Destructoid
HomepageDestructoid's Reviews
The Luigi's Mansion franchise has come a long way since the original was criticized over its lack of content. With an absorbing single-player campaign and a Scarescraper that still packs a punch, Luigi's Mansion 3 is the most content-rich entry in the series, and one of the best times I've had with my Switch in 2019.
It's a shame that a good game is held back by incredibly boring design decisions. I think Greedfall is on the verge of greatness but falls short in too many areas to really go down as a must-play. It's absolutely an enjoyable romp, just one plagued by the thought of what could have been.
The Jackbox Party Pack 6 continues Jackbox's streak of funny, low-key party games without deviating much from their established formula. If you're looking for something fun to do with a group for a couple of hours, you can't go wrong with one of the Jackbox Party Packs. There aren't really any experimental games like Zeeple Dome from last year's collection, but there's plenty worth playing in this year's Pack.
I didn't expect to have so much vitriol for Little Town Hero going into it, however, I found very little to like. Its 18-ish-hour runtime felt like an eternity as I slogged through battle after battle. I struggle to fathom who this game is designed for, but all I can recommend is to stay away lest you get dealt a bad hand.
A new coat of paint can't inherently fix all of the issues with the original, but anyone with an open mind for kooky mascot platformer action will be pleasantly surprised with MediEvil.
Despite some nominal issues that might be easier for some to hand-wave than others, Obsidian has out-Fallouted recent Fallout efforts. The Outer Worlds is more limited from a size standpoint compared to a lot of other open world adventures, but it makes up for it in charm and a succinct vision without much bloat.
Manifold Garden has a lot going for it, but above all else, it's simply pleasant – to look at, to listen to, and to play. It's the kind of game you can revisit every couple of years and be confident it'll hold up.
Black is a little different from the Killer Queen I was used to. But it's still Killer Queen, and that makes it one of the best multiplayer games around.
Plants vs. Zombies: Battle for Neighborville doesn't go out of its way to surpass expectations, but it's a silly, strange, joyful game – one I'm glad was greenlit. If PopCap can continue what it started, this stands a fighting chance of becoming my favorite PvZ spin-off. I hope it gets that opportunity.
The Ninja Saviors: Return of the Warriors is a smart and slick reworking of a classic.
Stela clearly wants to be as unnerving and fascinating as its contemporaries but the end product is merely an empty imitation. There is no element of surprise or wonder here, nothing to make players consider the game at a deeper level. Instead, it acts as a good reminder of the far superior titles that came before it.
Yet, while I had issues with Neo Cab, I will admit that it's worth the fare. It perhaps didn't set my world on fire, nor do I think it's going to climb atop anyone's list of favorite games this year, but it's at least a nice ride while it lasts.
It's not a perfect game, but John Wick Hex still lives up to its premise and creates a new blueprint for how to adapt a film property. Hopefully, it does well enough for a sequel because I'm dying to step back into the shoes of John Wick.
Really, that's how I could sum up Trine 4. It's an easy recommendation for platform fans, but it's also just a plain fun time. It's not revolutionary or trailblazing, but it does what it needs to prove that Frozenbyte hasn't lost its touch. I wouldn't necessarily expect a Trine 5 or anything, but clearly, this series has some life left in it.
Indivisible is rich with character, personality and passion. But is hindered by technical problems, vacant maps, and pacing issues, which hold back its true potential. With a little tweaking, some of this could be reversed, allowing Lab Zero's delightful cast, deep combat, and dramatic storyline to shine through.
Don't get me wrong, Tombs of Terror is a lot of fun, and it's great to see the League of Explorers again after they were removed from the game three years ago. The problem is, it's the same sort of fun we've been having for two years now.
As a longtime fan of the series and as someone that honestly tried to give this a shot, I'm sorry to say that Breakpoint is a failure. I suppose the game can only get better from here, but it is not currently in a shape to even be considered finished.
Sometimes it's okay to just unwind with a lower-stakes adventure, and that's where Concrete Genie comes in. It might not be on a lot of Game of the Year lists, sell as well as other open world games, or even be referred to as a "classic" in the years to come. But I'll never forget it. Go in with an open mind and a few caveats.
Ironically for a game about undead vampires, there's a strong pulse and beating heart at Code Vein's core.
Yooka-Laylee and the Impossible Lair neatly captures the essence of Yooka-Laylee and reimagines it as a new type of game. It's a distillation and a simplification, but it's effective. Then, as its grand finale -- a necessary conclusion that looms over the whole game -- it turns uncharacteristically punitive. It's rewarding, that much is undeniable. But it also leaves you feeling like all those hours spent beekeeping never really prepared you for the final challenge. Those bees just afford more leeway over the course of a very long struggle. It's kind of a buzzkill.