Those Who Remain is rife with frustrating puzzles and illogical scenarios, which greatly dilutes its horror experience.
Greedfall is an enjoyable jaunt, but it follows its influences a little too closely and fails to engage with its narrative themes in any meaningful manner.
Etherborn is a compelling, gravity-shifting puzzle platformer, but its convoluted plot and limited worlds stop it from being exceptional.
In the end, Chinese Parents is ultimately a tribute to, well, Chinese parents — their tremendous expectations on their children, the unconventional ways they express their form of tough love, and all the familiar eccentricities of Chinese parental love.
Every shootout is an opportunity to execute a thoroughly balletic performance of sorts.
The game forsakes worldbuilding as it increasingly gives itself over to making the most digressive of statements.
It’s a pity that the game fails to take advantage of these analogies and delve into their immense potential. Instead, it’s too fixated on traditional jump scares to embrace the twisted, palpitating gut of its story about a flawed protagonist and his struggles with inner demons.
A Plague's Tale's emotive story of resilience is underscored by a backdrop of screeching rats, the unremitting horrors of war, and a genuinely likeable cast of characters.
n the vein of so many B movies that seek to provide the campiest of thrills, God’s Trigger takes delight in its over-the-top violence, cheesy monologues, and nonsensical plot. It’s what makes the game so memorable, even if that means it never defies genre expectations. God’s Trigger is no rousing masterpiece, nor does it want to be.
For a game that revolves around the beauty of languages, it’s a disappointment that Heaven’s Vault can’t find the right words to express itself.