I spent close to a dozen hours with the main progression path in PixelJunk Eden 2, and I've hardly dug into the unlimited-time "choose your garden and Grimp" free-play mode. Whenever I feel the gotta-catch-'em-all collectathon itch, I'll be sure to head there first since that mode has its own achievements. You can't tell me the total number of seeds in each level and not expect me to hunt them down.
There's something so magical about the way Overcooked mixes simple cooking instructions with frantic stage hazards that require verbal check-ins between co-op players. I can't get enough. I've lost track of how many times I've beaten these games, and it's a testament to their design that they still hold up so well. If you're hankering for more happy, shouty, don't-blame-me vibes, All You Can Eat feels definitive.
Bluepoint Games and From Software are among the best in the business, and we're fortunate to have their strengths coalesce for such a stellar remake. This console generation is less than a week old, but something tells me we're still going to be raving about Demon's Souls when it comes to a close.
Little Hope proves that the Dark Pictures format isn't a fluke and I'm excited for Supermassive to continue honing its craft. On that note, I love how these games tease forthcoming installments with collectible in-game premonitions. Next up, the seemingly Descent-inspired House of Ashes.
Even if the story doesn't hit as hard this time around and the stakes, in general, can feel weirdly low (due in part to the self-contained time-hopping conceit), I can't deny it: Darkness in the Capital is fun as hell. I didn't expect to want to completely redo my build after falling in love with the Fists, but here I am.
Hades had the unenviable task of bridging a well-established action-roguelike format with impactful character-driven storytelling, and neither element feels like an afterthought. They lift each other to new heights. The finer details – all those little artistic touches that add up over time – really seal the deal.