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Eternights can occasionally be rough around the edges, but there is a charming JRPG within that fans of the genre are sure to enjoy. Sure, the story may be all over the place, but at around a 15-hour play time, the hijinks also don’t overstay their welcome. Combat can also occasionally frustrate with some uninterruptible animations and a merciless window of time with which to perform dodges and parries, but most people should be able to adapt to it, and there is also the easier difficulty to try out if things get too dicey. Being an indie developer, Studio Sai should be applauded for producing a well-rounded JRPG that many genre fans will have a blast with.
As a straight-up shooter, Exoprimal comes with competent mechanics and polish, even if a feeling of sameness ends up as the predominant factor after a few hours of play. There’s something here to spark interest among the most competitive players, but it doesn’t feel like Exoprimal is a multiplayer game made for the ages, same as the creatures that were brought from the past to serve as the enemies in here.
Arcadegeddon is tight and very playable, the neon-drenched visuals are cool and stylish, assuming you’re open-minded about all the garish colors and epilepsy-inducing explosions, and it has enough weapon options and character customization to experiment with. But as hours pass, a certain feeling of sameness inevitably starts to creep in. The runs begin to feel dull, the enemy variety isn’t stellar, and all those edgy characters start to blend and look the same.
There’s some undeniable fun to be had if you can look past the hit collision issues, or the lack of proprietary support for online coop. The roguelite elements are interesting but don’t feel essential in any sense, almost as if a mandatory box to tick and tickle the fancy of some fans. As a throwback to one of the all-time brawler greats, Double Dragon Gaiden is competent, but doesn’t really pack the punch that the series deserves.
There’s a lot of potential in Atlas Fallen that, sadly, feels heavily bogged down by its forgettable and, at times, repetitive story. If you can look past that, you’ll find Atlas Fallen has much to offer. It’s a great callback to classic hack-and-slash titles, filled with hours of senseless, monster-slaying fun that can be enjoyed with another player online. It’s not without its faults mind you, but it does build a great foundation, one I’d like to see built upon with potential sequels.
Road 96: Mile 0 is an offbeat, short trip that doesn’t overstay its welcome. While some of the rhythm mechanics are a little too unforgiving, practice makes perfect and it is easy to retry any song you’ve beaten before from the main menu. There’s even some replayability in trying to unlock all of the different endings. While it may be chock-full of awkward animations and voice acting, Road 96: Mile 0 has a certain charm to it that may leave you wanting to continue the story when the credits roll.
Overall, I do think Wo Long has a good starting foundation that I’m sure other players in the community will be able to master more than me. I don’t want to claim I’m expert at the game (despite finishing NG+ on hard,) but I have seen others based on the demo manage to pull things off I haven’t. Basically what I’m saying is that the things I disliked, aren’t necessarily going to be the things the community dislike. Wo Long is still an entertaining game to play through. Its combat is solid, making it closer to Sekiro, Ninja Gaiden, and even Onimusha, though I do feel some things could have been fleshed out more. Souls and Nioh fans will no doubt be right at home with this, as it certainly scratches that Soul itch, and for that I do recommend you play the game at some point.
Them’s Fightin’ Herds has the technical chops to roll with the competitive fighting scene. Looks can be deceiving, and this game will probably be skipped by too many people simply because it doesn’t look the part. The small character roster won’t help things, either. Still, with a solid fighting core, Mane6 has a good thing going here, and hopefully the release of Them’s Fightin’ Herds fuels a continuous stream of updates.
The other area where Bloodborne’s influence can be seen is the level design. The cobble stone streets of France evoke Yharnam in not subtle ways. Where Steelrising sets itself apart, however, is the sheer verticality. Aegis can jump which allows her to climb to the rooftops to get around (where the game will allow it, of course) and eventually she acquires a grappling hook that allows her to ascend in specific areas for even more traversal options. It’s not open, and most of these areas just lead to item pickups or chests that contain armor or new weapons. Unlike Bloodborne, the levels of the game don’t really change save for one section that takes you into mines so it all eventually looks samey. More variety in the levels would have made the later portions of the game feel distinct and would have done wonders for the pacing of the game. In addition to the repeated enemy variety the back half of the game drags a bit.
At first glance, NBA 2K23 appears to be more of the same, but the gameplay adjustments made by Visual Concepts are more than enough for this year’s game to be accepted with open arms. The changes in the shot mechanics and making it more difficult to create godly players in MyCareer might make some players upset but will be beneficial for the game in the long run. MyTeam is still a fun team-building mode, and with the removal of contract cards, should be a more viable option as opposed to a normal Franchise. The player ratings will be a hot topic, as I’m not sure how we can rate the Los Angeles Lakers among the top teams when their third-best player is a 78 overall, but that’s an issue that might never be solved. Ultimately, NBA 2K23 isn’t simply a carbon copy of previous iterations and should be viewed as a step in the right direction for 2K’s continued evolution.
