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The Magic Circle will appeal to anyone who can laugh at themselves. The story told here forces you to get a little introspective, especially if you’ve ever backed a game and then felt betrayed by the developer when their finished product is nothing like what you expected. This is also a game for anyone who thought they could’ve made a better Duke Nukem Forever (hint: that was a train wreck from the first delay). But with such a short, occasionally preachy story, this doesn’t appeal to everyone.
While I still think that Chapter 1 has been The Odd Gentlemen’s strongest effort for its perfect weaving of the narrative with complex puzzles, I do love Once Upon a Climb for it’s great story, deep characters, and connections it gives the player to the decisions being made and the outcomes they lead to that actually matter. Chapter 3 had me smiling the entire way throughout, and sometimes even laughing out loud. As Graham matures and makes more meaningful connections during his time in Daventry, it seems like the tale being told deepens too, and I can’t wait to see what part of Graham’s life we get to be a part of next.
Party Hard is seemingly a patch away from being a much better game. The stealth gameplay is satisfying, but a game can't be this difficult while also being unfair to the player. The technical issues that bring down publisher tinyBuild's latest game are disappointing and really tarnish a solid base.
It’s a shame that Severed came so late in the Vita’s life cycle, because it had me wondering whether or not more games like it could have saved the system. That’s just wishful thinking, of course, so it’ll just have to remain what it is: an incredible eleventh-hour treat for fans who have invested their time and money into the handheld. If you enjoyed Guacamelee!, you’ll find a lot of what you loved in that game has returned. Vibrant colors with a unique “diorama” artstyle really pop off the screen, and its inventive gameplay successfully combines touch-twitch antics and old-fashioned role playing. There may not be enough reasons to shell out for a Vita now, but if there had been more content like this arriving alongside the system back in 2012, we might have seen a very different fate for Sony’s second portable.
Alienation is another extremely polished game from Housemarque that takes well known game mechanics and combines them in unconventional ways for an experience that is not only satisfying to play on the surface, but has a layer of depth that most other twin-stick shooters cannot claim. While it could do with a deeper tutorial to engage players in the beginning and the story isn't about to win any special awards, it's a game that I repeatedly find myself coming back to, even if it's just a mission or two here and there with random players. It's one of those games that urges you to continue playing beyond the initial offering and it succeeds in giving us yet another genre to loot a bunch of really cool and powerful weapons in.
Rocketbirds 2 is a game strictly for fans of the series. With imprecise controls yet precise aiming requirements, you can expect to curse your way through most of the game’s boss fights (especially those that take place in the air, or under the water, or in space, or, well, anywhere the camera changes perspective). The main campaign is also perhaps less than half the length of the original game, but this time around the co-op fun to be had in the new Rescue mode almost completely makes up for this shortcoming. An excellently fitting soundtrack by New World Revolutions rounds out the package. Some weapon balancing issues mean that you’ll wind up using a small portion of the available arsenal, and the story is all over the place. However, for those looking for a cheap co-op action platformer, this is one to check out.
If you’ve been holding out on the Season Pass waiting for Treyarch to prove themselves, I think we can be pretty certain that they’ll deliver.
If you're in the mood for something that will really test your strategy-building chops, Invisible, Inc. Console Edition should be somewhere near the top of your wish list. It's a tantalizing combination of turn-based tactics and stealth, wrapped up in the shell of an unforgiving roguelike where every single decision matters. If that sounds way too intimidating, don't worry, you're in good company — but for the people that enjoy this kind of mind-bending challenge, this is a little slice of cold, cruel heaven that shouldn't be missed.
KOI is a game that almost went somewhere. While it has a pleasing aesthetic, and peaceful ambiance, what’s on offer is woefully short. So the score earned here, for the first game developed in China and released for Western audiences on the PlayStation 4, should serve as a sign for any other developers in China to strive for something more. KOI stands as a good start, but with a bit more development time, we could have seen a longer story mode, and perhaps some sense of what was actually going on in the world above the little fish.
Stories: The Path of Destinies may not redefine the way we think about narrative choice in video games, but it doesn't have to: it's just damn good fun. The idea of playing a game repeatedly to experience all its branching paths may bring to mind unnecessary padding and repetition, but the developers at Spearhead Games clearly took the initiative to avoid that. Stories is a lot of fun to play through multiple times, thanks to some thoroughly smooth and enjoyable combat — even though it's snatched its main ideas from the jaws of the Batman: Arkham games — and great level layouts that let you explore new territory even on multiple return trips. From an aesthetic perspective, I really think a lot of players will dig the fairytale-inspired character design and colorful environments, which might help them overlook the occasional technical hiccups. Overall, this is one action-RPG fans won't want to miss.
