It's a refreshing, original take on the cyberpunk genre, but in a game that relies so much on conversation, Gamedec's jargon-y dialogue soon becomes a confusing mess.
Twelve Minutes has an intoxicating premise about a man stuck in a time loop, backed by a Hollywood cast of voice actors that immediately presents the game with a veneer of cinematic prestige. But just as it quickly captivates the player with the tantalising promise to unravel all its mysteries, it also loses all that steam just as rapidly with its unbelievable twists and unspeakable violence, resulting in a conclusion that's as mind-boggling as it's nauseating. In the end, Twelve Minutes can't seem to rise above its film influences, as it grinds to an unsatisfying, disconcerting halt.
Even though Littlewood is a peaceful town building and farming sim that doesn't offer anything new in the genre, it thrives in the soothing, meditative loop of its routines--from harvesting fruits to mining precious stones from ores. There are plenty to busy yourself with, but there's also plenty of time to get to them at your own pace. This means that Littlewood is mostly devoid of the pressures to optimise the grind--an issue that usually plagues other farm sims like Stardew Valley. It's, in short, a charming little distraction from the stresses of our real world.
It's difficult to assign a score to a title as esoteric as Art Sqool, an art game that seeks to encourage players to tap into their creativity and doodle in the midst of a captivating, candy-coloured universe. Be it ruminating about the themes of your assignment in a cozy corner, or messing up your homework by haphazardly scribbling over your blank canvas, Art Sqool requires you to discover your potential and assign your own meaning to the experience. Even though I've found the game to be a ceaselessly charming one, there are also times when I quickly tire of its lack of incentives and activities. Give this a twirl if you're looking to indulge your artistic capabilities and moments of quiet introspection.
Star Renegades doesn't countenance mistakes, while demanding an inordinate amount of commitment from its players due to its mechanically dense system. This can be a challenging game to get into, from learning about its intricate turn-based combat, to making sense of the walls of text, numbers and symbols it throws at you. Those patient enough to familiarise themselves with what this roguelike has to offer, however, may find this to be a tactically satisfying experience.
Making a sequel to one of the most acclaimed horror games in recent memory may be a tall order for some, but Frictional Games has done it with aplomb with Amnesia: Rebirth. Without straying far from the formula that made Amnesia: The Dark Descent so popular and feared in equal measure-the clever use of jump scares, immersive puzzles and the light-dark dichotomy-Rebirth has reinvigorated its brand of horror with a haunting narrative that's as moving as it is refreshing. Rebirth may still be a bit too much to bear for players who don't usually venture into horror, but it's a sequel that should please ardent fans and horror masochists alike.
The frequent lulls of its road trip, coupled with a monotonous roster of characters, means this driving sim should be left in the dust.
With gentle, idyllic charm, A Short Hike is a delightful vignette about the joys of hiking and meeting new friends.
An acute reflection of recent crises, Umurangi Generation is an excellent glimpse into a dystopian future that's looming all too close.
Those Who Remain is rife with frustrating puzzles and illogical scenarios, which greatly dilutes its horror experience.
Greedfall is an enjoyable jaunt, but it follows its influences a little too closely and fails to engage with its narrative themes in any meaningful manner.
Etherborn is a compelling, gravity-shifting puzzle platformer, but its convoluted plot and limited worlds stop it from being exceptional.
In the end, Chinese Parents is ultimately a tribute to, well, Chinese parents — their tremendous expectations on their children, the unconventional ways they express their form of tough love, and all the familiar eccentricities of Chinese parental love.
Every shootout is an opportunity to execute a thoroughly balletic performance of sorts.
The game forsakes worldbuilding as it increasingly gives itself over to making the most digressive of statements.
It’s a pity that the game fails to take advantage of these analogies and delve into their immense potential. Instead, it’s too fixated on traditional jump scares to embrace the twisted, palpitating gut of its story about a flawed protagonist and his struggles with inner demons.
A Plague's Tale's emotive story of resilience is underscored by a backdrop of screeching rats, the unremitting horrors of war, and a genuinely likeable cast of characters.
n the vein of so many B movies that seek to provide the campiest of thrills, God’s Trigger takes delight in its over-the-top violence, cheesy monologues, and nonsensical plot. It’s what makes the game so memorable, even if that means it never defies genre expectations. God’s Trigger is no rousing masterpiece, nor does it want to be.
For a game that revolves around the beauty of languages, it’s a disappointment that Heaven’s Vault can’t find the right words to express itself.
It would be remiss of me not to point out the small but diverse roster of characters in Apex Legends. Out of the current band of eight Legends, the presence of four people of color and two LGBTQ characters is a heartening first step. In particular, the mysterious hunter Bloodhound is probably the most — if not the first — prominent example of a nonbinary character in a mainstream shooter. Yet Apex Legends also faces the same narrative challenges that the relatively progressive Overwatch had with inclusivity. In a genre that carries a greater emphasis on gameplay rather than storytelling, injecting meaningful representation can admittedly be a trying process.