Final Fantasy XVI is by no means a perfect game, but it is an exceptionally good one. The engaging plot, beautiful visuals, and enjoyable gameplay all combine to create something that feels special. It can occasionally be a little long for its own good, and the combat system is slow to get going, but once it hits all the right marks, it knocks them out of the park. I left Final Fantasy XV disappointed by how unfinished it felt, but Final Fantasy XVI is a true rarity these days: a fully finished game that is satisfying from start to finish.
Diablo IV is an extremely good Diablo game, and that is all it needs to be. It doesn't change much, and it focuses on polishing what the franchise already did well. It's always difficult to tell how these kinds of games will develop; by the end of its life cycle, Diablo III was almost unrecognizable compared to its launch state. Barring some terrible missteps, Diablo IV has everything it needs to grasp your soul with its malevolent claws and eat up hours of your life. Newcomers or long-time fans alike should find it easy to pick up and play Diablo IV.
Fuga: Melodies of Steel 2 is a very safe sequel. It's the same characters, same gameplay, and a very similar plot, but with some additions and new mechanics and general upgrades. The result is an experience that feels familiar but has enough adjustments and changes to feel fresh. The excellent combat system is as good as ever. I can't help but hope that the next game shows a little more ambition, but at the same time, I'd happily play another entry. Sometimes, it's OK to stick to what works, and Fuga 2 shows that this particular franchise has a lot of life left in it.
System Shock Remake is a solid remake of an exceptional game. It doesn't quite reach the levels of modernization that you might see from something like Resident Evil 4 Remake, but it does a good job of adapting a classic without losing what made it a classic in the first place. It's a clever and creative game that deserves its place in gaming history, and the remake emphasizes that.
Like the character itself, Gollum is an ugly, depressing, pitiable mess that's destined for a bad end and with little to recommend it. With a stronger design behind it, this title could've perhaps been redeemed, but the version we got isn't that. It's not good, it's not entertainingly bad, and it's not even interestingly broken. It's just a lackluster, licensed game that doesn't seem to have a point, and it focuses on a character that even die-hard fans don't want to play as.
It's a fun game through and through, but it's also exactly what it says on the tin, and it revels in it. Evil Wizard offers goofy humor, video game references, and fun combat - and sometimes, that's all that it needs to do.
The Legend of Zelda: Tears of the Kingdom is almost the raw ideal of video games. It's a giant exciting open world, and you're given a huge amount of tools and puzzles to use in that world. It takes everything that was great about Breath of the Wild and improves upon it. It even takes some of the previous negatives (like weapon durability) and turns them into new strengths. The only weak part in the game is that the story isn't any great shakes, but even that's more of a minor annoyance than a serious complaint. Tears of the Kingdom is destined to be a modern classic, and it's an absolute joy to play. Unless you disliked the Breath of the Wild formula, Tears of the Kingdom is a must-play for any Switch owner.
Metal Mutation is the textbook definition of average. It's acceptable enough to be fun, but it doesn't have the highs or lows to make it anything more - or anything less. "Cyberpunk Hades" is a super cool concept, but the game in its current iteration feels more like an Early Access title than a full game. It's probably worth a look if you pick it up on sale or during a bundle. I'd wait to see if Metal Mutation gets more fleshed out before taking the leap.
Darkest Dungeon II is not the game I wanted. It's its own thing that is a darn fun game with a lot of interesting mechanics and beautiful artwork. One can't pre-judge DDII based on a player's opinion of the original. It shares a tone, a combat system, and a general aesthetic, but the flow and style of gameplay is so different that it is entirely its own thing. It will take hardened Darkest Dungeon players a bit to adjust to the change. If you're willing to go with the flow, it's an engaging and exciting title, if not quite the masterpiece of the original.
I wish there were more to say, but Horizon: Forbidden West – Burning Shores is a short piece of DLC. It's like a quick episode of a TV show rather than a full-length movie. There's still quite a bit of content here, but the intent of the DLC is largely to set up plot threads for Horizon 3 and give Aloy a chance for some romance. If you're hankering for more Horizon, it fills that niche well, but it doesn't feel as essential as The Frozen Wilds did to Horizon: Zero Dawn.
