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Despite its underlying ambitions and some redeeming qualities, Homefront: The Revolution is a revolution in name only, though it feels more like a domestic dispute than anything of that scale. Combining subpar storytelling and gameplay with a heap of performance issues, this revolution seems to come to an end before it ever begins.
Suicide Squad: Kill The Justice League is a serviceable action game bogged down by an insistence on being a live service title. While the characters are well written and the comedy is on point, a handful of repetitive objective types betray the intentions of an otherwise strong combat system. There is potential here – perhaps over time, Suicide Squad can evolve into something better – but for now, it's something that only absolute diehards will enjoy, and even then, that's not a guarantee.
Card Shark succeeds at establishing wild stakes within its wonderfully weird take on 18th century France. It serves up a memorable cast, a story that rewrites history in a fantastical way, all the while arming the player with tricks of the trade that'd make Penn and Teller blush. For a game that's more about playing your opponent than your cards, Card Shark is a memorable adventure.
Kao the Kangaroo is an inoffensive and very occasionally charming platformer, but it's uninspired and incredibly rough around the edges. It might hold the attention of some younger gamers and old-school platforming fans but by that same token there are far better games out there for both crowds.
Chocobo GP offers up some fantastic core racing mechanics that are otherwise held back by a lacklustre offering of content. Hampered by tedious progression systems and typical microtransaction practices, Chocobo GP barely makes it past the finish line to be the best kart racer it could be.
Biomutant is a vibrant and beautiful looking game that unsuccessfully attempts to leverage so many different aspects of open-world games from the last decade. It buckles under the weight of its own ambition and is sorely lacking the focus needed to offer a stand-out open-world experience and carve out its own identity.
Twin Mirror has an intriguing premise but ultimately fails to do anything remarkable with it. While it's DONTNOD's most impressive game technically, Twin Mirror is a by-the-book thriller that only just manages to scrape through to solve its core mystery that's unfortunately lacking thrills.
WWE 2K Battlegrounds is a budget brawler with a high price tag. Despite the core gameplay being quite solid, a lot of the content is locked behind microtransactions and grinding away at matches. These things stop it from rising to Superstar status.
Serious Sam is a series that has long alluded me and I'm starting to think it might have been for the better. Although this fourth iteration might feature some staggering, titanic battles and silk-smooth gunplay, its existence feels like a clear reminder that it's often best to let the past stay dead. Serious Sam 4 is an excavation from a long-outdated era that is more Duke Nukem Forever than it is Doom.
Windbound is a beautiful artistic accomplishment in terms of presentation, but fails to make good on its promise of bringing together an open-world single-player game and typical crafting-survival elements. Despite attempts to make it approachable for all, it is an ultimately frustrating affair that squanders its potential with the same rigid survival mechanics that we've seen in a lot of other games and that's a real shame.
Endless Ocean Luminous is a mildly confounding product. On the one hand, it's still got that very compelling offering of hours spent drifting through gorgeous oceans and coming face-to-face with hundreds of stunning creatures, without complex mechanics or urgency to get in the way. On the other hand, the overall gameplay experience has been dulled down so much to feel like a backwards step, and the system of randomly-seeded dive spots dilutes a lot of its personality.
Harold Halibut's narrative, setting and visuals are so wonderful and creative from a sci-fi perspective, it's an enormous shame it's housed within such a one-note and heartbreakingly boring video game.
A great little adventure for South Park fans or for those wanting a casual game to play with friends, South Park: Snow Day has all the charm of an episode of the show, but its roguelite nature becomes a tad frustrating with wild difficulty spikes and a lack of checkpoints. Chock full of references and jokes without filter, the game is definitely entertaining; but with a lack of a roadmap or post-release content, some players may be left in the cold with its short story and repetitive loop.
Dragon Quest Monsters: The Dark Prince is a middling entry into a once legendary spin-off series. For every element or system the game nails, there's a confusing design decision that holds them back. While The Dark Prince is far from terrible, it doesn't reach the heights of recent entries into this storied franchise.
While this iteration of Lords of the Fallen sheds many of the flaws that plagued its predecessor, it also brings its own baggage. Excellent systems related to the dual realms of Axiom and Umbral alongside fantastic art direction are held back by middling combat and uneventful boss encounters. There are some definite highlights in Lords of the Fallen, but it struggles in the areas that matter most.
As far as gameplay goes, Cricket 24 is great fun. With different bowling and batting styles to entertain, it has a level of depth that will appeal to both newcomers and existing fans of the series. But beyond this, it's a mixed bag. While heavy on international licensing, it lacks in visual fidelity and polish. Big Ant Studios are a team known for their dedication to constant improvement, and we may see these things fixed in patches and updates, but for now it's a game that doesn't quite hit the mark.
Atlas Fallen layers interesting and engaging combat systems onto a lacklustre world and frustrating camera controls making for an uneven and forgettable fantasy action outing. Deck13 continues its work of innovating the genre in interesting ways but there's just a little too much going on for Atlas Fallen to ever find solid ground.
Crash Team Rumble is a surprisingly competent online multiplayer arena game that's easy to get into and well-balanced, leading to some tense and exciting games. It's let down hugely by a lack of modes and content though, and I seriously doubt its longevity in the long term.
I suspect that people with fondness for the original Pac-Man World, or even just this specific era of platforming games will be the ones who get the most from RePac. It's a style of game that has been out of fashion for a while, but it's simplicity could still hold some appeal. When you can get lovingly re-created versions of the standard-setting Crash Bandicoot series for the price of this though, the value proposition for a remaster of one fairly short and unremarkable game is hard to swallow. One for the fans.
While its unclear whether Soul Hackers 2 was an attempt to make a more inviting Shin Megami Tensei game for newcomers, the end result is a disappointingly streamlined RPG that both newcomers and long-time fans will inevitably bounce off of. It's a perfectly fine RPG, but so much of what makes SMT special is sorely lacking here in a palpable way.