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I relished the time I spent with Death’s Door. Not only was I captivated by the visual style, but the gameplay was dynamic, clever, and well-balanced.
Akiba’s Trip: Hellbound & Debriefed is a lot of fun, but it also leaves something to be desired given the fact that we’ve had its sequel for almost a decade at this point. If you’ve never gotten into the series and want to start, or are like me and love Undead & Undressed so much that you just want to know what came before it, then Hellbound & Debriefed is absolutely worth your time. It’s a charming title with a good amount of replayability, and gameplay that, in all likelihood, you probably won’t find anywhere else. Do be warned, however, that its age is showing at this point.
No matter how you play it, Final Fantasy VII Remake Intergrade is a stunning success. While it doesn’t take as much advantage of the PS5 as I’d have liked, this is still the best version of this excellent remake. I’m a huge fan of the bold new direction they’re taking this version of Final Fantasy VII in, one which has even a veteran of the original game on the edge of his seat waiting for part two. Whether you played Final Fantasy VII in 1997, 2020, anywhere in between, or even if you never played the original, you owe it to yourself to check out our favorite game of 2020.
While I wish it took longer for content to start repeating, Wildermyth proves that a procedurally generated story can still be deeply moving, with memorable characters and relationships. What’s here is already well worth your time, but if the development team keeps working to provide more content, this could become one for the ages.
Cotton Reboot! breaks out the witch’s magic and makes a thirty-year-old game feel fresh and new. While not every update lands perfectly, and some content is worthy of a warning, this is an adorable shooter that looks and plays great. Here’s hoping Cotton can return with even more magic soon.
The ideal player for A Tale of Synapse: The Chaos Theories is one with a controller, a fervent love of niche concepts, and a godly amount of patience. I’d even go as far as to say being fluent in French would likely benefit the player as well, so they may enjoy the title in its original language in an effort to bypass the clunky English translation. The background art is surely beautiful, the puzzles themselves are decent, and the idea is certainly interesting, but, as the adage goes, it’s not about the idea but the execution of the idea. That $17.99 can be better spent elsewhere.
Ports can be great, but it’s important to know the distinction between “can I port this to the Switch” and “should I port this to the Switch.” In the case of Kickerhino World, the answer to the first question might be yes, but the answer to the second is most definitely a no. This game’s already been around for years, and it somehow plays worse now than it ever has before. Not by leaps and bounds, no, but worse is still worse when there’s as little gameplay going on as there is in a game like this. It may be free of ads and those all-too-pesky premium currencies, but it’s still not worth the money.
With improved graphics and fantastic use of the DualSense, the PS5 is the best place to play A Plague Tale. This is a unique, interesting story which is well worth your time. I just with that playing it was more interesting. Long sections of the game are only saved by strong atmosphere and your connection to these characters. Linear gameplay and controls that don’t hold up well in intense moments lead to frequent frustration and a game which feels like it goes on longer than it needs to. If you know what you’re getting into, however, there’s still enough good in A Plague Tale: Innocence to be worth your time.
Wave Break is a frantic, over-the-top skateboater with style and moves to burn. Its campaign mode is a welcome addition, and online play and a park editor add variety. All the pieces are here for a sublime tricking experience. The only thing missing is the Steam version’s features, most notably local play. The game is practically screaming for it, and the gameplay perfectly lends itself to local matches.
Indigo 7: Quest for Love is an earnest, enjoyable attempt at a new puzzle game. It’s fun, it’s quirky, the art style is endearing, and the gameplay is solid. Honestly, I’d be giving this game a higher score if it didn’t have some bugs and issues that pop up here and there. Those problems aside, though, if you’re looking for a great multiplayer puzzle game that isn’t Tetris or Puyo Puyo, give this game a shot.
Despite at times significant performance issues, Ys IX: Monstrum Nox works well enough when it matters on the Switch. Players able to spend their time on Balduq on another platform will want to consider doing so, but if your only option is to play on the Switch or you really want to play on the go, Monstrum Nox is still at its core one of the best action-RPGs I’ve played in years.
