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From the opening cut scene through to the various platforming puzzles, Shiftlings feels like more than just a simple platformer with a gimmick. Instead of inserting a joke and then going about the level design like it never happened, here the joke is very integral part of the experience.
DmC might have been better received had it been built under a different name - at the very least it might have escaped some scrutiny from fans of the original games. That being said, what DmC does provide works well and this latest iteration is the best reason to give the game a chance if you have not yet done so.
There's a lot to like about White Night, if for no other reason than it genuinely is different and these is real potential for this to spin out into a franchise if the development team can do a better job of rationalising the noir elements and figuring out the solution to a frustrating Easter egg hunt in the dark. The underlying vision alone makes it worth a look, but it's not going to be quite remembered as the same innovative experience as those pioneering horror games it references back to.
Helldivers offers plenty of challenges and a great excuse to play with others, and that is when the game is at its best. There is a nice campaign built around the carnage that offers a sense of accomplishment, too, that makes the difficulty worthwhile.
I still had more fun than not when playing Dragon Ball Xenoverse. This was a great direction for the story and the RPG elements that give a sense of progression are certainly welcome. There is still room for improvement as some small tweaks to the in-city travel and chaotic combat would go a long ways towards improving the product as a whole, but the game we have now is still one that I easily sunk a lot of hours into.
There are some options for multiplayer, plenty of teams to choose from and a limited license for those who like playing games with the real players. However, this is like saying the menus are more exciting than the game - and in this case, it's true. Rugby 15 squanders an opportunity to build on the popularity of a sport that is slowly gaining ground in the US, and won't be pulling anyone away from their annual Madden games.
These gripes don't hurt the overall value of Hand of Fate though. It is a massively atmospheric title with an invigorating, original set of mechanics. It's the kind of creativity we like to see from indie game developers, and shame on the Australian Government for stifling that.
Also, until Koei Tecmo starts localising the Romance of the Three Kingdoms games again, this will be the closest we get to that superb series in English. While I do want to see the Romance games again as well, I'll take this in the meantime.
Despite the long turns and multitude of menus, Total War: Attila succeeds because it gets you invested in your armies and the period of time. Because the lens is pulled back and away from the battlefield, you can still enjoy other aspects to the game such as family trees and political unrest. This makes for a more fully fleshed out experience that is accentuated by armies that will both thrill and frustrate you in equal measure. Total War: Attila expects you to lose and become frustrated, but it is right there waiting for you to learn, improve, and come back with a vengeance.
Hyperdimension Neptunia Re;Birth 1's degree of fan service means it probably won't resonate with anyone unwilling to step outside their comfort zone, but beyond that entry barrier lies a laboriously crafted JRPG with tangible meaning behind its story and worthwhile commentary on the video game industry.
With Majora's Mask, Nintendo's premier franchise was no longer childlike in innocence. Having addressed the core themes that sit around death, and the inevitability of it, the series transitioned into a place darker and more knowing. Subsequent releases have either paled in comparison to the revelations of Majora's Mask, or represented a nostalgia for the "good old times" of innocent adventuring. In other words, The Legend of Zelda series has become the incarnation of an adult, and for better or worse, Majora's Mask is the coming of age story that made us all grow up.
So it is not a perfect game and as you come to grips with its systems it stops being difficult even on the highest difficulty levels, but Hyperdevotion Noire is a deliberately silly, irreverent game that is hugely entertaining and technically competent. As someone who can't get enough of the tactics JRPG genre, this is one I couldn't put down.
The Order: 1886 had every opportunity to make something of the Victorian setting, but calling it cinema is like calling 50 Shades of Grey literature.
Nothing redeems this game. It's ugly as sin, it fails to understand what made the original classic compelling and though it includes the original classic, it is a neutered version of it. I love Q*Bert. I downloaded this thing without a second thought. I am angry at the injustice that has been inflicted on the cute lil guy.
It's a little hard to grade this one. On the one hand it's an genuinely entertaining dogfighting sim on the Nintendo 3DS - a genre so rare that its only competitor is its predecessor. On the other hand re-releasing the exact same game and selling gimmicky Amiibo miniatures unlocks as the major new addition is... well, it's not exactly adequate. This kind of feature would be a $5 DLC add-on elsewhere.
Unmechanical: Extended is a beautiful game. The graphics and landscapes are simply stunning and the character has real heart, despite being a little helpless. It's a pity that it leaves the door open to questions about the quality of puzzles, however. Alone, they might not be as compelling as they are within the confines of this game. But overall, it's a good indie when it comes to the artwork; it just doesn't really add anything to the puzzle genre.
Monster Hunter 4 Ultimate is bigger than ever, and certainly more beautiful as well. This is the best iteration of the game so far, but your mileage may vary depending on what system you are playing it on.
I'm not the world's biggest fighting game fan. Those fighting games that I do enjoy (Blazblue, or Persona 4 Arena, for example) always offer something beyond the fighting mechanics to hook me in (narrative and characters, in those two examples). The fact that I've been playing Dead or Alive 5 for years now, and keep coming back for each new release (and continue to buy the DLC) is therefore proof that what is on offer here is something more than a simply entertaining fighting game. It might be decadent, and looking at the screenshots in this review will tell you if it's a decadence that make you uncomfortable, but the gameplay behind it is rock solid and perfectly precise. I can't see any scenario where I'm not still playing this for however long it takes for Koei Tecmo to get around to Dead or Alive 6.
Harold is a fun game for fans of the continuous runner genre, and against all odds it actually manages to take such a simple genre and build on it in a genuine and unique manner. It has a fairly steep learning curve, but despite taking on the role of an angel, the ability to hinder opponents is actually devilish fun.
Fans of the Saints Row series will enjoy the expanded scope of Gat Out Of Hell and the new world. Everyone else may want to instead stick with Saints Row IV, which has been re-released on current consoles, before venturing into the underworld with the expansion.