Gamer Escape
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Despite the plot taking itself much more seriously, Burst Re:Newal is still a Senran Kagura game, which means it still revels in giant bouncing breasts and panty shots. What I’ve said for the other games applies to this one as well: if you’re not averse to these elements, Burst Re:Newal is a hell of a fun time, and the heavier story focus here makes this entry all the more sweeter.
Vane may have strived to create an immersive experience for gamers, but its technical flaws leave it feeling disjointed and unpolished. It feels like a disappointment for what it could have been and it is hard to recommend the game in its current state.
Sonar Beat feels like a throwaway mobile game (which I guess you can say it is, since it’s on iOS and Android as well) that was ported half-heartedly to PC for some inexplicable reason. The game is running only $2.49 at the time of writing, but if you have to subject yourself to this game’s music, use that money on the mobile versions. Avoid the Steam release at all costs.
The new additions here, especially the integration of a brand new character, definitely make this Definitive Edition worth playing for those who have already played the original. For newcomers, this release is the perfect opportunity to jump into what many (including myself) consider one of the best games in the series.
Having said that, DW8XLDE is an extremely polished entry to the series and its port over to the Switch has compromised nothing. If you’re looking to break up your usual gaming fare to get your power-hungry action fix, I can hardly think of a better alternative.
If there’s one take-away I have about Travis Strikes Again: No More Heroes, it’s that it feels like a lower budget take on the series. I’m reminded of when a series on the PSX or GameCube would get a game on the GBA; It’s noticeably different, and not as highly polished, but in the end it’s still fun for what it is.
From the hauntingly beautiful soundtrack to the engrossing aesthetic design, combined with solid gameplay that does its part in showing off the world while also not being a slouch itself, Gris is far and away one of the best experiences in gaming I’ve had this year.
While I ditched Persona 4: Dancing All Night immediately after reviewing it, I can definitely see Moonlight and Starlight remaining part of my normal rhythm game rotation.
Though this story of war, assassination, and disposition is not for the faint of heart, it will indulge those seeking a deep and dark universe. killer7 is a nostalgic trip back to a style of gaming that encourages players to find their own answers by exploring a rich universe.
Overall, Hitman 2 is an incredible game marred by the inclusion of a confusing and hollow story. However, the story is definitely not necessary to get enjoyment out of this title. The way the game is built allows practically anyone to have a great time executing stages and targets in their own way.
Overall, Corpse Party: Book of Shadows is a spooky and unsettling experience, but it’s not without some flaws. There is the occasional line that’s at a significantly lower volume than those before or after, making it hard to hear. The exploration mechanic also becomes quite repetitious over time, especially when events in an episode make it so any room could have something new in it, requiring players to go back and check every room they have access to for anything new.
The structure of the actual rhythm gameplay makes the game accessible to pretty much anyone. Those that want to just go wild making up their own beats can have a blast here, while those more interested in score chasing have a surprisingly in-depth system they can dive into if they so choose. The game doesn’t force you to pick – you can play this game however you want to.
Each of the games does have their own flaws, but they mostly arise from being older games seen through the eyes of someone much more used to modern titles. With this in mind, it was easy to overlook them and have a great time playing through them, despite occasionally scaring my cat when I yelled after dying for the 100th time in Rondo of Blood.
Dragon Quest XI is by far the best game I’ve played this year, and one that I will continue to play for the foreseeable future. If you have kids or a family, play this game with them. Depending on their ages, you might find some parts of this game a little dark, but the bright and vibrant worlds will be an experience that you all can share and cherish together for many years to come.
All told, Yomawari: The Long Night Collection is an enjoyable title for any who want to get into the Halloween spirit and don’t mind a fair amount of darkness and blood. Those who played the original versions on the Vita may wish to give this a pass, but for any who missed out before I highly recommend picking it up.
The game is rather short, lasting around five hours if you’re not trying to find all the collectibles, which may make its asking price of $30 at the time of writing seem rather steep. However, I would still highly recommend checking out this game. Even with the occasionally rough gameplay, the story and aesthetic here make The Missing something that absolutely should be experienced.
The characters offer nothing to care for or get attached to and the plot’s pacing is an absolute mess, wrapping up without answering the majority of its own questions. The visual presentation is much the same, an interesting experiment that ends up being an eyesore.
Fortunately, two of those three complaints vanish once you put some time in, and you’ll have no trouble with that what with everything else available to do. This is the rare review title that I can see myself regularly coming back to in the future. Despite not being a car guy, Forza Horizon 4 is just plain fun, pure and simple.
The game does offer keyboard/mouse controls. However, on top of being convoluted and confusing at first, there is no documentation for it anywhere. Button glyphs and ADA’s voice (Jehuty’s computer voice) all reference the controller only. Tutorials only reference the controller and make no reference to the keyboard/mouse controls, and to top it all off, they can’t be configured.
The plot is fun and engaging, the multitude of distractions are a step up from its release predecessor, and Kazuma Kiryu’s steel resolve and Steve Rodgers-esque disposition makes for yet another fun romp through the seedy underworld we’ve come to know and love yet again.