Overall, as a port to the Switch, the Raven Remastered is a great introduction to the mystery adventure genre. Minor graphical quirks and nasty-looking faces aside, this is a well-developed story with well-integrated gameplay.
There isn’t a huge amount to dislike about Debris Infinity. Being limited to three similar modes may mean that it has the potential to become stale, but we found the variety in gameplay elements pushed us to beat our own scores and strive to progress further, with repeat playthroughs.
In review, Heroes Trials is criminally short, but cuts the fat of many RPGs and gets straight down to the action. If you’re looking for a game to storm through that has solid combat, puzzles, and exploration, you might just find it here.
Overall, Inops offers great puzzle-platforming action. Its creative style, mixed in with some decent platforming and an intuitive way to solve environmental puzzles makes it a bit of a gem.
In review, Utopia 9 offers a volatile experience, indeed. The roguelike elements are fun, and on a good run can lead to some decent action, but with a weak aesthetic and somewhat slow combat, this won’t be for everyone. Good for multiplayer co-op, though.
Overall, Airheart – Tales of Broken Wings is a solid time. A decent enough story with some fantastic world-building, fun progression via crafting, and some really intense quick decisions to be made, make this far more than just ‘falling with style.’
In summary, Bad Dream: Coma is a nightmare, but we mean that in the best way possible. Though some of its puzzles are a little too cryptic, its tense gameplay, compellingly intriguing narrative, and solid visual design make it an awesome horror point-and-clicker.
Overall, Bleep Bloop is simple, but it knows it and relishes it. For a lazy afternoon, you won’t go wrong with this charmingly basic puzzler.
Overall, Pumped BMX Pro isn’t broken or awful, but it is bland and forgettable. The bizarre top-heavy difficulty curve, unpleasant aesthetic, and lack of multiplayer make it feel like a wasted opportunity.
Overall, Big Crown: Showdown has great focus and a cute art style with plain-and-simple, party-gaming gameplay.
Solstice Chronicles: MIA is a mixed bag. The dialogue is actually well-written and both the aesthetic and gameplay are more than passable, but there is a feeling that with a little bit more attention, it could be even better.
Sundown: Shots in the Dark is at its best when played with four human players. The online element is also a welcome feature, but games like this are best enjoyed with some mates on the couch with a big packet of Doritos, in our experience. Watch the oily chip dust in the analogue sticks, mind.
The overall experience is unsatisfying when the narrative is so poor, which is a shame because the rest of the game is so good. Some great lore with compelling characters and dialogue alongside these visuals could’ve made it something special. We still enjoyed Mecho Wars: Desert Ashes for what it is - a solid, if familiar, strategic RPG that boasts an amazing art style.
Black and White Bushido feels a bit bare-bones when it has some really great elements along with a unique premise going for it. It’s fantastic for an hour as a local multiplayer party game, but not recommended for extended single-player use.
In review, Necrosphere Deluxe is a short and hard-as-nails platformer that’ll have you shouting in frustration, but defeating it is very rewarding. The backtracking through previously completed puzzles is frustrating, but hey, at least it gives you more bang for your buck?
In review, The Shrouded Isle is a great management sim that is let down purely by its choice of aesthetic. Somewhat akin to the ill-fated red and black visuals of the Virtual Boy, the palette is really nasty to stare at, but if you’re able to look past this, you’ll find a solid experience.
Overall though, JackQuest: The Tale of the Sword is a charming platformer that revels in its own simplicity. The control is excellent, the visuals nostalgic, and the exploration elements engaging.
Overall, My Memory of Us is a solid platformer with decent puzzles, most of which are tied to the plot. It has great sound design (including exceptional celebrity voiceover work), but its main criticism is the sometimes-jarring tonal inconsistencies between creating a tangible threat from the mind of a child and the true horrors on which it is based. That said, the good absolutely outweighs the bad and the majority of the game is a delight to play through.
Overall, Apocalipsis: Harry at the End of the World is an odd game that succeeds in its creation of a sombre atmosphere through a well-told plot. It won’t please everyone, but if you’re looking for a story-driven adventure to suck you into its world, this might be worth a look.
Overall, Bedtime Blues isn’t awful, but it lacks a lot of the depth and production value of the franchise it clearly emulates. It’s serviceable and might be nice for fans of survival horror looking for something to take on the go, but certainly isn’t ground-breaking.