Sovereign Syndicate provides a detailed, colourful, and visually redolent tableau of the Dockyards of London’s East End, where tenements are under siege by industrial expansion, women and children go missing in the dark of night, soot covers all and the cobblestones run wet with alcohol, fresh or recycled. It makes for a lovely take on the gaslamp fantasy genre, with the plot to back up the appearance.
Flynn: Son of Crimson is a pleasant surprise that filled in some quiet hours this summer. It’s fun, fast, and occasionally frantic in its action, and is a good addition to any action-gamer’s library.
Can I recommend OU? It is certainly an experience, even if it isn’t the sort of game I would seek out on my own. Still, it’s stuck in my head, and I must share.
Like a fresh sip of caffe latte on a cool morning, it’s been a good pick-me-up for the rest of the season.
To stretch an analogy worthy of the game, South Park: The Stick of Truth is much like its “magic” burritos. It is far tastier than it has any right to be, taking a solid, meaty system for combat, beans and cheese for field interactions, and then wrapping them up in the tortilla of South Park.
Most importantly, Atelier Ryza 3 is a game that fulfills its purpose as the capstone to a trilogy. It does its best to provide closure to the series and its characters, and by the end sequence most of the cast has some sense of growth in themselves and their relationships.
While it only takes a few hours, the blend of narrative, plot-essential battles, and occasional puzzle elements was fun to work through. Anyone in search of a short but satisfying experience should consider this one at some point.
While I can say that I enjoyed my time with Shin Megami Tensei V, it was the exploration of ruined Tokyo that kept my attention. Once the last big map was filled in, the last treasures claimed, and the last little red dude returned to the item shop’s master, the game quickly lost its luster.
When I started this game, I was not expecting to find the best Atelier game of its generation, but the development team at Gust has proven with Sophie 2 that they can learn from experience, leveling up in knowledge and skill just as the alchemists do to provide a more polished product.
Ni no Kuni II: Revenant Kingdom is nothing like its predecessor in general playstyle, but it shares the same sense of whimsy and wonder, the same motifs of sadness and redemption, and is a well-built game overall.
Super Cane Magic ZERO is simply too precious, too uniquely itself, to be appreciated by everyone.
Astalon: Tears of the Earth has just about everything a fan of Metroidvania-RPGs could want in the sub-genre. The plot is simple but flexible, the characters are well presented, and the tower is a meatgrinder.
Could it have been bigger? Yes. Could it have had more to it? Indubitably. But for what it is, Deiland is a nice diversion from heavier experiences in the genre, and that may well have been what the developers were aiming for.
Fans of the weird and fans of the rogue-lite should all take note.
The level of challenge won’t be to everyone’s liking, but for those who do like this sort of thing, then Batbarian is a game that will give the player a run for their money. It’s hard, but never unfair, and it lures the player onward with an interesting plot and retro graphics. This one stands as an example of what a good indie developer can do with a classic game genre, breathing life into it and making it their own.
Hero-U: Rogue to Redemption couldn’t get everything absolutely perfect, but no game ever really does. Instead, it got a whole lot of things just right, which was enough to counterbalance most issues.