All in all, Thymesia does a good job scratching that Soulslike itch but providing rewarding, robust combat and memorable boss fights. While it doesn’t nail everything, what it does right elevates it towards the top of the subgenre. And considering the game was made by a team of seven people, that is no small feat. I would love to see what Overborder can do with a larger support team and bigger budget. Thymesia is the real deal.
Temtem was never going to usurp Pokémon as the best monster catching game. But if it gets at least part of the way there, then it should be considered a success. In that light, then, Crema has indeed succeeded. This is a great start, and with continued support and possibly some expansions down the line, Temtem could become a wonderfully addictive, challenging turn-based collect-a-thon with MMO elements mixed in. The creatures might not be as inventive, nor are there as many of them to collect. But Temtem has a charming world to get lost in, and while the battles can feel repetitive at times, seeing other trainers scurry about the area is a fun reminder that you’re playing something just different enough that this game can stand on its own.
It’s unfortunate that the hype train got so carried away during the years long lead up to Cyberpunk 2077. CD Projekt RED definitely didn’t help with their marketing that leaned into the hyperbolic expectations. It made the backlash more powerful and more negative than this game probably deserved. This Next-Gen version isn’t hot trash or unplayable but it definitely has benefited from having another year and a half in the oven. One can only hope that the industry and its community members learn how to manage expectations and avoid this mistake in the future, but if human history has taught us anything, that’s not likely.
I have had a harder time deciding on a review rating for Elex 2 than I have had for any game I have reviewed so far. It had probably the poorest start to a game I’ve seen in a while, but if you can get past it, I think RPG fans will really enjoy what’s there. But truth be told, I don’t know how much it will convince anyone who isn’t a fan of the genre. I am disappointed that this game is coming out in such a crowded time because I think it deserves some of the attention that is going elsewhere right now. Hopefully people to whom the game will appeal don’t miss out, and I really hope that THQ Nordic authorizes another sequel because I can tell you that I would love to dive back in Jax’s shoes.
There is no objection needed here, as Apollo Justice: Ace Attorney Trilogy is just what we wanted to see with the re-release of these three classic games in the series. You may not have the convenience of the second screen from the originals, but pretty much everything else is better here than in the past. The visual upgrades for all three are impressive and are very much in line with other modern games and releases, while the gameplay for the trio still holds up very well today. While the Ace Attorney series is definitely not for everyone as a visual novel game, Apollo Justice: Ace Attorney Trilogy is yet another winning re-release for this franchise that will have fans itching even more for a new entry in the franchise to be announced.
Like a Dragon Gaiden is a solid and quite unexpected addition to the franchise, filling in the gaps and giving fans more to muse over before embarking on the next chapter, of which you have a demo available in this game. It’s a worthy companion to past games, bolstered by a substantial narrative focus and combat that remains gripping and fun, although the Agent style may be more of a bullet point than an actual absorbing addition.
RoboCop: Rogue City is a complete, single-player game, with no DLC currently in sight. Its rendition of Detroit, satire, gory violence, witty and occasionally campy writing and voice acting, all feel ripped straight out of the original movie, while giving us a standalone story that you’ll likely want to see through to its conclusion. Rogue City is a fun interpretation of a 1980’s franchise which has laid dormant since 2014. It’s not perfect, and is a bit rough around the edges, but if you want to feel like the resurrected police officer, this is your best bet. A good-length campaign with solid voice acting and a genuinely entertaining story all add up to a violent, cinematic first-person shooter that doesn’t overstay its welcome. Fans of the original will get a kick out of RoboCop: Rogue City and should pick it up this holiday season.
If you’re a fan of slow-paced, story-driven games, this is a good place to be, with robots small and large, friend and foe waiting for your arrival, and quite a few landscapes to explore and instill a certain sense of dread, even if the layout design is excessively on the inflexible side. The Invincible may not mark a leap for the genre, but it is a well-rounded and interesting step for walking simulators.
Hellboy Web of Wyrd is a blunt and relentless action game featuring a delightful combination of visuals and sounds, giving each blow a palpable feeling of strength. The intense combat is a literal blast, distinctly the one factor that the game should be praised for, even if some actions appear to register late. Purely as a tactical brawler drenched in roguelike mechanics and featuring a mammoth of a main character, this is one that not only hits the mark but occasionally shatters it to pieces.
Assassin’s Creed Mirage is a great return to form for a series that had sort of lost its way. A concise, single-player campaign with a story that has its share of twists and turns, a sprawling desert and surrounding wilds to play in, and even a new ability helps to return Assassin’s Creed to its roots while adding to the core feature set in a meaningful way. Fans, new and old, will want to check out Assassin’s Creed Mirage.