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There's not a lot to a game like Sketch Wars, but what is there has been done poorly. The art is awful, the controls are initially clumsy and half of them don't work properly, and the words you have to draw are absurd. Short of the entertainment you'll get from looking at its terrible drawing choices, there's nothing fun about Sketch Party.
It's very hard to imagine someone being all that invested in building up this tower and fighting off the ugly enemies for long, though. The gameplay pretends to be deep, but the heads' effects are imperceptible. You can miss an enemy you watched yourself hit, and those same enemies have no visual impact, looking like odd symbols just floating your way. The rest of the game's art is muddled to the point of being impossible to make out on the screen (except for a nice sunset); the music - a single track - gets repetitive quickly. There's just very little to keep someone playing Totem Topple. There's no strategy, no depth and no appeal.
If Chasing Dead was a more polished product with all its issues ironed out, you might find a decent sci-fi zombie romp underneath all the mess. Perhaps the developer will go back and patch out all the issues one day, but as it stands Chasing Dead is best left on the shelves of the Nintendo eShop. Not recommended.
Honestly, it's hard to see how they can fix Batman: Arkham Knight to a satisfactory degree, and it feels like a step too far to have even included this final chapter in the collection for Switch. A great ending to an amazing trilogy, but just completely broken for now.
Even when everything's working, MythForce isn't much more than a bad port of a fun, but uninteresting game. That being said, we can't possibly recommend it in its launch state. We don't take half-baked efforts lightly, and this feels even less than that. With some patches and updates, MythForce could potentially turn things around, although we're very far from not optimistic. As things stand, avoid the Switch version of MythForce.
Clive 'N' Wrench is not a good game, there is no way around that. When the Switch is home to some of the greatest 3D platformers ever made, Clive 'N' Wrench stands out for all the wrong reasons. From terrible controls to poor visuals and performance, we're sad to say that there is very little redeemable about the game on Switch. The entire project feels like a glorified demo made for a game design class, rather than a completed project that belongs on store shelves. The attempt is admirable, but after a decade's worth of development, Clive 'N' Wrench turned out as an incredible disappointment. With so many other ways to get your 3D collectathon platforming fix on Switch, your time and money are best spent elsewhere.
The fact that Resident Evil 7 performed so poorly when other cloud entries have been comparatively strong really brings home the fact that, although mileage may vary, these issues are completely out of your control. On our evidence, there’s simply no way we can recommend Resident Evil 7 to Switch owners, even if it’s the only option available. It’s a great game utterly ruined by awful performance, and yet more evidence for cloud gaming skeptics that the tech just isn't yet consistent enough to be viable.
There's nothing at all wrong with Cobra Kai 2: Dojos Rising in terms of concept. An arena battler set in the TV show's small world of dojos, shopping malls, schools and parks with a theme of recruiting a team on your way to a mega tournament is all well and good. But the quality is shockingly under par, and far poorer than the Switch hardware is capable of. One could argue being sloppy, confused, and trashy is very much akin to what the show is all about, but when we're transcending mediums into the realm of video gaming, half-assing it doesn't land the right kind of blow.
Thymesia has all the ingredients necessary to make for a solid indie Soulslike, but falls short of greatness due to messy implementation of mechanics, bland level design, weak lore, and issues with difficulty balancing.
Waifu Impact makes the mistake of assuming that the promise of fan service is enough to carry a game through its runtime, however short. This game takes the Fortnite formula, dips the character controls in digital treacle, strips it of the multiplayer aspect that makes that game fun, and doesn’t add anything worthwhile. It feels more like a proof of concept, with no story or characterisation to speak of. Most importantly, it just isn’t fun to play. Even for the low price from the eShop, the joke here wears thin within half an hour
Hollow 2 could - and should - have been a vast improvement on the first game. With poor visuals and gameplay that frankly feels like a chore to play, there's little here to convince anyone looking for a new FPS on the Switch. There are small hints of a good game bubbling under the surface, and perhaps with more time and diligence this could have seen the light of day. As it stands, Hollow 2 fails to address the glaring issues from its predecessor and should be left well alone.
