FingerGuns
HomepageFingerGuns's Reviews
A smaller, more condensed open world hides the ethereal reality of a game which has a touching narrative, beautifully conceptualised neon Tokyo to explore and a wealth of folklore tales to weave your way through. Ghostwire: Tokyo stays true to the well-worn formula of open-world games, but the genuineness of its ideals make it a compelling and at times, other-worldly experience. Find the time for this next 2022 gem. It deserves it.
The most approachable this series has ever been, Monster Energy Supercross 5 is much kinder to newcomers while offering plenty of new content to please returning players. There’s still room for improvement but this game is the best Monster Energy Supercross title so far.
One of the best FMV games to be released in years, ‘Who Pressed Mute On Uncle Marcus?’ is a brilliant combination of a relatable, oddball comedy and a whodunit mystery drama. The acting is superb, the script and editing is tight, it’s deeply replayable and it manages to balance its tone to take you on a really cathartic journey.
Featuring a gorgeous soundtrack and sumptuous visuals, A Musical Story certainly has everything going for it, but the experience as a whole feels as hollow as an acoustic guitar that was played once and never picked up again. Once it’s done, it’s done. And you won’t feel the need to return.
An original platforming experience, Onde combines a bold, fresh visual style, gratifying traversal mechanics and a fantastic soundtrack into a very satisfying game. A few rough edges are the only blemish on a unique game that’s worthy of your attention.
As a cyberpunk adventure Anno: Mutationem lacks much coherent or satisfying plot but its responsive combat will stand out and entertain through its short playtime. It’s just a shame the overall package doesn’t live up to the promise of those stylish trailers.
Epic Chef leaves much to be desired when encountering a game breaking bug that stops progression completely so early on. It has potential with unique cooking experiences, but don’t expect to be the next Gordon Ramsay anytime soon if you hit a game ending glitch.
Music Racer: Ultimate looks awesome and sounds great, but it flatters to deceive with mind-numbingly bland, unengaging gameplay mixed with some shockingly bad level design and poorly thought out structure as an overall package. When the solution to making your game more fun is to only listen and look, but not play, it becomes the video game form of “should have been an email”.
Some quality acting performing a fun script that features colourful, interesting characters is gambled away with some drab presentation, a few glitches and some out-of-touch design decisions. FMV game fans will still get something out of Vegas Tales but it’s an ‘also-ran’ in a genre that’s improving with every passing month.
A relaxing collect-a-thon adventure game, Submerged: Hidden Depths is visually stunning with graphics that are comparable to those of big budget titles. Although the story lacks depth and the main mission can feel a bit repetitive, if you want a game that is very chill and completely devoid of stress, this is worth picking up.
A cosy, relaxed afternoon kind of game, Time Loader is a short, unchallenging but easy going little game. The soundtrack is lush and the gameplay, graphics and story are all decent enough to keep you engaged. While not memorable or worth screwing up the space-time continuum for, Time Loader is a dependable little earth JCB.
Dying Light 2 ups the ante from the original in almost every way, offering more satisfying parkour, combat and enough jump scares to make you never want to walk in the darkness ever again. A worthy and essential sequel.
While Dragons In Space is a functional shoot-em-‘up, it’s short, unattractive, bland and boring. Its tiny asking price is reflective of the fact that it’s one of, if not the worst shmups on the PS4.
A wonderfully unique concept, FAR: Changing Tides had me attending to a virtual vessel with the kind of love and focus usually only devoted to the most valued things in life. Its beautiful, handcrafted art direction, stellar soundtrack, approachable yet unapologetic gameplay and phenomenal world will draw you in and refuse to let you go. This is a voyage worth taking, no matter the stormy conditions.
A smart reimagining of the rules of Sudokuo, Hexologic is an approachable, easy to play puzzle game with a chilled aesthetic. There’s not a great amount of content here however, with the structured levels lasting just a few hours, but if like number puzzles and you’re looking for a fun way to fill an evening, Hexologic is worth a look.
A wonderfully written story, combined with some dark, depressing and ultimately great side discoveries and accessible yet engaging platform-puzzling prove to be another fantastic addition to Untold Tales’ portfolio. It may not be perfect, but we can rejoice that What Lies In The Multiverse exists within our dimension to experience.
The Witch Queen is a terrific addition to the Destiny 2 canon, finally balancing the combat and the story to near perfect levels. There’s so much here to enjoy, breathing new life into Destiny as a whole. Absolutely brilliant.
While Dexter Stardust is not bringing anything new to the point and click adventure genre, it’s an endearing passion project full of Mexican flair and light hearted humour. It might be a too short and easy for some genre aficionados, and it has a few foibles, but for most it’ll be a pleasant way to while away an evening with a cast of Taco obsessed space traveling characters.
Elex II is a prime example of great potential being suffocated by poor execution. A large world filled with quests, unique factions and interesting lore can only carry you so far when the combat is floaty, the progression is stifling, the graphics bland and its performance breaks so visibly, so often. Instead of slaying raptors with lasers, you’ll be waiting for the game to pop-in the fun while it chugs out another texture it missed.
Once the initial shock factor dies down, Martha Is Dead is little more than a walking simulator with a Fatal Frame-esque photography gimmick. It has too many ideas and threads going for it, whereas a focused main plot would have made it much more engaging. A few technical issues marred the immersion, and some of the worst English dubbing since Resident Evil. As long as you aren’t expecting Italian P.T., horror fans may still enjoy this psychological shocker.