Advance Wars 1+2: Re-Boot Camp is a darn fine remake of two the GBA's most addictive games. It doesn't exactly change too much from the original, but it adds some new features, more multiplayer options, and a glossy new coat of paint. That's pretty much all it needs to be. Advance Wars ate hours of my life as a kid, and it certainly has the same potential now that I'm older.
Zoeti is a neat concept that desperately needs more polish. The poker gameplay setup might not be as fun to me as the standard deck-builder, but I still enjoyed it, and I could see myself getting deeper into it if I were more interested in the card game. The art style is cute and charming, and the characters are amusing enough. The bugs and general lackluster presentation drags it down, but it can still be fun. Zoeti is just going to struggle with distinguishing itself in a very full market.
Overall, Mega Man Battle Network Legacy Collection is a really good collection. Even if every game isn't a hit, more than enough of them are strong that you'll probably lose hours of time to these games if they even remotely hit for you. Their unique combat system is fondly remembered to this day, and the weirdly prescient concept of the future has aged shockingly well. It's not going to be the platforming game that some fans of the franchise might prefer, but of all the Mega Man collections, this is going to give you the most value for your dollar.
As much as I enjoyed Bayonetta 3, Bayonetta Origins: Cereza and the Lost Demon feels like the game that the team wanted to make. There's a level of raw love and care in this game that I associate with Platinum's best, and it made me smile as much as Wonderful 101 and Okami did. It's good enough that I can recommend it to people who aren't fans of the Bayonetta franchise. While it has a lot of story and gameplay callbacks, it stands well enough on its own merits that it can easily be enjoyed by those who couldn't get into Bayonetta.
Bleak Faith: Forsaken has a lot of potential, and the developers seem dedicated to updating the game, so it's possible that a lot of this review will be outdated in a few months. At the moment, it's a testament to the difficulty of making a good Soulslike. All of the pieces are there, but they don't fit together properly, which exacerbates the genre flaws more significantly than any other type of game on the market. Bleak Faith has some strengths if you're willing to work past its flaws, but it doesn't stand out among the absolute glut of similar titles on the market.
Fatal Frame: Mask of the Lunar Eclipse is a solid and enjoyable experience for fans of old-school survival-horror. It might be a bit too slow-paced and awkward for those who don't have a taste for 2008 game design, but that's the biggest criticism about it. It doesn't break the mold for the franchise, but it's one of the more solid and enjoyable examples of it, and it's a good place to start if you'd like to see what is up with the long-running horror series.
Atelier Ryza 3: Alchemist of the End & the Secret Key is a comfy and cute game. It's one more trip with Ryza and her friends, with mostly familiar mechanics and locations, but there are enough new twists to make it a worthwhile revisit. The only real complaint I can give is that the Key mechanic is poorly implemented, but even that is a case of missed potential rather than anything that's actively bad. If you like Atelier, it's easy to like Atelier Ryza 3.
I genuinely feel rather bad going on and on about the game's flaws, but the most exceptional thing about Clive 'N' Wrench is the effort that went into bringing it into existence. I'd love to say that it's a great, or even a good, game, but it's pretty unexceptional even by the standards of low-budget indie 3D platformers. There just isn't anything to recommend this game on its own merits, and it is buggy enough that it's hard to even recommend it as a curiosity.
Tchia might be a game-long love letter, but it's a real love letter. It's a fun little exploration game, and the BotW-inspired movement mechanics make it a delight to move around the world. It shines most when it is an outpouring of love for New Caledonia's culture and environment. It's rare that I've played a game that makes me want to visit somewhere more, and it's hard to pay Tchia higher praise than that.
Resident Evil 4 Remake does a hell of a job arguing why a video game classic needed a remake. It straddles the line between loyalty to the original and providing a fresh experience better than even Resident Evil 2 Remake did. Pretty much every new gameplay mechanic and design choice leads to a more engaging and enjoyable game. I can't say that it replaces the original, but it's a damn fine companion, and most people wanting to experience RE4 for the first time will likely gravitate to the remake. Either way, it is a must-play for Resident Evil fans, and RE4 Remake is already a strong contender for one of the best games of the year.