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While a few major tweaks and additions bring it into the modern era, this is still very much the Onimusha: Warlords you remember from 2001. That's not a bad thing, though, because 18 years on, it's still able to muster up a thrilling campaign with all manner of horrors to slice and dice. Recommended for both newcomers and veterans alike, Onimusha: Warlords is a welcome distraction that takes us back to a simpler time. Now, let's make that reboot a reality Capcom.
Megalith is a run-of-the-mill MOBA that, despite its VR novelty, does nothing to distinguish itself. It's cool to be placed in the shoes of larger-than-life titans, but the game's single mode is middling at best. There's still enjoyment to be had with its varied albeit limited cast of characters, but better MOBA's have had difficulties maintaining a consistent player base mere months after release.
Tales of Vesperia: Definitive Edition brings one of, if not the best Tales game to PS4, and that alone will no doubt be enough to persuade fans of the series. But really, ten years after its original release, Vesperia deserves more credit than that. It's a borderline classic Japanese RPG, and one that still holds up in 2019 thanks to a great cast of characters and some finely poised action.
Kingdom Two Crowns is a well presented, brilliantly simple strategy game that makes some smart changes to allow more players to get involved.
We'd have preferred a little more oomph for the DLC's finale, but the silver lining is that the implications for Marvel's Spider-Man 2 are definitely interesting.
It's been great to look back on some of the older games in the Atelier series; you can really see where some of the later games got their inspiration from. If you've never got round to playing this trilogy before then now is the perfect time to pick these up and experience a beautiful, heart-warming JRPG series – just in time for the fourth game in 2019!
There's clearly a lot of effort been invested into bringing Borderlands 2 to PSVR, and that's appreciated. The gameplay does feel dated these days – and the lack of DLC and co-op is a real shame – but there's still fun to be had with the loot-shootin' loop, and Pandora scales well to virtual reality. The PS Move control scheme is cumbersome but the game plays fine with a DualShock 4 in hand, and an array of comfort options mean that you can tailor the experience to your exact needs.
Subnautica sees you submerged in a vast and utterly breathtaking underwater world, teeming with secrets and polished off with an unsettling atmosphere that instigates a real sense of thrill as you play.
Nippon Marathon is a curious multiplayer game that unfortunately falls prey to its own over the top nature.
Desert Child is stylistically fantastic and has some of the more exciting racing gameplay we've seen this year, but it really suffers from its short length. There's an interesting, colourful world to explore in Olympia, but unfortunately things ends when it feels like Desert Child is just getting started. Still, it's an admirable effort from a talented one-man team.
Beat Saber is a thrilling rhythm game that makes ideal use of virtual reality to envelop you in an enthralling tour down the coloured highway, time after time. We suspect it's the kind of game that will resonate with just about anyone, VR sceptic or not, and it's an essential addition to any PlayStation VR owner's library.
Thronebreaker: The Witcher Tales features some of the sharpest writing on PS4, and it's all embedded within a superb story stuffed with brilliant characters. Meanwhile, Gwent makes up most of the gameplay, and although the card-based system does have flaws, it's easy enough to look past them when the surrounding journey is so masterfully told. Ultimately, Thronebreaker is an easy recommendation for Witcher enthusiasts and fans of strategic RPGs -- a surprisingly robust and rich tale that shouldn't be overlooked.
Gungrave VR has a poorly implemented control scheme, a lack of story content, it doesn't take advantage of the technology available in the PSVR headset, and ultimately lacks enjoyment in its core gameplay. Unfortunately, Gungrave VR has failed to raise the series from the grave and we'd advise everyone to let this one lay to rest.
PlayerUnknown's Battlegrounds manages to differentiate itself from its battle royale progeny with its more tactical spin on the formula, even with its obvious lack of presentational prowess. While its grounded approach can be brutal at first, if you take the time to immerse yourself in its stress inducing battles, you'll find yourself involved in epic engagements that will have you sharing your successes – and failures – with anyone willing to listen. It may not be the king anymore, but PlayerUnknown's Battlegrounds still more than deserves a place at the top table.
Override: Mech City Brawl is good fun with a friend or two sitting on your sofa, but it lacks the kind of depth that a smaller release like this needs to be consistently compelling. The game's got some cool mech designs and watching big robots tumble through buildings is always enjoyable, but it's just not quite enough to carry the rest of the release.
While Mutant Year Zero: Road to Eden has managed to build a cohesive system for tactical turn-based battles to take place in, it's far too difficult for the average player. Hardcore genre fanatics are sure to get a kick out of proceedings, but those looking for a more introductory take on things will find more frustration than progress.
Everything aside from the story is simplistic, but it doesn't matter if the puzzles are non-existent or that the graphics are basic, because The First Tree packs an emotional narrative and is a game that every indie fan should play as a result.
Just Cause 4's traversal system can be wonderfully entertaining, and the chaotic, explosion-sim physics in play are frequently exhilarating, but they're manacled to a game that has absolutely no idea how best to use them. What's the point in giving players an array of tools that lets them cause wanton destruction on a gargantuan scale, and then designing a campaign full of drab, copy-pasted missions that barely require you to use them? It's a bit like getting the coolest BMX on the market for Christmas, but then your Mum tells you you're only allowed to ride it around the garden where she can keep an eye on you. Cheers, Mum.
Earth Defense Force 5 is an intentionally bad-looking and dated technical mess of a third-person shooter that boldly relishes in its campiness and mechanical simplicity. Mowing down the endless seas of extra-terrestrial arachnids and UFOs while melodramatic voice clips play in the background makes for an excellent stress reliever or a fantastically fun time with some friends, but its complete lack of depth causes the monotony of repetition to quickly seep into what's an otherwise joyous celebration of video game escapism. If this is your first giant bug slaying rodeo, there's plenty here to keep you keep you amused for dozens of hours, but it functions best as a distraction from our notably less zany reality.
Just Deal With It is another disappointing addition to the PlayLink library. The online functionality will certainly be a selling point for some, but as a couch party game it fails to add any major draws that separate it from physical card games. It may do what it says on the tin, but that's about it.