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There’s something weirdly wonderful about Pulling No Punches, though. Its four chapters comprise just over an hour end-to-end, but there’s so much to see that one can’t help but be absorbed by it. Whether the awesome character designs, the blazing f-bombs, the untranslated onomatopoeia of its fisticuffs, or the divisive theme itself, Pulling No Punches is not only a competent scrolling beat 'em up, but has a power of intrigue like few others. Frankly, we’re not sure Nintendo’s board of approval paid much attention to it, and in a world littered with a host of sanitised indie retro-themed games, its daring, politicised demeanour is a breath of fresh air.
There is fun to be had in Farming Simulator 23: Nintendo Switch Edition, but those who find it will need to be intimately familiar with the farming process. This version feels like a significant downgrade over the PC edition released in late 2021 and has some gameplay quirks that hinder the actual experience of running a farm. Unless you are desperate to take your farming on the go with the Switch, there are better entries in this series out there to play.
Lego 2K Drive is a racing game that so nearly reaches its potential, but it steps on a few stray bricks along the way. The core driving feels good, the Story mode has plenty to do, and the creation tools are legitimately impressive. However, it's let down by technical shortcomings, a lack of sharing options, and somewhat slimy monetisation. The foundations of a really great arcade racer are here, but poor optimisation in this Switch version and certain design decisions mean it's unlikely to overtake the competition.
We still have a lot of adventuring left to do in New Wirral, and we're in no way upset about it. More monsters to record and remaster, a few more mysteries to uncover, characters to grow fond of, and about 13,970 more fusions to see. Some (hopefully pre-launch-only) performance issues, wonky balance, and overly complex battle mechanics did little to affect how much we enjoyed Cassette Beasts. In fact, it's one of the better monster-battling games not starring a little electric rodent that you can enjoy on your Nintendo Switch.
It takes a lot for a roguelike to feel truly fresh on Switch, but Fights in Tight Spaces does a great job of taking a well-worn format and making it feel just that. The turn-based combat means you'll constantly be weighing up the right strategy while the unique difficult levels mean that completing your first run is only the start of the fun. Though it isn't quite optimised for the Switch, it still looks and plays very well. Recommended.
Nightmare Reaper does, however, achieve most of what it sets out to do, pushing boundaries in terms of weaponry, spectacular abilities, and more trinkets than a fully loaded cargo ship. It’s at its best when it devolves into a spectacular bloodbath at the whims of your creative weapon and ability choices. And, while imperfections exist, its violent, adrenaline-fuelled highs will make it very appealing to fans of the old-school FPS.
Puzzle Bobble Everybubble! feels like a fitting, worthy new entry in the long-running series. There's a rich mixture of single and multiplayer/online modes on offer here, and though the AI bots can leave something to be desired, this is overall a well-rounded and appealing package that's sure to appeal to any action puzzle fans. We'd give this one a recommendation to anyone looking for an addictive puzzler that doesn't require too much mental investment to 'get' and that keeps you on your toes. The simple and brilliant game design on display here is admirable and it's sure to eat up hours of your time once it gets its hooks in you.
On the whole though, while some fun can be had if you really dig in and attempt to learn Shockman with total conviction, it remains the lesser of its series, has aged fairly poorly, and will really only appeal to diehard retro enthusiasts who want to own a piece of gaming history on a modern format.
If you're itching for some classic action platforming with a Mega Man flavour, Bat Boy will satisfy. It has a fun sports theme, some great tunes, and vibrant levels to navigate. As fans of that genre, we enjoyed most of our time with it outside of a few sudden spikes in difficulty and a handful of bugs – particularly one that lost us progress if we dared to use the pause menu. A patch or two post-launch might alleviate these issues, but in its current state, Bat Boy doesn't hit a home run - though it doesn't quite strike out, either.
It's impossible to talk about everything that makes The Legend of Zelda: Tears of the Kingdom so incredible, and making many of those discoveries yourselves is part of the magic. It's also impossible to overstate just how much there is to do in Hyrule this time around. Much like its predecessor, this is your playground for the next however many years to come, with a little sprinkling of that older Zelda fairy dust mixed into Breath of the Wild's formula. It's a glorious, triumphant sequel to one of the best video games of all time; absolute unfiltered bliss to lose yourself in for hundreds of hours. We can't wait to see what the world will do with the game.
