But Why Tho?
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Enshrouded may only be entering early access, but there is already so much to see and do in the wonderful world of Embervale. Keen Games did not cut any corners when creating this excellent sandbox. Players will surely enjoy it as it evolves during the early access period.
With a price tag of even just $10, I can’t say that Krut: The Mythic Wings is worth it. Even the time investment of playing the game is a deterrent, as it will only remind you that there are better titles you could be playing instead.
With so many Metroidvania games on the market, Clunky Hero will be drowned out by a multitude of far superior titles. Even if it has its moments, there is absolutely nothing that makes it stand out against similar, better-crafted titles like Hollow Knight or Monster Sanctuary. If anything, it’s worth picking up for a cheap laugh due to its lack of purpose.
Anyone who isn’t thrilled at the idea of having Roiland constantly chattering in their ear for a dozen hours straight will likely find the game’s incessant need to force itself on the player annoying. With the addition of uncompelling combat, frustrating exploration, and a lack of anything else to offer players, High on Life is one of the most annoying, derivative, and slogging experiences in years.
I really wanted to love Vampire: The Masquerade – Swansong. I already am a fan of its setting, desperately want AA video games to rise in prominence again, and love slow burns that are focused on character dialogue and interactions. However, there is just too much getting in the way of Swansong’s success. There is no way of knowing exactly what happened, but the final product is one that I can’t even recommend picking up on sale.
Space Jam: A New Legacy – The Game is free, but it still does very little to justify players spending any time with it at all…For fans of beat-em-ups, there are plenty of better options available that are not much more expensive, especially if players have Xbox Game Pass already. For Space Jam fans, there is so little of the characters or personality of the movie in the game that it does not seem as though it would justify the time investment.
It is hard to discern just who South Park: Snow Day! is for. Diehard South Park fans will not get much out of its lackluster references and lack of new ideas for the franchise. Meanwhile, those who care more about playing a fun game won’t find the mechanical complexity that can be found in previous franchise RPGs.
With the source material being so well known for its quality, it’s a shame Bluey: The Videogame is nowhere near as good in writing, gameplay, animation, or anything for that matter. Even with the target audience being young gamers or parents wanting their kids to try something they are familiar with, it’s hard to see many people finding joy here.
Call of Duty: Modern Warfare III recycles old ideas in a stale package that is a downright slog for most of the experience. It commits the ultimate sin of being boring, and it does not bode well for the future of a franchise that, for the last 20 years, has been the pinnacle of popular FPS games.
While Loop8: Summer of Gods is a JRPG that has an interesting concept and some genuinely good features, the game is unfortunately bogged down with poor optimizations, questionable gameplay decisions, and a very painful combat system.
Cobra Kai 2: Dojos Rising struggles mightily to match what makes Cobra Kai so appealing, largely because of how poorly the game itself actually performs. I was really hoping to get more out of my time with the game, and I hope future patches can help improve playability. Even if the bugs get squashed, a lack of innovative choices or new stories will still make Cobra Kai 2: Dojos Rising a disappointing release that couldn’t live up to its potential.
In the end, the main takeaway I have from playing through Circus Electrique is just how flat it all feels. Playing the game is never explicitly unpleasant but is never memorable or particularly fun, either. Instead, the game is almost liminal. So while the game is unlikely to end up on any lists for worst games of the year, I doubt that most players who try it will remember its release for very long.
Music Racer Ultimate is all flash and no fun. For a music game, the music is okay, but the game itself is not satisfying to play. The rewards aren’t rewarding, the levels are aggravating, and the menus and layout are confusing. This port needed way more time in the oven to ensure that its trip to Xbox would actually feel right at home, not a mobile game that feels like it’s just on a bigger screen.
It is a shame that Serious Sam 4 is not able to live up to the series’ legacy. While the franchise has never been associated with particularly groundbreaking or polished titles it has previously been able to offer enjoyable experiences with its own identity and fun gameplay. Serious Sam 4 is too bogged down by questionable design and poor presentation to manage that, and instead feels like a title quickly thrown together with an overnight script than a cohesive product.
Ultimately Fatal Frame: Maiden of Black Water ends up being a boring slog more often than a tense horror experience. The remaster will likely be welcomed by fans of the series, especially those that never had a Wii U to check out the original. However, any future Fatal Frame titles will have to evolve to feel at home in modern times.
Necromunda: Hired Gun comes this close to being a good game. It takes heavy inspiration from one of the best FPS games on the market, but with an uninteresting narrative, clunky graphics, uneven performance, and a litany of undercooked ideas. Necromunda: Hired Gun is hard to recommend, even at its budget price tag. You might find yourself having fun from time to time with it, but those moments are simply too short to recommend putting up with the rest of the game.
The bursts of fun are weighed down by a small pool of visually bland and overly similar maps, a lack of any meaningful progression, clunky gunplay, and some serious balancing issues. For fans looking for a new game to blend FPS and RTS gameplay, Eximius: Seize the Frontline has some fun to offer. But for fans of just one of those genres, the mix will likely detract too much to be enjoyable.
Werewolf: The Apocalypse – Earthblood had a lot of potential. The World of Darkness universe is clearly full of interesting lore, creatures and characters, so it’s a shame that the game drops the ball so hard. While some players may find some surface-level enjoyment in the game’s stealth and combat, the lack of depth or player growth makes them feel old fast. Even if you are a World of Darkness superfan, it’s probably best to skip Werewolf: The Apocalypse – Earthblood, at least until it’s heavily discounted.
Overall, though, Windbound’s visual and atmospheric aesthetic just can’t save the gameplay. I wanted to love Windbound as a fan of survival games and cel-shaded visuals, but the world was too empty and uninteresting to make the adventure worth it. The survival mechanics were almost unnecessary, making the trek through the world feel even more pointless and empty than it should have. Windbound is an attempt to combine narrative, survival, exploration and aesthetic into one package and fails on every count.
Tempest’s aggravating sailing mechanics in a game dedicated to sea travel are too hard to ignore, bogging down the entire experience and making progression feel like an unmanageable chore. Though the world is beautiful and includes an endless amount of quests, the good is, unfortunately, not enough to outweigh the bad for this pirate adventure.