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Marvel's Midnight Suns is one of the most underrated games of its year — Firaxis has created a unique tactical card game that works brilliantly both as a superhero experience and as a strategy game, with a friendship system that adds surprising emotional depth.

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The Callisto Protocol is a visually stunning survival horror game that captures the Dead Space atmosphere it so openly admires — the melee-focused combat is more unique than expected, even if the lack of enemy variety and short runtime hold it back.

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Sifu on Nintendo Switch is an impressive port of an already exceptional game — the Kung-Fu revenge formula is as punishing and rewarding as ever, even if technical concessions on Switch are unavoidable.

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Bayonetta 3 is what fans expect — stylish, over the top and deeply satisfying in its combat, even if the multiverse premise spreads itself thin and the Switch hardware shows its limits in some of the larger set-pieces.

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Modern Warfare II delivers one of the most technically polished campaigns in the series, even if its story leaves loose ends that only MW3 will resolve.

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Splatoon 3 is the best Splatoon yet — the campaign is the strongest in the series, the multiplayer as addictive as ever, and the new mechanics add meaningful variety. Online stability issues at launch were the only thing keeping it from greatness.

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The Last of Us Part I is a masterpiece reborn — Naughty Dog's definitive version of a game that changed the medium arrives on PS5 with technical improvements that match the emotional power of the story it tells.

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The Quarry is Supermassive Games firing on all cylinders — a cinematic horror experience with a stellar cast, genuine tension and a butterfly effect system that makes every choice feel meaningful. The best thing they've made since Until Dawn.

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Sniper Elite 5 is the best entry in the series yet — Rebellion has refined their formula to a satisfying degree, with France as a beautiful backdrop, improved X-Ray kills, and multiplayer that finally feels like a full package.

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Tiny Tina's Wonderlands is a brilliant lead character making a brilliant game — the fantasy setting gives Borderlands' loot shooter formula a fresh coat of paint, and Tina's voice actress makes the title a uniquely memorable experience in the genre.

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Ghostwire: Tokyo is a fascinating experiment with a unique aesthetic — the authentic Japanese mythology and Tango Gameworks' loving recreation of Tokyo's streets create something genuinely unlike anything else, even if the open world structure doesn't always serve the atmosphere well.

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Breath of the Wild is a bold new beginning for the series and an impressive open-world adventure — Nintendo has preserved the Zelda legacy while radically reinventing it at the same time, and that is no small achievement.

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Elden Ring is FromSoftware at their absolute peak — the open world doesn't dilute the Souls formula but perfects it, giving players the freedom to engage on their own terms while delivering the series' most breathtaking and cohesive world yet.

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Total War: Warhammer III is the most ambitious entry in the trilogy — for fans of both Total War and Warhammer Fantasy, the strengths clearly outweigh the weaknesses, delivering an epic finale that rewards the series' most devoted players.

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Horizon Forbidden West is the near-perfect sequel — Guerrilla Games has expanded every system, deepened the world, and delivered one of the finest open-world action RPGs of its generation.

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Dying Light 2: Stay Human is not a masterpiece, but a genuinely accomplished game — the parkour system is as good as ever, the world is atmospherically dense, and co-op with friends is enormous fun.

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Chorus is a fast, innovative space combat game with a strong story that could also win over newcomers — Fishlabs has created something genuinely fresh in a genre that rarely gets AAA attention.

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Sherlock Holmes: Chapter One is a bold new beginning that steers the franchise in an interesting direction — the young, still-searching Holmes is a refreshing alternative to the all-knowing master detective, and the Mediterranean island setting a welcome change.

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Marvel's Guardians of the Galaxy is a wonderful surprise — Eidos Montréal understood what makes the Guardians tick, delivering a game that works not just through action and comedy, but through genuine emotional depth and one of gaming's best licensed soundtracks.

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Vanguard is a competent but uninspired return to WWII — the gunplay is as tight as ever and the multiplayer works well at launch, but the campaign never finds a memorable identity and the setting feels like familiar ground rather than fresh territory.

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