TheGamer's Reviews
My Time on Frog Island is a charming little puzzle game with hidden depths. Though you end up shipwrecked there, time on the island feels like a vacation as you settle into the peaceful daily routine of the local frogs. It ticks all the boxes for me — quirky characters, a unique, adorable art style, and a fresh take on the usual puzzle genre with little touches of life-sim elements. You can easily while away your time exploring the island, solving puzzles, and discovering little secrets.
If you’re expecting completely remade games, this isn’t the remaster collection for you. But if you want to relive your childhood memories and frustrations with Klonoa, the Phantasy Reverie Series is the way to do it. Getting two cult-classics in one is a fantastic deal, and if you can look past the quirks and situate yourself firmly in 2001, you’ll find these games just as perfect as you remember them. And if you missed out on the Klonoa hype as a kid but enjoy early 2000s platformers and want to see what all the fuss is about, there’s no better time to dive into the dream than now.
What it has made here could be considered impressive, in a way, considering its lack of expertise in this genre, because it’s not entirely incompetent. The tennis does play fairly realistically and there is a rhythm to it that did remind me of Virtua Tennis 2 at times. But I'm not sure that you'll want to spend your hours with this game, because it’ll seem like time will slow down to a crawl.
When it’s all said and done, F1 22 is more than just another entry in the longstanding F1 series. The game is continuing a long legacy of racing simulators and so you might say that it goes from pole position straight to the win. This is the best Formula 1 game to date. There’s something in it for everyone, from casual racers to seasoned professionals.
But it still needs more. Very few changes were made from their now non-existent previous releases, so it’s high time Sega dusts off some more titles from its ‘90s library. The gorgeous cartoons in Origins give me hope, as Sega seems to be establishing some kind of Classic Sonic universe completely isolated from his modern counterpart. It’s just a shame that it’s a universe consisting of four games once again.
As you try to discover the true artifice of this situation, solving the mystery looming over Elgado is just part of what Monster Hunter Rise: Sunbreak entails for your adventure. Whether a newcomer or a veteran, you’ll find the classic feeling that hunting brings every time, and every monster represents a thrilling challenge in what it is Monster Hunter at its finest.
Deliver Us The Moon is a wonderful puzzle game on Earth and in space, but the Moon itself fails to live up to its wondrous promise. While interesting puzzles are still sprinkled throughout, a sense of repetition creeps in and gets in the way of an otherwise enjoyable story. It’s not that it fails to hit its target, it just turns out the target isn’t all it’s cracked up to be.
Neon White, behind the sexy suitors and anime villains, underneath the storyline and relationship building, is a game about speedrunning. It’s about learning and replaying, and it’s about beating your friends. It’s a modern iteration of a classic, simple premise, but without perfect execution, a simple premise can easily flop. Thankfully, Neon White delivers nearly flawlessly. Just make sure to take your time with this whirlwind ride, you’ll thank me for it.
Whether you’re a big fan of the Teenage Mutant Ninja Turtles or just someone who appreciates incredible music and satisfying side-scrolling gameplay, Shredder’s Revenge has something for pretty much everyone. The Turtles may have taken a bit of a break from gaming, but this is one shell of a comeback.
Ultimately, Mario Strikers: Battle League feels like Liverpool’s trophy cabinet this year. An FA Cup and a League Cup are nothing to sniff at, but it feels below par. With no cup final goals and two victories on penalties, they didn’t even underachieve with style. Battle League is very similar. It’s Mario Strikers again, and the football itself is pretty good, but the stuff of legends? Not even close.
The Quarry is an excellent survival horror experience with a strong cast of characters and a startling horror narrative that delights with campy scares and unexpected twists. Fans of Until Dawn and The Dark Pictures need to pick this up, or even those after a spooky outing either alone or with friends. It isn’t the alien abduction story I’ve been waiting for, but it still proves that Supermassive Games is the undisputed king of the genre when it matters.
