Enotria: The Last Song
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Enotria: The Last Song Trailers
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Critic Reviews for Enotria: The Last Song
Enotria: The Last Song has fun combat and its sun-drenched environments are a breath of fresh air in the genre, even when the unapproachability of its RPG systems prevent it from taking center stage.
Enotria: The Last Song impresses with fun combat and stunning visuals, but a few technical issues and occasionally frustrating mechanics hold it back.
Italian folklore makes for a unique setting, but Enotria lacks the smooth combat and smart mechanics you'd look for in a decent soulslike.
I found myself circling bosses, trying to back them against a wall so my PC didn't have to render the scenic view on the other side of the arena.
The thing that sets Enotria: The Last Song apart from other games in its genre is that it's set in a theater-fantasy version of Italy.
The Last Song is a Souls-like experience that takes a lot of big swings, and while there are a few hiccups along the way, many of these risks pay off.
Despite some flaws (even significant ones) that we hope future updates can resolve, Enotria: The Last Song proves to be a souls-like game with a distinct personality, both in its artistic and environmental characterization and in its gameplay, which has several well-conceived ideas. Not everything shines as we had hoped, but if there's one thing the game doesn't lack, it's courage.
Review in Italian | Read full review
Enotria: The Last Song is a work that stands out for its visual beauty and thematic originality, but that fails to reach the necessary level of execution in its gameplay. The mask system, although innovative, is not well balanced, and the combat, an essential pillar in any Souls-like, is weighed down by imprecise controls and mechanics that limit the player's freedom. The narrative, while intriguing, fails to develop coherently, leaving the player with more questions than answers.
Review in Spanish | Read full review
