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Confused puzzles, a convoluted story, poor use of lighting and no real scares makes Charon’s Staircase a good reason for taking the escalator instead.
Saturnalia should be on any horror fan’s radar this year. A twisted story combined with a superb art style, nerve-shredding gameplay and expertly crafted design will have you praising and cursing the creative genius to put roguelike mechanics into a horror game. This Italian town has a horrific history you’ll both love and hate to venture into, but you’ll be compelled to uncover it nonetheless.
New Tales from the Borderlands is a sequel that seemingly forgets everything that made the original so special and shoehorns in a story that simply doesn’t keep you engaged. Whilst it’s visually lovely and feels like it’s a Borderlands experience, it’s all style and no substance. Without heart or humour, this feels like a cash-in, and for a sequel to one of the greatest narrative games of all time? That’s just not good enough.
I See Red promises high-octane and snappy action which, by and large, it delivers on, aside from some mechanical looseness. What slows this violent rampage down to a meek crawl however is the repetitive corridor traipsing, bullet-absorbing late-game enemies and blunted visual style. You’re better off replaying Ruiner to enact bloody vengeance.
Victoria 3 is an excellent addition to the Grand Strategy genre that I think will very much live up to expectations. There are a few issues but it does many more things right than it does wrong. Victoria 3 is a highlight amongst strategy games released this year, and I’m extremely impressed by the developers making peace just as fun and engaging as war. This is a must play for anyone who likes grand strategy titles, but wants to play something a little different compared to its competitors.
A strong third main entry in this insane series of brawlers, No More Heroes 3 is both accessible to new fans and daunting at the same time. A lot of it will make sense to fans, naturally, but may put off those just treading water. That being said, the main story is practically standalone, with some of the most colourful and creative bosses outside of a Souls game.
The presentation and the fear factor of Yomawari: Lost in the Dark leave a great first impression. The beautifully crafted visuals and moment-to-moment potential horror you face makes it an unnerving experience that’s hard to shake. However, the more you play, the less you’re rewarded with actual reasoning from the story. It’s a gut punch to persevere in the final act. This may be appealing to fans of the series but it didn’t make a new one of me by the end.
A cosmic point and click adventure, Blood Nova crafts an engrossing fantasy-meets-sci-fi world which will hopefully continue beyond this game. Its story is well told, complemented by pleasing art work and excellent music. Its only blemishes are a hand full of puzzles that feel dependent on the player’s comprehension of the game’s complex lore and a tendency to deliver necessary exposition after the fact, resulting in some confusing moments.
Trifox is an ambitious and largely successful blend of classic 3D platform and modern twin-stick shooter mechanics. While the difficulty spikes can be off-putting at times and some combat sections can feel a little too much of a grind, some excellent set pieces and a fun, charming style kept me wanting to see what was next. A solid debut effort from Glowfish Interactive.
Ghostbusters: Spirits Unleashed is a clear love letter to a much-beloved franchise, and it’s IllFonic’s most polished product to date. It’s a great multiplayer title that takes the core gameplay of Prop Hunt and spins it into something all of its own. While it’s unclear how the game will grow and evolve with time, what’s presented in the base package is a ton of fun to play, both as a Ghostbuster and a Ghost. That said, while bots are a nice inclusion, they’re not a substitute for real players.
Hell is the most apt word in the title ‘One Hell Of A Ride’. Rubber banding, rough visuals, an abrasive structure full of unnecessary padding, aggressive track design and a lack of modes outside of a single player campaign mean this game struggles to get off the starting line. There was potential here, but it stalls and chalks up a DNF.
A worthwhile entry into the DC/Batman game series, Gotham Knights can be a fun experience in single-player or co-op with its strengths lying in variety and its four-Knight team. However, its confusing UI, repetitive stripped-back combat, and lack of stealth options leave it unable to reach the glorious heights of the Arkham games.
Return to Monkey Island lives up to the near thirty year long wait with a modernised take that feels fresh, unique and brand new. Nostalgia naturally fuels a major proportion of its endearing qualities, but the new puzzles, the sumptuous music and the glorious performances bring the series back to life in ways we couldn’t have imagined. An absolutely stellar return for a franchise we thought we’d never see again.
Lemon Cake is a wonderfully charming career simulation suitable for anyone with a sweet tooth. This game has plenty to offer and plenty of play time to fatten you up with gaming goodness. It has a great pace, soothing music and nothing ever becomes overcomplicated. It’s an easy recommendation to the fan of the casual sim genre.
Another drop in the vast ocean of action RPG’s, The Last Oricru brings nothing new to the much-treaded waters. Worse still, it lacks the refinement and polish to make it a barely passable romp, feeling as rough around the edges as Alpha Protocol did back in the day.
Not content with the miserly atmosphere in the usual Soulslikes, The Last Hero of Nostalgaia shows that we can have challenging, entertaining combat and a witty, amusing and fun tale alongside the endless deaths. Minor issues with exploration and gameplay aside, this is a fantastic and whimsical take on a genre that had been crying out for some levity. You died, but you'll laugh about it this time.
A masterclass in narrative games design, A Plague Tale: Requiem is one of the most atmospheric and beautiful games you could ever wish to play. Amicia and Hugo's journey is powerful, evocative and downright disturbing and somehow manages to be greater than the original. Asobo Studio has crafted satisfying streamlined rat, light and stealth gameplay that perfectly serves the story it's trying to tell and only adds to the narrative intensity. A Game Of The Year contender for certain.
The Legend of Heroes: Trails from Zero is a truly special JRPG. Its focus on characters and worldbuilding set up a smaller, far more personal story. Its highly customisable skill system meant that combat never felt stale. I haven’t felt this way about a JRPG in a long time, and I cannot wait to catch up with Crossbell and its cast of characters again when the sequel launches in 2023. It’s not just one of my favourite games of 2022; it’s among my favourite games of all time.
Finding the quiet yet poignant moments among the personal human dramas unfolding aboard a flying hospital, Wayward Strand is a chilled out and beautiful game. The world itself progresses unabated even without your involvement which means each player will likely experience something different and unique to them. It has a few visual bugs but they do little to detract from this game’s strong narrative core.
This kart racer is for the Nickelodeon fans and families alike. It’s an approachable entry for newcomers as it has a lot of reimagined content from the first two games. It’s also accessible, with a low skill barrier for entry that admittedly can go surprisingly high for experienced players. There’s a lot of content to get through but you’ll have seen the best of it after a hours and it doesn’t stand out amongst its peers, outside of featuring a load of Nickelodeon IPs.