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By the time I finished Jazzpunk, I was both left wanting more of its crazy world and feeling slightly underwhelmed. Many of the jokes felt a bit too random for their own good, and the story kind of just ends with no real resolution. If you're not the type of person who likes to roam around miniature sandboxes and locate every single hidden secret, Jazzpunk may not be for you. But for everyone else, you'll revel in the ability to play a completely missable game of Fruit Ninja with Jim Sterling.
Simply running about the ship, crawling through its underbelly, and chatting up the fully-voiced (mostly well) crew make up the bulk of Consortium. It's a nice change of pace for anyone who wants that older style of RPG where you learn about someone's mom who is suffering from Alzheimer's, argue whether or not videogames are insulting "murder simulators," and are exposed to suspicious organized religion.
The biggest accomplishment with the new episode however is the fact that your actions have more consequences on a personal level. Bigby ceases to be a construct of Telltale and starts to become an extension of yourself, causing hesitation on more than one occasion. Having said that, there aren't really any "big, freeze-the-screen" choices throughout this roughly one-hour tale like in Faith -- just a lot of little ones. Not a whole lot of big choices carry over from your previous story either, as the only major connection is tied to whomever you decide to capture at the end of Faith. It remains to be seen if future episodes will employ more connections.Whereas the first episode of Wolf Among Us had me intrigued, Smoke and Mirrors has me hooked. Although it's not nearly as explosive as its own The Walking Dead series, Telltale has managed to craft a world full of interesting characters, and with the fairytale setting -- the sky is the limit. Let's just hope we don't have to wait so long for part three.
In the end, I would not be surprised to hear that the Octodad community is thriving years down the road. It exudes a certain weirdness and charm that makes it stand out from a lot of other titles out there, and there are tools in place for it to live on past the point when the credits start to roll. Though it has some issues with framerate drops and its approach to control is definitely not for everybody, Dadliest Catch kept a smile on my face for most of its duration.
The new map is also much brighter and more open ended, allowing you to drill various alien nests at your own pace with up to four players. All of the same progression oriented gameplay is here, including the ability to choose between an assault, tank, mechanical, or healing class, to augment your party's abilities or buff your own. Although it's not nearly as robust as Zombies and doesn't feature half as many tricks and secrets, I feel like Extinction has really proved its concept in Nightfall, and I'm legitimately looking forward to seeing what the next three episodes can offer.I was pleasantly surprised by Onslaught, especially considering the fact that Ghosts was so underwhelming. Although it won't do too much to change your mind if you're an adamant Call of Duty hater, the new Extinction episode is promising, and there are three solid maps here for the taking.
Bravely Default gave me an experience that seemed to put me right back in my bedroom in the middle 1990s, where I'd sit in front of a small Hitachi television set and play the day away with a Super Nintendo controller in hand, so engrossed that I'd forget to eat. It harkens back to a time where we were all in love 16-bit Japanese role-playing games, and couldn't get enough of them.
I haven't felt this surge of nostalgia and excitement about a game in a long time, and I truly think Broken Age will be looked back fondly as one of the greats. That being said, the first Act is only a few short hours and ended on a nail-biting cliffhanger with no word on how long we'll be waiting for the rest of the game. In some ways I feel cheated, but in the end it's the heart of the game that matters - and that certainly isn't broken.
Sadly, there are no worthwhile extras to entice you to get Broken Eagle in particular. For starters, there is no multiplayer allowed within the DLC -- period. Capcom says this is because they want to isolate the stories as a single-player experience, but after playing the first offering, my response would be "what story?" Thankfully, there are five new weapons and a vehicle (which can be used in the core game), with the standout of course being the minigun, which should please a few of the die-hard fans out there who want more sandbox goodies.As it stands, there is literally no reason to get Broken Eagle. It's criminally short, you can't enjoy it with a friend, there are no real benefits if your character is maxed out from already playing the core game, and it doesn't add to the overarching lore in any meaningful way. Hopefully the other Season Pass offerings will be an improvement, since we still have three to go.
It did propose some thought-provoking questions about mortality, but I was too busy being frustrated at the controls to give any of it a second thought while playing.
