STWGames Italia

Lords of the End Times is the most ambitious DLC ever seen in Total War: Warhammer III and, without a doubt, one of the most generous as well. Nagash and Thanquol offer two of the most original campaigns in the entire trilogy; the Glottkin are solid without going overboard; and only Boris Todbringer falls slightly short. Between Neferata, the rework of the Vampire Counts, the new endgame content, and an access model that’s finally beginner-friendly, the End Times was truly worth the wait.

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Remedy has pulled off its risky gamble! *Control: Resonant* builds upon and expands the previous installment, and the dystopian Manhattan added to the action formula works well, making the game thoroughly enjoyable. You’ll need to understand its mechanics and master the various abilities, but we can say with absolute certainty that throwing yourself into the fray in a chaotic city transformed by malevolent entities has never been so immersive and exhilarating. It’s a shame about the camera work, which doesn’t always stay centered on the action, the character models that lack graphical detail, and the absence of compelling cutscenes. Nevertheless, it remains a must-play title for both fans of the series and those looking to dive into the world of Control.

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Stick It to the Stickman demonstrates just how a simple idea—developed consistently and with the right dose of madness—can carry an entire game. The one-button combat, ragdoll physics, and unbridled corporate satire come together to create an accessible roguelite that’s rich in content and often hilarious, especially when played with a friend on the couch. A few control glitches, some repetitiveness in the main hub, and a few technical issues prevent it from reaching excellence, but it fully deserves a recommendation.

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Blackshard isn’t a game for everyone; it’s a small work that captivates and draws you in—but only if you’re willing to embark on an experience, to let yourself be transported to an incomprehensible and remote place, with little else to do but explore it and try to unravel its mysteries. It’s almost pointless to criticize the lack of gameplay—that’s not the development team’s goal. But if you look at it from an artistic perspective, setting aside a few imperfections, what you have before your eyes is a charming little gem, as mysterious as the labyrinth the player is led to explore.

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All in all, this reimagined version offers an evocative yet inevitably contradictory experience, one that is bound to divide audiences between appreciation for the new sequences and regret over the lack of depth in the original story. Those who loved the original film will find this revival interesting as they observe how the world has been reimagined, though they’ll have to accept a script that’s at times less incisive and a pacing that doesn’t always justify the increased runtime. For those, on the other hand, who wish to experience an experimental psychological horror film—one that defies prevailing trends—for the first time, the film still offers a fascinating descent into the darkest recesses of the American dream, provided they accept its pacing and deliberately enigmatic nature.

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Marvel's Wolverine is paying a price that isn't its own. The resentment toward Sony, the fatigue with a genre that has been overrepresented—far too much: these contextual factors say nothing about the game's true value, yet they inevitably influence how it's received. But it would be unfair to stop there. Because while the story takes risks, the gameplay does not: it plays it safe, polished but never truly surprising, almost timid compared to what Insomniac has proven it can do elsewhere. Wolverine is a game that never truly tries to be memorable through and through, neither when it takes risks nor when it doesn’t. It remains a solid title, with enjoyable combat and a top-notch voice cast, but it lacks that spark that had won us over back in the 2021 teaser.

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Qliphah in Providence's Shadow is a fascinating and unconventional venture one we can certainly call a success, though not without its flaws. While it bears the obvious hallmarks of a mid-budget production, the game manages to create an intriguing atmosphere, supported by excellent art direction. At the heart of the experience lies a bold combat system that rewards focus and a sense of rhythm like few other games in the genre do. For anyone looking for an unconventional JRPG, Rena and Souma’s investigation in the shadows of Tokyo is definitely worth a try.

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Woodo is an excellent game for anyone looking for a relaxing experience that also offers plenty of satisfaction. Its constant ability to reinvent itself and the wealth of details in every level further contribute to making it a game that is definitely worth playing.

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Silent Hill: Townfall hits what is likely the most delicate target a project of this kind could set for itself: recreating the pure experience of a “Silent Hill” game without merely rehashing the usual elements. The oppressive atmosphere of St. Amelia, the patient storytelling, and the solid art direction more than make up for an action sequence that’s once again clunky, hampered by an immortal enemy that won’t leave as lasting an impression as the saga’s most iconic monsters. It’s not a masterpiece capable of redefining the genre, but it is a carefully crafted work that will win over anyone willing to give it the time it needs to reveal itself.

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SPRAWL zero hits the mark it set for itself from the moment it was announced: to recapture the feel of a PS2-era shooter, while updating its pace and gameplay to modern standards. Weighing down the overall assessment are an overly rigid map structure, missions that are sometimes unnecessarily long, and some inconsistencies in the balance of boss fights—flaws that, however, do not detract from the value of an experience capable of winning over both nostalgic fans and those simply looking for a good excuse to shoot at anything that moves.