We won't mince words here, BloodRayne is a joyless and frustrating experience that's a complete waste of both your time and money. The combat is dull, the level designs are uninteresting, the graphics are merely passable, and all of this is dragged down even further by rampant performance problems and crashing issues. The value BloodRayne has in modern video game discourse is largely as an interesting reminder of how far we've progressed in game design over the past couple decades. We'd recommend you give this one a hard pass; if you're looking for a horror-tinged, combat heavy adventure featuring a titillating and badass female lead, we'd recommend you go with Bayonetta instead.
Taking a balanced look at Aeon Must Die!, we really struggle to see exactly what anyone could get out of it. It's repetitive, ceaselessly uninteresting and frustrates on a fundamental level. We've certainly played worse games and it deserves credit on some level simply for having so many ideas, but none of them are good - or, at least, none of them are executed with the requisite level of skill that would make them work. It's a shame, because with more refinement, more of a tight clutch and a willingness to throw out what doesn't work, we feel like Aeon Must Die! could be pretty special. As it stands, there's no level on which we can enthusiastically recommend it.
It's hard to quantify whether The Silver Case 2425 is a good game. Certainly, we didn't enjoy it in the slightest. But it's extremely purposeful with its Suda51-ness - his work might be an acquired taste, but for those who've already acquired it, this may well fill in the gaps in his back catalogue that you've been waiting for. In the case of anyone new to Suda's work, this visual novel is just too hard to recommend.
It goes without saying at this point, but we can’t recommend you play this. It’s a frustrating experience right from the start, and there’s really no incentive to play through the game’s forty-odd stages beyond morbid curiosity. The visuals are unattractive, and taking each shot is a chore we wouldn’t wish upon anyone. Angry Golf is a bunker shot; best leave it there.
Moorhuhn Kart 2 takes a game that's nearly two decades old, tweaks the visuals a bit, then actually removes elements from it (such as its character animations and speed settings). With only eight tracks on offer it would be underwhelming at a budget price, but given it's selling for $30 at launch there's nowhere near enough content or quality to justify that price.
For the most part, Haunted Castle is a pretty miserable experience, and in a strong contest with Castlevania: The Adventure (the first Game Boy game) for being one of the worst in the Castlevania series. The options in this collection help allay some of the issues – or at least allow you to cheat through them – and it's still (begrudgingly) worth struggling through for its unusual place in the Castlevania series. However, in the cold light of day, there's no denying that this is a pretty poor video game and one that most people will want to ignore.
We're not going to mince words here, Balan Wonderworld is a waste of your time. Monotonous level design, awful performance, and shallow gameplay combine to make for an experience that is simply not fun to play. It may look pretty (when it's framerate isn't chugging), but there simply isn't enough good content here to justify your time or money, and this is doubly true when you take into account that this is a full-priced retail release. If you're looking for a good 3D platformer for your Switch, this most definitely isn't it.
If you already have a soft spot for Stubbs the Zombie, you're going to have a perfectly fine experience here. But we wonder why on earth anyone would hold a candle for a game this obviously flawed. There's some ambition here for sure, but something is always working against it. You can't lose yourself in its mindlessness because your character is too weak. You can't really formulate a decent strategy using your powers because you can only gain access to them through the rote melee combat. The jokes didn't make us laugh. The premise is fun but the gameplay simply doesn't do it justice. We'll say it again – in order to make Stubbs the Zombie fun at all, you have to possess one of the firearm-wielding humans, thus transforming it from a load of baffling nothing to a pretty dull shooter. Please, no more resurrections for Stubbs. Let the man rest.
If you're looking for the next Stardew Valley, this doesn't even come close. Harvest Moon: One World is a poor imitation of what the series once was, and it feels more like a rushed mobile game than a full-fledged Switch game. These games have always been about chores, but this one feels like a chore to play. In our opinion, your money is better spent on something that respects you as a fan of the genre.