PlayStation LifeStyle
HomepagePlayStation LifeStyle's Reviews
Ironcast has a fascinatingly complex base game, filled with myriad details to keep track of and a brilliant sense of strategy. Unfortunately, while serious tacticians will find themselves enjoying the nightmarish difficulty, anyone looking for a lighter challenge will be left in the dust, as permadeath and a merciless RNG slow progress to an unsatisfying crawl. That may seem like a personal problem rather than a serious criticism, but there is so much richness here that a lot of players will probably never get to see — repeating the same missions over and over again is only fun for so long, and "so long" is exactly what I said to Dreadbit's fiendish genre-blend.
Hitman GO: Definitive Edition takes the critically acclaimed mobile game and all its DLC, then slaps it on PS4. If you've already got the game in to-go form, there's really no reason to opt into its release on consoles; this version is just as fun and cerebral as the mobile experience, but it's held back a bit by its lack of portability. That's not to say anything is necessarily lost, but it's definitely a pick-up-and-play experience that's better enjoyed on the move — "GO" is in the title for a reason. On the other hand, if you haven't gotten around to this quirky and minimalist little spinoff, PS4's a fine place to take a crack at its ingenious little puzzles. There's a Vita version as well, though, and if you're an owner of Sony's portable and regularly bring it with you, that might be the best way to enjoy the temporary zen of Square Enix's little puzzler.
In terms of gameplay though? Far Cry Primal is a shining example of how a game series should advance, with meaningful and broad changes to the status quo while retaining the characteristics of the core game. A better backstory for Takkar, the Wenja, or even a stronger interwoven narrative may have helped, but it's still a lot of fun to ride a saber tooth tiger and launch spears at cannibalistic primitives for no other reason than we can.
If you think you have no interest in Plants vs. Zombies: Garden Warfare 2, I implore you to reconsider. Distinctive characters, detailed maps and a lively sense of chaos all add up to one of the finest family-friendly multiplayer experiences on PS4. There's also solo play this time around, and while that suffers a bit from balancing issues, it's nice to be able to squeeze in a little experience-building and item-collecting in between rounds of online action. Overall, though, it's the childlike qualities at the center of GW2 that are the most important — a seemingly limitless energy, a fearlessly goofy aesthetic and a commitment to making playing fun above all else. Sure, you're not going to see this at any serious competitive tournaments, but you will laugh and smile a lot if you round up some friends and family to play with, and that seems to get to the heart of why we play video games in the first place.
Street Fighter V feels like a gigantic tease for the hardcore fans of the franchise. If Capcom can stay true to their word, however, then it sounds like this is just the tip of the iceberg. It'll feel strange playing a fighting game for hours on end in order to unlock a character, which is a sad statement of the current state of the video game industry. Short campaigns and a lack of meaty content aside, the important part of this fighting game, namely, the combat, is solid. Yet the net code, at least at launch, is not stable. With the lack of fighting game basics such as a proper Arcade Mode, Street Fighter V feels like an appetizer, rather than the main course that it should be as a numbered entry in a venerable franchise. Capcom's DLC plans also leave some questions up in the air: will the pricing be fair with the game's "free" currency, or is it going to be more like a freemium game? Can they really deliver the planned content on-time? As of the time of this review, Street Fighter V is a showcase of potential, but little else.
What Layers of Fear lacks in complexity, it more than makes up for with atmosphere. It's a bizarre and thrilling ride that doesn't even considering letting up as you traverse a truly broken mind. The concept is incredibly novel and well portrayed, the wellbeing of your limping vessel never coming into debate as he works on his masterpiece. It's just a shame that, even with all the literary influences, the phenomenal and thought-provoking ambience isn't backed up by the writing or voice work that can both feel flat and uninspired more often than not. The dodgy frame rate that's becoming depressingly synonymous with Unity on PS4 adds to the issues here and pushes it that bit further away from truly hitting the mark P.T seems to dominate, even if it's now starting to pass into gaming mythology.
Dying Light: The Following is an impressive expansion. One might worry that the addition of an entirely new mechanic like driving would either ruin the game or feel like a gimmick, but Techland sufficiently built an experience that feels like it belongs, with a scope that could have easily been released as full game itself.
Assassin's Creed Chronicles: Russia is the best entry in this mini-series. The story is the most intriguing, and there are finally some new mechanics that add to the gameplay. The core of the game, however, is still unfortunately flawed. Enemies are hilariously stupid, chase/escape sequences require timing that is too precise for such a clunky control scheme, and checkpoints can be frustratingly sparse. While the stylized look and feel is a standout for this entry, ACCR doesn't do quite enough to its core to improve by much. If you've enjoyed your time with the Chronicles series, then let Russia serve as a nightcap: good as a finish to the evening, but too much of anything is liable to upset you.
Naruto Shippuden: Ultimate Ninja Storm 4 should feel like a love letter to longtime fans, who will adore the enormous roster of 61 characters and breathtakingly beautiful visuals. On the other hand, the game shouldn't be counted out for newcomers, either; while they might not enjoy the hackneyed shonen story elements or lack of tutorials, they'll almost assuredly get a kick out of the hyperactive and highly variable fighting style. CyberConnect2 President Hiroshi Matsuyama said he wanted the game to be built with a long life in mind, and if you're into this brand of no-holds-barred insanity, that's exactly what you'll get out of it.