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Onimusha: Way of the Sword marks a triumphant revival for a franchise that has remained in the shadows for far too long, demonstrating how a classic formula can evolve without betraying its original essence. While it stumbles over the typical weaknesses of modern blockbusters—such as an overly convoluted hub and side activities that feel like filler—Capcom’s game shines brightly thanks to a consistently satisfying combat system. Musashi’s commanding presence, the choreographed tension of the epic duels, and the sumptuous art direction powered by the RE Engine crown this return as a must-play for fans of pure action.

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This second installment maintains the same quality as the first remake released by Falcom, featuring a story as moving as few others and impressive graphics. However, the reuse of game areas and dungeons makes the early part of the game feel repetitive, as it holds back all its best features until nearly halfway through.

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He Who Watches is a well-crafted puzzle game with a steep difficulty curve. It’s great for fans of the genre who want a real challenge, but less recommended for casual players who just want a light mental workout. With just a few mechanics, it manages to create complex and well-thought-out puzzles, forcing the player to consider many options—even the most unlikely ones. It’s a shame that the mini-hints aren’t always helpful and that some bugs are a bit annoying—a sore spot that undermines the game’s playability.

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Exiting Early Access marks Valheim’s full maturation, demonstrating how patience can transform an indie idea into one of the most memorable experiences in the gaming world. Iron Gate hasn’t radically changed the formula but has skillfully smoothed out every rough edge, enriching the game world to culminate the odyssey with an evocative final biome, accompanied by a true narrative conclusion. It’s a game that demands dedication, respect for the laws of nature, and a lot of planning, but it repays every single effort with a sense of triumph that’s virtually unrivaled in its genre.

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Man of Honor is an honest expansion that lacks any real creative spark, relying almost entirely on the introduction of a young Ennio Salieri for its charm. Narratively speaking, the future Don's characterization works well and delivers great moments for long-time fans of the franchise, even if it ultimately remains a self-contained detour that has no real impact on Enzo’s journey. The gameplay holds no surprises and actually feels downgraded compared to the main game: ditching horses and melee duels turns shootouts into more conventional affairs, while rigid exploration boundaries and barren countrysides lay bare the flaws of the level design—further hindered by a bizarre 'winter' Sicily that sports the exact same spring/summer climate as the base game.

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Mortal Shell II succeeds in what is probably the most challenging goal a sequel can set for itself: taking an original but still unpolished idea and transforming it into a fully mature experience, without betraying the dark and experimental spirit that had defined its identity from the very beginning. There are still some imperfections—including balance issues in the later stages, a few too many bugs, and design choices like the absence of a jump mechanic that probably deserved more attention—but none of these flaws seriously detract from the overall value of a game that represents an incredible leap forward compared to its predecessor.

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STEINS;GATE RE:BOOT presents itself as a polished remake, successfully reimagining a milestone of the genre with a modern twist. For those who have never experienced the series, this re-release is undoubtedly the ideal entry point, thanks to its outstanding visuals and sound design, as well as a more streamlined and dynamic narrative. Conversely, for series veterans, even at the full launch price, the package serves more as a complementary addition than an indispensable replacement. It doesn’t overwrite the previous timelines but stands, in every respect, as a new, fascinating worldline to explore.

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Shift At Midnight turns out to be a delightful surprise, full of personality, capable of taking the anxieties of working with the public and transforming them into a fascinating nightmare. The idea of blending the routine of a management sim with a detective investigation works wonders, creating an anxiety-inducing gameplay loop that reaches its peak in the excellent environmental storytelling. It’s a real shame that the game stumbles just when it decides to flex its muscles, offering shooter sequences and stealth mechanics that don’t measure up to the rest of the game. However, setting aside a clunky combat system and an infinite mode that’s still a work in progress, the nocturnal odyssey crafted by the developers is absolutely worth experiencing, especially when played in co-op. A little gem where the real fear isn’t dying, but receiving a one-star review from a shapeshifter.

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Duskfade hits the mark perfectly: it brings back the genuine magic and carefree excitement of PS2-era action platformers, while updating the formula with a more modern and fluid structure. Although the game has a few limitations, what really stands out is the passion and care put into it by the development team. After reaching the end credits, we can say that Zirian and Cucù’s adventure is much more than just a “nostalgia trip,” proving itself to be a little gem capable of entertaining both veterans of that era and new players from start to finish.

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Asobo Studio has done it mission accomplished. After Innocence and Requiem, the development team realized that the series needed a major overhaul, especially in terms of gameplay. In our opinion, not only have the developers succeeded in this endeavor, but we’re confident that this third installment will captivate not only fans of the series but also those experiencing A Plague Tale for the first time. A graphical gem, masterful audio, a deep story, a dynamic combat system, and standard replay value. There are a few minor flaws (enemy AI, environmental interaction, and frame rate drops) that, however, do not detract from the overall quality of the game. A must-play title, no ifs, ands, or buts… one of the best action-adventure games of the year.

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