Skull and Bones spent seven years in development, but still feels like an unfinished beta version that was released way before it’s time. And while many expect this kind of patchwork from Ubisoft, it is still a reprehensible industry practice that is in no way fair to the players, who despite all the warning signs have waited and hoped for the game’s release.
Ultros major issue is that it isn’t as weird and hallucinatory as it wants to be. Sure, this space burial site that overflows with life offers an interesting setting with some impressive visual touches. The narrative is somewhat obscure, and occult tinged.
Taken individually there are some aspects to Suicide Squad: Kill the Justice League that are enjoyable. The problem is that cloning the same few basic gameplay mechanics seen in most live service games creates a negative overall experience. As a result, even if playing alongside your friends as a full party, you will feel like participating in a chores marathon.
War Hospital offers a decent management experience with nice flavor. There aren’t many games that use World War I as a setting and even less than ask fans to actually heal people rather than kill them. The game’s management aspect is well-executed, although the core gameplay loop tends to become repetitive.
Tekken 8 feels like a great game that with a bit more tuning could have been the best fighting game out there. The last fight of the campaign feels unnecessarily long, the Arcade Quest mode could have been made into a better fit with the rest of the game and there are some other aspects that commenting upon almost feels like nitpicking.
Like a Dragon: Infinite Wealth is without any doubt the biggest game of the series published so far and arguably the most engaging one. Each and every part denotes the developer’s passion for their craft and the end result is one of the most atmospheric games I have had the chance to play lately.
GRAVEN aims for an intriguing combination of exploration, combat, and puzzle solving. All are decent, neither is truly good and the game cannot seem to decide what kind of experience it wants to create. I really wanted to use the spells, especially fire, to kill enemies, without resorting to blades or arrows.
Stargate: Timekeepers delivers a decent core gameplay loop. Working with a variety of characters to move stealthily and eliminate enemies can be fun, especially when players are dealing with the more complex enemy setups. The constant visual reminder about quick saving is a good idea.
Anomaly Agent is a great retro-inspired side-scrolling action title. The combat system has depth and delivers some frantic engagements. Surviving a big fight with just a sliver of health feels great. The presentation is solid, with a special mention for the music, and the narrative, despite its familiar beats, is engaging.
The Cub fits in well with the rest of the games developed by Demagog to showcase the Great Climate Catastrophe story arc. Once again it is a game that carries a deep message, while not failing to entertain as a videogame.
Lil' Guardsman is a fun game that expertly combines story and gameplay. It’s built around a loveable central character who finds herself at the core of an interesting although familiar narrative. The deduction mechanics require players to pay attention, but the game also smartly gives them a rewind ability if they want to retcon some choices.
Rising Lords is dedicated to fans of turn-based strategy with a historical element who don’t want to deal with unnecessary complexity. The game’s focus is on the economy and, specifically, the peasant-powered food supply. Small events can have big consequences and it is never easy to always give people full rations.
Spellbound Survivors is derivative and simple. The main mechanics are fine, although there’s little here that other titles in the genre don’t do better. The Legend Bar idea is interesting but the array of offered options is too small and all of them feel overpowered. The soundtrack is pretty good but there’s no narrative setup to engage with.
Hidden Through Time 2: Myths & Magic may be a casual game, but it offers a hardcore experience for the fans of the hidden-objects genre. It is a puzzle game that has a catchy visual style, it is full of details and offers many hours of fun.
The Lost Crown deserves a chance both from new players and old-time fans of the franchise. Yes, you do not play with the prince, but that does not affect the game experience. Ubisoft managed to put together a challenging and very enjoyable experience that mixes elements from different genres into a real good end result.
Guardians of Holme’s moment-to-moment action is initially fun, as players create complex trap setups and decide the best way to use their own special powers. The game offers plenty of options and upgrade paths, as well as extra characters and a ton of traps to unlock. Both tower-defense genre veterans and newcomers will have fun with it.
Forest Grove is not the stocking filler I have hoped for. It is a mediocre game at best, that does not offer any real challenge or satisfaction. The game mechanics are way too simple and repetitive, the hardest part being to decern what is relevant for the case and what is not.
Card Detective combines two different concepts in an innovative way. Hazel Gong is the very model of an intrepid reporter, although the story she’s chasing is a bit mundane. And it’s fun to guide her as she chases the truth, either by asking direct questions or by carefully analyzing a subject. The card mechanics work well and there’s enough variety and space to craft decks and strategies. Some extra hints about how to best balance direct approaches and analysis would have been great to keep newcomers to the genre engaged. The title’s biggest weakness is the relatively mundane story and some difficulty spikes. Card Detective shows how the card-battler genre can evolve when combined with new approaches and offers complex card puzzles to solve.
Trinity Fusion is built around a combat system that’s easy to understand but hard to master. I like the focus on picking the best mix of weapons and Amplifiers, creating synergies that make handling both groups and individuals easy. The rogue-lite elements are not very deep, but they offer players extra options to tweak their playstyle. Choice matters and there’s plenty of space for experimentation.
Born of Bread is joyful, designed to appeal to a wider range of audiences, with a quirky narrative that can draw some laughs and mechanics that are easy to understand. The story holds few surprises, but I liked the characters, even the background ones.