I knew that I was looking forward to revisiting Ratchet and Clank's origins, but I didn't know how much I'd really missed Ratchet & Clank until I got the opportunity to play it all over again for the first time, and this brand new experience is every bit as good as I remember it being 14 years ago.
Grab your sword, prepare to enjoy that character creation menu, and get ready to spend as much time in the hospital as in a 3D dungeon labyrinth. It’s time to be a Stranger.
But enough small talk — you have a past to chase, explorer. We'll see you in the Gungeon.
Dark Souls III is another punishingly hard game in an era of hand-holding that masochists will appreciate. While enemy AI is laughably dumb, those same enemies can take you down in no time flat. This is a game that forces you to learn its intricacies and quirks, and use them all to your advantage. Sporting a wonderful environment full of color, suffering, death, and a small amount of hope, fans can expect to sink several dozen, if not hundreds, of hours into the game, if they haven't already. From Software knows how to make challenging games that reward those who invest the time needed to properly engage enemies, and Dark Souls III continues in that tradition.
Chronicles of Teddy: Harmony of Exidus might be labeled "just another indie game" by cynical gamers before they even get a chance to see what it has to offer, and that's a huge shame. This is a huge, gorgeous adventure by any reasonable standards, and while retro gamers will probably get a kick out of it more than anyone, it's not content to rest on its laurels and exploit nostalgia. For every way it recalls classic titles like Zelda II: The Adventure of Link, Teddy doles out a few original ideas of its own. Excellent level design, a number of fun-to-use items and the creative "Musicom" system, which lets you communicate with NPCs using music, prove that LookAtMyGame's wonderful little indie goes beyond its inspiration. If you can put up with some irritation at the outset, including some frustratingly limited combat, you'll watch this adventure blossom into something truly special. It's one of the coolest indies so far this year.
Stikbold! A Dodgeball Adventure is a nostalgic throwback to the heyday of local multiplayer, when groups of buddies gathering around a couch was the predominant method by which people played games with others. Its wacky sense of humor and chaotic gameplay are best enjoyed through the cacophony of laughter that only good friends can bring, and the ease by which you can pick it up and just start playing will be sure to draw in reluctant living room holdouts. The appeal might not last forever due to a lack of content and depth, especially in the game’s story mode, which doesn’t fully explore all the great wacky ideas it seems to have. Even so, this is a standout indie that will bring a lot of people back to the couch — both the literal one and the figurative one of their past.
This is the game rally fans have been waiting for. DiRT Rally boasts a simple title that reflects its deceptively simple goal: to be the best rally game, or even the best racing game, released to date. While they may fall a little short of being the best racing game ever made due to its purposely limited scope, DiRT Rally is by far the best rally game we've ever seen. DiRT Rally sports world-class visuals, visceral, challenging racing, and true-to-life audio design. This is really a complete package for rally fans the world over.
It almost goes without saying, but MLB The Show 16 knocks it out of the park yet again.
Nights of Azure is a bit shorter than your average JRPG, but it jam-packs a ton of variety into its 20-25 hours of story — and if you stick around to collect everything afterward, you'll have even more time to sink your teeth into the game's various systems. On the combat side of things, the hack-and-slash at Nights' core keeps things from getting too button-mashy by mixing it up with collectible Servan that can do the majority of the fighting for you, as well as an appealing transformation system and changeable set of weapons. Plus, you've got a compelling reason to fight thanks to the sweet and adorable romance between heroines Arnice and Lilysse; for once, a same-gender relationship in a video game handled with considerable respect. You can enjoy all this no matter your skill level or availability; with gameplay equally suitable for marathon sessions or bite-size pieces, and with a challenge level that can be easily tailored to your play style, this is one of the most enjoyable and accessible pieces of light RPG entertainment available on PS4.
Trillion: God of Destruction is a bold experiment by Compile Heart, but unfortunately, it’s one that doesn’t work all that well. Though the 2D art is nice to look at, and the story brings all the demonic whimsy its Disgaea-import team members can impart, it falls apart when it actually comes time to play. An overabundance of menus to sift through, a heavy reliance on random elements and a disastrously clunky combat system combine to make for a pretty miserable experience. Players who think they can put up with the frustration might be able to enjoy the sense of growth that comes from repeatedly tackling and eventually besting an overpowered enemy, but everyone else should steer far clear of this one.