
I can't believe it took Game Freak over 20 years to give us an RPG-oriented console Pokémon game, but with the ever-changing mobile landscape and the success of the Switch, the opportunity finally presented itself. No, Let's Go is not the mainline entry that EV/IV min-maxers hoped for, but that's still on the way. If you happen to miss this return to Kanto, that's perfectly fine, but I was mostly delighted to go back.
Hitman 2 is a colossal collection of puzzles begging to be solved through multiple playthroughs. It's meticulous in its scoring system, objectives, and unlocks. Even though this would have worked perfectly as a "season two" for the original Hitman, the need for a new package is perfectly understandable given their situation. I don't even need the Sean Bean and company timed challenges or the promising now-in-beta Ghost Mode (an asymmetrical gametype where you try to kill more targets than an opponent that exists in an alternate reality): just keep giving me more maps and I'll keep playing.
"Roughly one week after launch" The Quiet Man is getting an update that will add audio into the mix, and thus, context. Maybe it'll be the most subversive, Molyneux-esque patch in the history of gaming. For now, Square Enix is charging $14.99 for a ticket to ride and I can safely say that you can miss this train.
There's a lot of great songs to play in Taiko no Tatsujin: Drum 'n' Fun, even if its staying power is deflated a bit without friends due to the lack of modes. If you can get over that, Taiko's core "two-note" system is tried and true: the beat is strong with this one.
Red Dead Redemption 2 is the epitome of ambition and like most things Rockstar, will meet the expectations associated with it. With all of the advancements since the last Red Dead and everything they've learned from Grand Theft Auto V under their belt, the series is in a better place, able to provide a more natural and less gamey world to explore.
Black Cat's DNA was already spliced into side activities in Spider-Man so her appearance makes sense, even if the "to be continued" ending is a bummer (I guess that eliminates the idea of further DLCs being standalone). It's not the most explosive beginning, but it does feel like more of a natural extension rather than a tacked-on thing. As does the possible baby mamma drama.
Castlevania: Requiem is a complicated thing. It's both a wonderful package of two incredible moments in Castlevania history and a bog-standard port. Nothing has been significantly upgraded from the already existing PSP dual-pack, so if you already own these in some form or another, stick with those. Just keep in mind that at $10 each (Requiem is $20) it's currently one of the cheapest ways to get them. That ain't bad!
With a stronger connection to the world and a more rewarding progression system, Nine Parchments could have been more than a fleeting arcade fancy. If you can find it on sale (which it has hosted many times since launch) and can wrangle up three other people, it's a decent party game that will fill a single afternoon.
I still remember sitting down for the first time to play Soulcalibur on the Dreamcast and hearing Jeff Manning's voice echo across the room. This is a larger-than-life series that deserves a lot of love and care from its creator: and with VI, it got it. The recent documentary that openly acknowledges the past faults of the series gives me hope that Bandai Namco is going to right the Soulcalibur ship.
How well Activision manages Black Ops 4 will possibly influence the entire future of the series. For now, two thirds of it is rising to the occasion.
The quality of any given WWE 2K game is a gamble year to year, but 2K19 manages to claw its way up from being buried alive by the travesty of last year's entry. Daniel Bryan's Showcase is a clear highlight as are the mostly welcome mechanical changes. Here's hoping they don't regress again in 2019.
I have a lot of quibbles with Super Mario Party that could have drowned it, but the extras pull it up above water. 80 new minigames, most of which aren't busts, is a feat. Having a team-based mode where you can move around freely and going back to basics with the core board game (goodbye car, hopefully see you never!) was a good move. Restricting play options and easing up on the amount of boards available? Not so much.
How much Mega Man 11 is expected to reinvent the wheel is by nature subjective. Despite its reserved approach, it undeniably slots in very nicely with the classic series while bringing our old friend into a new era. The big finish could have been a little more mega, but it succeeds in pulling off the gargantuan task of getting people to care about Mega Man again.
Astro Bot Rescue Mission, like its titular hero, gets the job done. Although the general tone is low key at all times, there's very rarely any lows to speak of. It's polished and responsive, it just plays it safe with its subdued level design, relying on the VR "wow" factor a bit too often.