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You don’t have to dig too deeply to find that Golem, for all its inane faults, has some really interesting mechanical ideas for VR gaming. It’s one of the very few adventures that give you a sword to swing around in real-time and makes a concerted effort to make melee duels look and feel meaningful.
I love the game that is bubbling under all the excess garbage. This year’s MyPlayer is pretty much what I would have liked to see before in the series, even though I had to play it with Plan B characters as photo uploading in-game didn’t initially work. Despite its crappy presentation, MyCareer is also endearing and inspiring.
The Bradwell Conspiracy runs terribly, the visuals are nothing special and the narrative is silly at best but that doesn’t stop Amber and the dialogue from standing out. I’d love to see what the developers, A Brave Plan, could do with more focus on the characters rather than plot, and a bigger budget for art and QA
All in all, Earthblood is a promising assortment of competent and mismanaged concepts. Yet even with several annoyances and late-game repetition, there's no silver bullet taken against my primal enjoyment.
This isn’t to say that I don’t recommend Cultist Simulator. I find its depth and focus on exploration and letting players find their own way fascinating and the many stories contained within demanded my attention. I’m glad I finally had a chance to check it out in any form and if that sounds up your alley, there’s a game in here worthy of your time. I have a much harder time recommending that you play it on the Switch, though, and would only recommend checking out Switch version if you don’t have any other way to play it. You simply have to put up with far too much to get to all the good contained within.
Olija’s atmosphere is spot on and despite its huge pixels, the game manages to channel Hugo Pratt’s fabled Corto Maltese graphic novels that take place in similar exotic corners of the world. The gameplay also works most of the time, but as is often the case with indie games, the authoritarian developer has gone overboard. The less is usually more but here, the style simply went over the substance and 12 hours of playtime more than overstays its welcome considering the game's ultimately shallow bounty.
“Short but sweet” is the emphasis for Neversong, both in its three-or-four hour runtime and the yarn it’s weaving. This comes at the cost of its substandard gameplay never invested in any particular idea. Each new bauble and character share the same story: neither feels like enough stock was given. But as an indie auteur’s expansion of a historical flash game, the effort poured into its revitalized presentation and atmosphere is something platforming fans could still admire.
In the case of Everreach: Project Eden, some mechanical issues with AI or balance can be patched, which other problems are more in the realm of aesthetics and direction and are probably doomed to never go away.
Unfortunately, it is all but marred by bugs, especially the way the save system currently works… or doesn’t. If you’re in the market for a new sniping shooter, I cannot in good conscious recommend Contracts, it’s simply too frustrating to play in its current state.
As a design doc, a game that combines horror, sci-fi and Norse mythology sounds intriguing but in actually, Apsulov just seems uncertain of its identity.
Sometimes people deride big-budget games as conservative, safe products, focus-tested and drained of imagination. But also, a bigger budget allows for quality writing, ruthless editors and designers with the chops to pull off a high concept.
Pagan Online’s Slavic fantasy pulls from mythologies that are slightly off the beaten path, but so much of the game feels like familiar — and what’s worse, less successful — tropes, mechanics and ideas gleaned from other ARPGs, MOBAs and mobile games.
John Wick Hex is a fun experience, but one that woefully fails to deliver on its premise. Nothing really demonstrates this more than the ability to play back each completed mission in real-time.
The single player campaign is a bit of a wash, but your experience depends on what you want from the game. Daemon X Machina excels at playing against skilled human opponents and taking the time and care to customize your arsenals.
There is, of course, nothing wrong with complexity and challenge in a game but Warsaw adds to the mix some capricious unpredicatability in its AI mechanics and design that can be frustrating, resulting in gameplay that is simply not on the winning side of the challenge/reward equation.
Just because you have the technology to do something doesn’t mean you actually should. The cold hard fact is that I love L. A. Noire far too much to accept the odd quirks created as a result of a forced first-person camera, confined play areas, and frequent truncation of the investigations.
Galaxy Champions TV is a decent little game, and an instant purchase for those who miss Smash TV. Otherwise, I feel like this is the sort of game perfectly suited to the Switch. Just something to play during your morning train ride. Simple, engaging for a short time, and rounds are over quickly.
Crossroads Inn might not be the first medieval sim (that honor probably goes to 2011’s The Sims Medieval) and there are quite a few castle builders out there as well, but as a narrowly focused genre blend of builder and sim, Crossroads Inn stakes out some specific territory.
All in all these games are truly a blast from the past, and back in their day (1999 / 2000) were some of the best RPG outings you could find on the PC. Today though, I can't say that they are anything more than a nostalgic cash grab. There are no updates here and the amount of bugs I had to get through is just plain unacceptable.
Suda51 is nothing if not subtle. His games always feel outrageous and over-the-top in ways that can be difficult to hold onto some measure of appeal. I love his stuff solely because I can never expect what he’s going to do.