CONSCRIPT
Top Critic Average
Critics Recommend
Critic Reviews for CONSCRIPT
A grim reminder of the senselessness of war and the best old-school survival horror game in ages.
Conscript is brutal and unnerving, with the reality of war ever present, and it's take on the survival horror genre feels new yet familiar.
Conscript is a worthy entry into the Survival Horror genre and comes highly recommended. It takes all the ingredients of the genre and marries them to a vital and under-represented part of history in video games to create a standout title that deserves a wider audience.
Conscript is a harrowing, immersive survival horror that boldly explores the brutality of WWI. Despite some balance quirks, its oppressive atmosphere, tense gameplay and thematic depth make it a must-play for fans of the genre seeking a challenging, thought-provoking experience.
Review in Italian | Read full review
Despite wearing many of its influences on its sleeve, CONSCRIPT never ends up feeling derivative, instead it carves out its own identity through a raw, layed portrayal of trench warfare. There are some slight rough edges, to be expected in-part due to the game largely being a sole venture, but nevertheless CONSCRIPT hits where it matters and succeeds in creating an affecting depiction of its source material.
A survival horror inspired by the classics of the genre, Resident Evil above all, but with a rather original setting. The sources of inspiration can be felt from the very beginning, which will make long-time fans happy, but the strong setting and some little gameplay variations manage to give Conscript its own dimension.
Review in Italian | Read full review
To its credit, Conscript maintains a high level of intensity regardless and doesn’t cheapen the experience by adding unnecessary supernatural elements or moments of levity. Similar to its survival horror brethren, it features multiple endings, and while some are more impactful than others, all boast the same dedication to authenticity and the anti-war themes that put it in the same conversation as other Australian anti-war classics like Peter Weir’s Gallipoli.