Arslan: The Warriors of Legend is an exceptional crossover with the Warriors series, standing just behind last year's Dragon Quest Heroes as the best the franchise has to offer. It wouldn't be surprising if this was the first entry to pull players in with a heavy focus on narrative elements, as its retelling of the 25-episode anime arc is filled with interesting details and lovable characters. It plays well too, brushing off a couple of frustrating technical issues with more of the outrageous hack-and-slash military action players have come to love — including the revival of combat on horseback and a few new elements, such as the over-the-top chain-building Marsdan Rush. Whether you've been a dedicated fan of the anime since the first episode or haven't yet been exposed to the wonders of Arslan, there's a ton to see and enjoy in Koei Tecmo's interpretation of the Crown Prince's kingdom.
If you're still playing Call of Duty: Black Ops 3 or you're looking for a reason to come back, Awakening may be just what you were waiting for. It's not perfect, but it balances the low points (Rise) with high points (Splash and Gauntlet), and has a damn fine Zombies campaign to boot. Black Ops 3 continues in its quest to bring variety, creativity, and intrigue to its content, and Awakening doesn't fail to impress.
From the moment that little ball of red yarn tumbled down the old woman's steps to the last bit of yarn that I strung from place to place in the old woman's memories, I enjoyed almost every step, swing, and catapult. The emotive little Yarny had me feeling for him as I traversed the dangerous terrain with his ever unraveling figure. Though the gameplay falls victim to ebbs and flows of being too frustrating at times and too easy at others, it was still an overall enjoyable experience. Like the fading memories of the old woman, it may not stick around in your immediate cognizance, but taking this expedition with Yarny over a weekend afternoon will certainly make an imprint on your heart.
Through the combination of a simplistic but phenomenally effective art style and some incredibly fluid dialogue sequences, Firewatch proves itself time and time again as one of the most memorable games we are likely to play in a long while. It's poignant and very special, albeit disappointingly choppy at times. It may feel a touch short, but its story will feel firmly finished upon reflection, remaining naturally entombed in the Wyoming woods. This is a rare game that tackles strong morals and emotions under the guise of a beautiful walk through the wilderness that always manages to keep you on your toes, a walk you'll be hard pressed to ever forget.
Digimon Story: Cyber Sleuth isn't a perfect video game interpretation of Bandai Namco's long-running franchise, but it's a huge step in the right direction for fans who have been waiting to see the series get on Pokémon's level. The core gameplay is simple but addictive, making this a perfectly accessible jumping-on point for both casual and hardcore fans of RPGs and Digimon. Artist Suzuhito Yasuda and composer Masafumi Takada grant the game a much-needed memorable audio/visual identity, and the bevy of post-game content means there's more than enough to keep completionists busy for hours on end. A few core elements could still use some tightening up — the interface and dungeons, for example, just aren't up to par with comparable modern-day games — but this should give Digimon fans hope that the game series is finally in the right hands.
Amazing Discoveries In Outer Space is a charming game, with a some flaws. What we have here is a deceptively challenging game wrapped in a slightly sarcastic package, with a few rough edges. Gameplay can be slow going at the start, and casual gamers will likely lose interest relatively early on. But then, casual gamers probably have little or no interest in such a quirky game as ADIOS. If you've been pining for a procedurally generated space survival game while you wait for No Man's Sky, then by all means plunk down the cash for ADIOS. At reasonable asking price of just $11.99 ($8.39), your expectations should be met for this indie game. Now, try not to die too many times on your way home, lest you annoy your ship's AI too much.
Not A Hero is a thumping good shooter experience made all the more exiting through an intriguing art style; unrelenting gore and a relatively non-linear composition to pleasantly fleshed out levels. The humor, while likely to grind on you after a while, is rib tickling for most part. Its overall tenure is brief, never staying long enough for you to think too deeply about aiding a burrow-digging politician in murdering party opposers to gain power, and rightly so. While it won't have you mercilessly addicted to knocking out kickflips, it'll likely be one of the best 2 and a quarter shooters you play this year.
Nitroplus Blasterz: Heroines Infinite Duel is an admirable effort, bringing together characters from a number of visual novels and gaming franchises and pitting them against each other in a solid, energetic brawler. It's a shame that there aren't more interesting modes in which to test your fighting mettle, particularly when the two story modes offered are so dull and impenetrable, but at least there's some good multiplayer fun to be had — just don't get too interested in completely even-handed competition, as I highly suspect there are serious balancing issues at play here. Still, as a lighthearted bit of fun to enjoy with friends online or locally, there's enough colorful, flashy eye candy here to satisfy casual fighter fans.
Megadimension Neptunia VII is a mixed bag, with great combat elements and parody sadly shuffled together with overly padded plot, repetitive boss fights, and boring story presentation. All of the bad could be overlooked with how well it analyzes and tears down the low points of gaming culture, but then it sinks itself just as low with copious and pointless bewbage.
The endurance of This War of Mine: The Little Ones is limited and is certainly not something you'll want to play several times over and that's perfectly fine. It's a hard-hitting and unsettling look at the coldness and cruelty of the human condition and how the removal of social constructs unravels people so quickly that'll haunt you for a long time to come. Its premise is so bold it can often outshine its delivery, the idea it's conveying never feeling fully realized beyond the brief dips in pace. It's the most real feeling simulator of war out there and that in itself makes This War of Mine: The Little Ones quite terrifying and truly memorable.
AIPD is a competent twin-stick shooter that lacks true depth. Local cooperative play is always appreciated, however, and the inclusion of such a rare feature is something that newly-minted developer Blazing Badger absolutely deserves commendation for. But with only one level layout, gameplay can become repetitive fairly quickly. You'll have seen everything the game has to offer in one session, easily. Mixing up guns with ship abilities helps to add some variety, but at the end of the day only twin-stick shooter fanatics will find AIPD truly worth their time and money.