Overall, Milky Way Prince feels like an art piece. An outlet for Redaelli to tell his story, and craft it such a way to communicate his feelings and experiences to the player. In its visual design, this work succeeds in spades. As a video game and visual novel, though, the full experience is weak. I was unable to connect to the story of Nuki and Sune, and the writing didn’t seem to want me to.
Overall, this remake of Destroy All Humans is essentially the 2005 original with a fresh coat of paint and a few tweaks, and it carries over everything, warts and all. While there are definitely some frustrations in the gameplay mechanics, taken as a whole, the game holds up surprisingly well.
Rock of Ages 3 appears to be more of the same. It’s crafted well…but it’s just not something that fits in my personal taste. For a tower defense fan whose never tried out the franchise, this is likely a good starting point. Otherwise, only hardcore fans need apply.
However, frustrations aside, Carrion was still an entertaining playthrough. As one of Devolver’s major releases of the year it doesn’t quite hit the high mark I expected. It doesn’t need to be a breakthrough experience, though. It’s just plain fun, and I could see myself playing through again.
Overall, Necrobarista is just a plain wonderful experience. The story is entertaining with powerful moments, the characters feel fleshed out and realistic (or as realistic as the plot allows for), and the presentation is stunning (although the character design may not be attractive to some).
Don’t let its somewhat drab exterior fool you, Rolling Gunner is worth a look for genre professionals and up-and-comers alike. Its the kind of game that, despite only being six stages long, I can see myself returning to for a long time coming.
The story here is intriguing and occasionally shocking, but it isn’t particularly affecting. I’m sure this story would’ve hit me more had Schmied spent more time developing the world and the characters, giving the audience a better chance to connect with them.
Mega Mix will likely be a fun entry for those newer to the series, but for veterans, it really doesn’t have much to offer. Stick to Future Tone instead.
Overall, Infinite: Beyond the Mind is a fairly straight-forward action platformer that could have been more enjoyable, despite its wonky difficulty curve, if key parts of the platforming engine actually worked reliably. When I wasn’t struggling with jumping walls or climbing ladders, I was having a decent time playing through.
The story falls absolutely flat, as it can’t be carried by core characters that receive little development and secondaries that I couldn’t bring myself to care about. The gameplay is exceedingly dull, somehow finding itself in a horrifying fusion of too vague and too specific. The visuals, despite the entire game taking place in a singular environment, are underbaked and unattractive.
Overall, Final Fantasy VII Remake is a stunning game and absolutely worth your time, so long as you go into it with an open mind and don’t expect it to stubbornly adhere to a nearly 25-year-old tale. I, for one, am rabidly excited to see where future entries will take this story.
Overall I feel it was worth the experience, and I’m looking forward to replaying the game in the near future. If you’re down with often crass humor and underground music, Freedom Finger is a game that should be on your radar.
Overall, Half Past Fate is a bit of a mixed bag that hits more than it misses. Whilst the individual stories here are of varying levels of quality, the overall plot and writing was still enjoyable enough to carry me through to the end.
These presentation issues definitely temper my excitement for what is easily one of the more accessible fighting games I’ve had the opportunity to play. Then again, that feeling of accessibility likely comes from the fact that I’ve mostly focused on the single-player mode here – a mode that everyone, not just fighting gamers, can enjoy.
Despite some weird framerate issues during cutscenes in both games, Bayonetta and Vanquish are both well worth your time (although I’d personally lean toward Bayonetta more if I was forced to pick between the two). If you don’t mind the occasional difficulty spike, and especially if you’ve never played either title before, this dual-pack release is definitely worth picking up.
The problem is, everything here has been done before, and better. It does feel like Toge Productions wanted to craft a homage to Valhalla, but doing so puts them right up against a cult classic. I truly think that they should have done more to differentiate themselves, to stand out more in this burgeoning genre. I do believe that Coffee Talk is a game worth playing, but it doesn’t quite live up to the shadow cast over it.
At $14.99 it’s priced about right (although it’s a bit short at three hours to complete), and the game isn’t offensive, it’s just that there’s so much better available now in virtual reality, and things in Eclipse that would have been impressive at the time are fairly standard now.
Orangeblood is a game of half measures. It feels like it’s afraid of taking its bold style all the way, and the game suffers for it. While it did catch my attention at PAX West last year, actually sitting down with the full release was a disappointing experience.
Despite those issues, though, Virgo Vs The Zodiac is still a solid experience, and a great JRPG that just popped up out of nowhere at the end of the year. If you’re looking for something to play through during the holidays, this is a title definitely worth considering.
Overall, I can see why this game continues to receive updates and ports even eight years after its original release. Jamestown+ is an incredibly well-polished and engaging experience, offering up both a great entry point to the bullet hell genre and a satisfying challenge to veterans.