For the King II is a happy synthesis of accessibility and depth, though some of the mechanics can be a bit opaque. It’s ideally a game for four friends but works well enough for a solo player. There’s a bit of a learning curve and it might take time to click, but overall For the King II is colorful, appealing and a lot of turn-based fun.
If you’re a fan of Age of Sigmar and can accept the game’s scaled back, slower approach to real time strategy, Realms of Ruin hits the mark. It’s a faithful and vibrant recreation of the Orruks, Nighthaunt, Tzeentch and grandly insufferable Stormcast Eternals. Some RTS fans will note the lack of tactical depth, but there’s a place for Realms’ streamlined approach that is welcoming to newcomers and veterans alike.
Assassin’s Creed Nexus VR is probably the best action game available for the Meta Quest 3 system and I’d go so far as to call it a hardware-seller. It’s certainly an impressive proof-of-concept for the standalone headset. As an Assassin’s Creed game, it nails the series’ classic stealth and parkour moves, all the more impressive in virtual reality. It isn’t an open world game, but all the better for it. I’d say it’s a must-buy for new Quest 3 owners.
With an appealing visual style, timely themes and excellent puzzle platform mechanics, American Arcadia confidently checks a lot of boxes. While a few of the puzzles can be head-scratchers or frustrating to complete, the majority of my experience was extremely positive. American Arcadia is genuinely something fresh and stands out in a crowded genre.
The Awakened King adds a substantial amount of excellent content, combat, and loot to the moody, gothic-inspired Losomn world of Remnant 2. Everything that was great about Remnant 2 remains in place. The new, handcrafted environments and deliberately-paced narrative blend pretty seamlessly into the base game. Remnant 2 remains a not-impossible challenge for solo players, but a near-perfect one for a small squad of action-loving friends.
The Invincible has a strong narrative and treats its source with respect and imagination. Pair that with a beautiful world and you should have a classic. The only things holding The Invincible at arm’s length from greatness are some dated-feeling controls and pacing that drags more than once. The Invincible is a convincing homage to a popular novel but slightly less convincing as a game.
My actual car is covered in grime and road dirt, but I’m happy to ignore the laborious task of washing it in favor of doing the same task in virtual reality. PowerWash Simulator has always been an addictive, relaxing, and satisfying game. PowerWash Simulator VR feels like a game that has found its true home and the most convincing version of itself possible. It’s a great addition to the growing library for the Quest 3.
The Talos Principle 2 builds on the foundation of the first excellent game. It has a rich, thoughtful narrative where the puzzles aren’t just moving laser beams, but trying to figure out what it means to be part of a society. Moving the laser beams is fun, too, and there are enough systems to make those puzzles accessible but challenging. The Talos Principle 2 gives players a lot to think about.
Anyone who enjoyed Dead Island 2 will probably enjoy Haus as well. It has the same engaging humor and social satire, the same gory action, and even more visually impressive levels. What it doesn’t have are a lot of new ideas. It’s a pretty short romp, too. Haus is definitely, for better or worse, more of the same. I’m ok with that.
Achilles: Legends Untold is a safe and standard hack-and-slash dungeon crawler. Its ancient Greek setting and attractive environments help it stand out a bit, but on the whole it’s a formulaic game. The Soulslike mechanics aren’t especially well developed but represent a small element of originality. If fans of the genre can look past the lackluster missions, script and acting, they’ll probably enjoy the action.
Vampire: The Masquerade-Justice is a stealth-action RPG that’s a convincing fit for VR. The core gameplay is pretty standard, and character models are a bit disappointing, but its implementation in VR, coupled with excellent environmental design and lighting, help sell the experience. New Meta Quest 3 or PS VR2 owners with a taste for virtual blood will enjoy spending time in Venice’s virtual world of shadows.
Lord of the Rings: Return to Moria doesn’t take any huge chances with the survival crafting genre. Still, the Lord of the Rings overlay and familiar character cameos help make its familiar loops seem fresh enough. In the mixed-bag pantheon of Lord of the Rings-inspired games, Return to Moria acquits itself quite well.
Quantum Error desperately wants to just be a dystopian sci-fi CGI film, without any pesky gameplay to kill its momentum. Alas, there is a clunky, antiquated, and unrefined shooter wedged between the game’s Unreal Engine 5 cinematics. Love and attention was poured into the cutscenes, but the shooter is malnourished and not very much fun. Next time, just make a movie.
Maybe it isn’t fair to compare Cities: Skylines II to its predecessor, which has had years of updates and addons. Setting aside some technical issues, Cities: Skylines II has some interesting new systems, some welcome mechanical improvements, and lots of potential. But it’s missing some content that long time players have probably come to expect, and it’s in need of optimization, bug fixes, and the sense of life and fun that characterized the first game.
Alan Wake 2 rewards fans of the first game for their patience, and invites new players along for a wild, sometimes terrifying and mind-bending ride.
As a comic brought to life, Hellboy Web of Wyrd nails the narrative tone and art style that Mike Mignola perfected decades ago. As an action game, there are impediments to enjoyment, starting with the purposefully choppy animation and Hellboy’s lack of fluid movement. What works in the pages of a book doesn’t necessarily translate to fun in the hands of the player.
With incredible art design, challenging action, and a very innovative, dual-world mechanic, Lords of the Fallen is probably a must-play for fans of Soulslikes. But it’s hard to ignore the game’s issues, too, from sometimes unrefined movement and clunky combat to its many technical hiccups. While these can be frustrating or worse, ultimately the game’s ambition and dark fantasy vision are at least as compelling as its flaws.
There’s probably an audience for Payday 3, as there was for the previous game. A jank-tolerant group of friends might have fun killing some time and causing mayhem. They’d have to have a pretty low bar for shooter mechanics, graphics, and story, though. Apart from that. there’s really no reason to spend money or time with Payday 3.
Although some mechanical elements suggest other games, Under the Waves uses deep sea exploration for its twin themes of personal grief and environmental exploitation in a unique way. There’s a lack of technical refinement here and there, and the messaging gets heavy-handed at times. Under the Waves is actually about something which puts it ahead of many other games in the survival crafting genre.
Back in 2017, Shuyan Saga was probably a decent mobile game. It has a competent, if not very original, narrative and the graphic novel is broken up by real-time kung fu fighting. In 2023 and on bleeding edge consoles, Shuyan Saga feels out of place and unlikely to satisfy gamers used to more elaborate productions and nuanced mechanics.