Even with multiple goals to accomplish, secrets to uncover, and potential endings to see, Overboard! isn’t going to last you months. This is a relatively short game. You might run through it thirty times, but many of those will take ten to fifteen minutes. Others might take thirty minutes to an hour on the long end, but this is an appetizer, the sort of game to be savored over a long weekend rather than obsessed over for months. That’s not a slight. That weekend will be filled with fascinating twists, especially considering you know from the very start what actually happened. Overboard! is a wonderful voyage, well worth your time. Just make sure you don’t go over the rail yourself.
Is Metro Exodus: Enhanced Edition worth picking up? It absolutely is for the price it’s being sold at. It’s a little over 30 quid/dollars and with the DLC and took me about 20-25 hours to get through with a young puppy in the house. It obviously includes the base game, but also comes with the story DLC that came out with the expansion pass. Both add new narrative beats to the game. But where Metro Exodus: Enhanced Edition really lets itself down is the execution of the world it is based in. Sure, crafting an arsenal to butcher hundreds of faceless bandits is fun. But Metro Exodus’ complex post-apocalyptic world has such a deep lore, begging to explored properly. It deserves better than this.
Curved Space tries new things in the twin-stick genre. I appreciate the attempt, but most of those new things don’t work out. Playing it is often uncomfortable, and too many of its weapons are duds. At times the fast-paced shooting can be enjoyable, but even that is too often broken up by pacing issues. I’m all for destroying spiders, but I’d rather do so without feeling sick to my stomach.
Everything about Space Jam: A New Legacy – The Game feels as cheap as its price. What’s here isn’t really bad, but it isn’t good either, and it’s over before you know it. If you’re desperate for something to play and need to kill a half-hour, you can do worse. Free is definitely a competitive enough price. Otherwise, if there’s anything in your library or on Game Pass for subscribers that you’ve been meaning to get to, you’ll do a lot better to spend your time playing that.
There’s room on the market for mindless action, especially when it can be played with friends. I’m glad a game like Dungeons & Dragons: Dark Alliance is on Game Pass because that’s the perfect way to get a group of friends playing together. I just wish that once they gathered, they had something better to play. Unfortunately, despite some parts of the game looking and sounding nice, there’s little else to recommend it. With awful AI, weightless combat, an unengaging story, and loot that feels inessential, the entire game is a slog. The biggest fans of Dungeons & Dragons may find a bit of fun with friends, but they deserve better than this.
Backbone gets off to a great start and it definitely has a lot to say. Great visuals and a stunning soundtrack made me want to give it the benefit of the doubt, to ignore its issues. As it goes on though, Backbone loses everything that made it interesting in its early hours. What replaces it is so different that its hardly even the same game. Different doesn’t have to mean bad, but the changes and ideas thrown around in the second half are too underdeveloped to overlook. Perhaps a sequel can allow the development team to further delve into its many themes. I liked enough of Backbone that for most of its running time I was enjoying myself. In its current state though, it’s hard to enthusiastically recommend.
Empire of Angels IV is a perfectly fine game. But you may have noticed that’s a recurring theme of this review; the combat is okay, the story is okay, and the artistic direction is okay. The game does everything just fine, but it doesn’t particularly excel in any one area. If you’re looking for a nice casual game with a pleasant level of challenging content, but aren’t looking for anything deep and engaging, I think you’ll enjoy this game. You can pick up and play whenever without really forgetting much of the story or what you’re doing.
This is absolutely a game worth playing for any tactical RPG fan.
Paradox Error is so concerned with crafting a meta, fourth-wall-breaking experience that it completely neglects the platformer genre’s fundamentals. It is as dull as it is frustrating. Aspects of its design are unnecessarily hostile to the player. There are thousands, if not tens of thousands, of better platformers out there. Aside from a morbid curiosity, there’s little reason to suffer through this one.