Molly Medusa: Queen of Spit takes a great idea and, unfortunately, fails to deliver on its promise. The throwback camera is a mistake and needed far more refinement, and the controls feel clumsy as a result. Molly's lack of reaction to her curse takes away any emotional impetus or impact from the plot. There is a potential gem here, but despite a handful of inspired ideas, it feels antiquated and is very difficult to recommend, at least in its launch state.
Super Dungeon Maker has a lot of potential and perhaps with time it'll become something great. For now, it feels like an egg that still needs significantly more time to incubate before it can hatch. Intuitive creator controls, an endless well of community-crafted content, and charming visuals are all big positives here, but the lack of any overarching progression, no touchscreen controls, and it feeling generally unfinished really hold this one back from being anything exceptional. If you have faith that the developers will eventually realize the full scope of their vision, then we'd certainly encourage you to crack this one open, but those who are more wary of early-access titles will want to wait and see. Super Dungeon Maker is just an average experience for now - here's hoping that it eventually delivers on its promise.
Despite the bullet-soaking and clunky vehicle sections, we like Wild Dogs. It’s a Contra tribute in an unexpected but genuinely eye-pleasing style that mostly hits all the right notes and will satisfy any die-hard fan of Konami’s series or retro gaming generally.
It may not last very long, but Nuclear Blaze is a cool action platformer that does a good job of exploring its core idea of prioritizing fighting fires over fighting enemies. Things like Hold My Beer Mode and all the hidden cats help pad out the replayability a bit, while the strong level design and tight gameplay makes the moment-to-moment action feel worthwhile. For 15 bucks, Nuclear Blaze feels like it does just enough to justify the price of admission, especially if you're a fan of 2D action games; we'd recommend you give it a go.
After a decade of waiting, Teslagrad 2 is undeniably a great follow-up to the original. The game is gorgeous, movement feels excellent, and the world is a joy to explore. What's here is very strong, but the short length means it's all over too quickly, which may come as a disappointment given the 10-year gap between this sequel and the original game. Despite that, if you are a fan of the original Teslagrad, or games with great mobility in general, you will surely enjoy Teslagrad 2.
Strayed Lights is something rare in the gaming industry; a game that genuinely surprises us. The combat is unique and accessible. The story is told in a subtle, heartfelt way. The music and visuals are stunning. However, a string of technical bugs, repetitive combat, and inconsistent platforming sections mar what would otherwise be a stellar offering from a new studio. If it ran better on the Switch, we would be giving it a much better score.
Just like it did with the excellent Torna – The Golden Country, Monolith Soft has given us a carefully refined prequel experience here, adding to and improving upon core combat and exploration elements that were already best-in-class. Xenoblade Chronicles 3's delightful battle system feels better than ever, its stunning landscapes are packed full of exploration that's been reinvigorated thanks to the new Affinity system and there's enough emotion and revelations packed in to satisfy the most ardent of Xenoblade fans. It also provides something of a clean slate going forward for this most intriguing of franchises. Where will the world of Xenoblade take us next? We cannot wait to find out.
There's a lot to like about Bramble: The Mountain King. Through its narration and fantastical environments, Dimfrost Studio does a great job at making you feel like you're taking part in an unsettling, if a little too long, fable laden with mythological creatures. The game's puzzle-platforming segments do nothing extraordinary, yet strike a nice balance between simplicity and challenge, and though the set camera and cumbersome movement can often get in the way, frequent checkpoints alleviate much of the frustration. However, depending on how much performance issues annoy you – stuttering, pop-in, frame rate drops – this is an adventure that might be best played elsewhere.
With charm and polish and great respect for the player's time and ability, Desta: The Memories Between manages to land a clever and touching concept. The story and voice acting keep the levels ticking by and elevate what could have been a very rote affair. The dodgeball gameplay does let the story do the heavy lifting after about halfway, becoming rather repetitive, but it also provides a realistic touch of conflict and aggression whenever the dialogue leans into super-niceness, and the roguelike strategy plays smoothly enough to be a pleasant delivery mechanism for the tale of Desta unpacking and coming to terms with their emotional conflicts.
While we did grow a little weary of the overwhelming amount to explore and backtrack through in Afterimage, we didn't grow tired of whacking its wide range of enemies, nor did its gorgeously hand-drawn environments - which Switch unfortunately struggles to do justice to when docked - ever disappoint. It's best experienced elsewhere if you're playing on a television, but if you primarily play your Switch handheld, Afterimage offers a lengthy, lovely-looking Metroidvania adventure.