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Hardspace: Shipbreaker is a fun romp as long as the ships you're gutting are new and fresh, but it can lose some charm when the plot thins and boats repeat.
Clunky combat, boring progression, threadbare plot, unrewarding exploration, and a laughably bad healing mechanic. All of these lead to a soulless Souls-like that is Dolmen.
Between its strong and compelling gameplay loop and obvious love of the source material, Evil Dead: The Game is a welcome addition to the asymmetric horror pantheon.
Salt and Sacrifice is enjoyable in short bursts. It retains certain core concepts from the original, including a fairly controversial one: the lack of a map. This is further compounded by repetitive Mage Hunts that become tedious after a while.
Eiyuden Chronicle: Rising is a prequel to Hundred Heroes set in the same world, and is a solid action RPG. But its tedious nature makes it hard to enjoy in the long run.
Visually excellent but extremely short and packed with repetitive, clunky sword fights, Trek to Yomi doesn't hit all the right notes.
Rogue Legacy 2 does everything a sequel should. It builds on what was already well done in its predecessor while reworking any ideas that weren't executed as well. Cellar Door Games has made something both franchise fans and newcomers should be extremely excited to play.
Despite having some interesting concepts and refreshing mechanics, Galactic Civilizations IV suffers from an unintuitive UI, lack of tooltip information, and production queue bugs.
Revita may turn off or encourage players with its main gameplay mechanic, which is an interesting take on the genre. However, some of the game's poor pacing and progression might shut out your heart from this beautiful-looking game.
Tape: Unveil the Memories has compelling elements, but they're overshadowed by some truly bad mechanics and dull monster encounters.
Sephonie is an outstanding 3D platformer that's weakened some by overly verbose, and often heavy-handed story-telling.
Packed with content and fun gameplay, Lego Star Wars: The Skywalker Saga has something to offer most fans of the long-running sci-fi franchise.
Following the disaster that was Borderlands 3's writing, there was some serious pressure on Gearbox to deliver this time around. Tiny Tina's Wonderlands isn't a spectacular game and doesn't live up to Borderlands 2, but I doubt most people will care about that. The simple fact is that we got a Borderlands game that is fun with a story that isn't painful to experience. That's a win in my book.
Weird West does have some interesting and novel ideas. Sadly, bugs, AI issues, and questionable mechanics prove to be problematic.
Captivating and highly entertaining despite how limited and aggravating the combat can be, Ghostwire: Tokyo is stays appealing thanks to its strong open world and dedication to spirit exorcism.
While Assassin's Creed Valhalla: Dawn of Ragnarok has some brilliant ideas, it's far from the epic expansion that you'd want it to be. It's hampered by reused mechanics and a story that's woefully disconnected from your main character's arc.
Visually wondrous and full of logical, fair puzzles and likable characters, this is a worthy entry in the series, despite a jarring conclusion and some rather poor performance.
Now five entries into the Monster Energy Supercross series, the latest is running on fumes. While the sim-like mechanics of its driving model are nice, the overall package is bland, repetitive, and shows barely any progression from past entries.
Relaxing and lovely, Submerged: Hidden Depth doesn't have much in the way of gameplay, but it's still a nice experience for anyone who wants to explore its sunken world.
Gorgeous and aided by satisfying combat mechanics, Young Souls is damaged by inconsistent difficulty, balance issues, bugs, and cheap boss encounters.