Balloon Flight has struck on a rare thing - a good idea - but failed to execute it. At the end of the day, even if you can get past the steep learning curve of the controls and the physics, there simply isn’t enough content to give you a reason to continue. Only the most stubborn gamers would read the challenge ‘See how far you can get!’ and devote any length of time to this game; besides, they’re all kept busy learning rhythm games or speedrunning something. More likely, players will spend six-odd dollars on this game, fall to their death as cheerful music serenades them, and never return again.
Kao the Kangaroo’s core mechanics are solid and some of the things it adds to the series, like the elemental gloves, help keep things interesting, but it’s nothing that the genre hasn’t seen before, and some of those changes end up actively taking away from the experience. There’s good to be found here, but it’s weighed down by so much jank and a lack of innovation that it doesn’t feel like the welcome back that Kao deserves.
Hatsune Miku Project Diva Megamix+ is the perfect introduction to the series for PC. It’s easily accessible to newcomers and more experienced players alike and offers an extensive catalog of songs and customisation items that will keep you busy for hours. The joy of arcade games like this is that they’re easy to pick up and play whenever the feeling takes you.
Sniper Elite 5 is a great little shooter, and I had a lot of fun sinking into its sprawling levels and inventive mechanics. It doesn’t change the formula or even introduce anything particularly new to the wider genre, but perfectly understands what it wants to be and delivers on that expectation with significant flair. I viewed it as a palette cleanser of sorts, an experience that harkens back to a different generation of single-player shooters we don’t tend to see anymore. It’s almost nostalgic, and aside from Wolfenstein there is no better Nazi-murdering simulator out there.
Despite its ambitious scope, Hardspace never bites off more than it can chew. It is unapologetically pro-union and anti-corporate, and it shows a remarkable deftness in handling the social complexities of those positions. It distinguishes the personal value of labor from the material value - two products our corporate overlords are eager to conflate - and offers a perspective of hope in an otherwise hopeless world. I consider Hardspace: Shipbreaker essential media for anyone that is employed - blue-collar or otherwise. If nothing else it will provoke you to think about your relationship with work in a new way. Considering we spend one-third of our lives doing it, it’s a worthwhile experience.
Vampire: The Masquerade - Bloodhunt manages the impossible and makes the battle royale genre feel fresh again, with smart changes to the formula and movement that completely change the game. Its fast-paced action isn’t for the faint of heart and Prague might get a bit old after hours of playing, but it’s well worth sinking your teeth into just to see what the heck a vampire battle royale even looks like.
Within the opulent comforts of the luxury apartments and exclusive private clubs of Boston, Swansong positions high society politics as a game played by the rich, a realm that’s far outside the influence of the working class and the poor. To be invited into such an exclusive circle in Swansong is a frankly riveting proposition—I can’t deny that there’s a thrill, verging on tabloid-level curiosity, in mingling with the distastefully powerful, uncovering their dirtiest secrets, and conniving with the Prince of Boston. But still the most intriguing bit about Swansong is to have all these politicking depicted as layers of conversations and sleuthing, which are exploits that are far more human than the game’s supernatural brethren would believe.
I’ll close the curtain on the behind-the-scenes look at games criticism and I won’t spoil any more of Citizen Sleeper, but this review in particular was a joy to write. More specifically, Citizen Sleeper is a joy to play. The Eye is crammed with wonderful stories, and it feels like it’s truly bustling with activity – far more than any Triple-A open world populated with soulless NPCs going about their same daily routines. The simple visuals allow your mind to fill in the gaps like a good book, and it’s a testament to Jump Over the Age’s storytelling that it manages to create such a rich world. I already know that I’ll pop back to the Eye for the rest of the year, maybe longer, just to experience stories I missed, to see how different decisions play out, but mostly just to spend more time there, soaking up the atmosphere in an obsolete body as I absentmindedly peoplewatch over a steaming pot of noodles.
The Centennial Case: A Shijima Story is a killer combination of murder mystery meets TV drama. While the puzzle-solving aspects tend to come with too much unnecessary guidance to help you along, it’s thoroughly enjoyable to be able to channel your inner Poirot and figure out the events of the crime before dramatically unveiling the murderer to all involved. What the game lacks in a challenge, it makes up for with its exciting plot that ticks all the classic whodunnit tropes that mystery drama fans love to see.