The Banner Saga is a dark and onerous experience, but it's one that draws you in. I'll be waiting with bated breath to see which way this winding path darts next. Something tells me we're not out of the woods just yet.
Regardless of all that, Nidhogg stands as one of the true kings of competitive gameplay, and that doesn't need to be patched one bit.
Zen Pinball is a must-have anywhere you can grab it, and Zen Pinball 2 specifically on PlayStation 4 is equally just as desirable -- if not more-so.
All the convenient and nice additions in the world wouldn't matter though if the core game wasn't so damn brilliant, which it still is. Baldur's Gate II lives up to its reputation as one of the all-time best RPGs, and if you're looking for a no-fuss way to play it, Baldur's Gate II: Enhanced Edition is exactly that.
There are plenty of irreverent characters to talk to, fetch quests to give a limited sense of purpose/achievement, and a nice split between breezy and tough areas, but all the same, you'll likely want to take more frequent breaks than in chapters one and two. Interest will dry out more quickly, especially if you focus on the story, which is either trying to be "so stupid that it becomes awesome," is designed to make you hate stories in games, or both. Either way, Knytt Underground is brilliantly-designed 2D platformer that offers a ton of content. Just don't think about the story too much. "blah blah blah blah blah" indeed.
Outside of Virus Buster, Dr. Luigi is very much a no-frills game mostly for fans of the Dr. series. If you don't find yourself getting excited at the prospect of L-shaped blocks or GamePad play though, you might as well just stick with Dr. Mario Online Rx. Either way, the Wii U's newest entry in the Dr. series is a nice cap on a great first Year of Luigi.
In the end I couldn't have been more pleasantly surprised with Max: The Curse of Brotherhood. It's a game full of wonder and magical moments, that while light on actual narrative, still delivers a world that is hard to forget. The visuals are Pixar-esque charming and the combination of cerebral puzzles with thrilling action offers up a bite-sized experience that is a welcome addition to the Xbox One's library. If you're looking for a change a pace, I couldn't think of a more fitting way to finish off this gaming year.
World of Warplanes has a studio that prides itself on supporting its games long term, so I have no doubt that Wargaming will continue to improve upon the formula. In the meantime, it would be a good idea to give both Warplanes and War Thunder a try and see which one you like best.
For the price, it's an excellent value, giving puzzle fans over 70 levels at various stages of difficulty. While there isn't much control other than with the stylus -- you can actually zoom using the GamePad's trigger buttons, but not really anything else -- you honestly don't need it, as rotating the levels and placing the signs is all handled beautifully with the touch screen. Still, you'll spend all your gameplay hunched over your GamePad trying to place things. At least other people in the room can see what you're doing on the TV, but it's not much of a spectator sport. At least, not until you click the bottom to have the cubes start to rush home.
Let me make this clear -- if you find yourself playing any of these games yearly, whether it's for nostalgia or because you think they're genuinely good games, you will love NES Remix. It lacks a lot of bells and whistles that newcomers may find inexcusable, but I had a smile on my face almost the entire time, and experienced the same controller throwing moments (although a GamePad against a wall would be more disastrous) that made me persevere until I got it right.
Adding to the old school woes is a small collect-a-thon element that could have been handled much more elegantly. Hidden throughout the tower are 36 capsules, each containing one of the aforementioned still images explaining Teslagrad's back story. Often, they are presented clearly in a room as a reward for completing an optional, more difficult puzzle than the standard one in that location. In that form, the optional capsules are great. Elsewhere they are hidden from plain sight and only attainable through tedious exploration of every room. Compounding on that is the largely unhelpful map screen, which gives no indication of even general areas in which any missed capsules reside. Toward the end, there are hints that something special happens if a player were to collect all 36 capsules, but only the most meticulous searchers would be able to find them all without outside help.Taking all of that together, it is not obvious for whom Teslagrad was created. It requires a very particular set of interests and skills to fully enjoy. The incredible artwork and wordless storytelling style invite those who want to experience a unique narrative, but the difficult action gameplay and tedious exploration for capsules actively work to keep players from that experience. For those who are interested in the history to be discovered and who are able to persevere through the products of old design philosophy, Teslagrad is highly rewarding and an ultimately fantastic game. However, I would not be surprised to hear of others unable or unwilling to see it through to the end.